273 records — Page 12 of 28
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Creators:
Lomas, John E., 1941-
Dates:
1972-1973
Size:
905 slides (photographs) ((2 v.), color)
Collection ID:
EEPA.1985-005
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by John E. Lomas in the Sudan from 1972 through 1973. The images document the art and culture of village peoples of the Sudan to include the Dinka, Murle and Shilluk. Most are portraits showing body painting and scarification. Activities portrayed include buying and selling in markets, domestic chores, hunting and metal smithing. There are also images of modern and traditional architecture.

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Creators:
Stanley, Janet
Dates:
1981
Size:
47 slides (photographs) (color)
Collection ID:
EEPA.1983-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Janet Stanley in 1981 during her travels through Kenya, Tanzania, Zanzibar and the Seychelles.

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Dates:
circa 1920
Size:
6 postcards
1 map
1 pamphlet (descriptive leaflet)
Collection ID:
EEPA.2013-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
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Dates:
1954-1955
Size:
31 photographic prints ((1 box), black & white, 19 x 31.5 cm.)
Collection ID:
EEPA.XXXX-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

A bound notebook of prints picturing a model of the royal palace at Babanki Tungo, West Cameroon. The accompanying caption on the inside of the first image reads, "The model represented in this photographic album is the royal palace at Babanki Tungo, West Cameroon. It was carved by Robert Toh, the royal craver, during 1954-55. The brass figurines were sculpted by Umaru Njasi, a brass-caster from Bamum. The photographs are by Evan G. Schneider and were taken in Southeastern Ohio. Mr. Schneider is also responsible for the printing. Gilbert D. Schneider Athens, Ohio - - 1968." The palace and figurines were also donated in 1979 to the Museum of African Art, now the National Museum of African Art (accession no. 79-1-1).

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Creators:
Blakely, Thomas
Elisofon, Eliot
Gardner, Robert
Dates:
1974
Size:
1 item (DVD , col.)
Collection ID:
EEPA.2012-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Film (DVD format) entitled "African Carving: A Dogon Kanaga Mask" by Thomas Blakely and Eliot Elisofon in collaboration with Robert Gardner. Originally produced in 1974, this color copy was released in 2008 and runs 19 minutes.

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Creators:
Robert Therrien
Dates:
circa 1990s
Size:
13 items (cards )
Collection ID:
EEPA.2013-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 13 printed cards produced by Gallery Watatu in Nairobi, Kenya. These include exhibition announcements, an exhibition booklet, a holiday card, and cards featuring artwork from the Gallery.

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Creators:
Garrard, Timothy F.
Dates:
1980-2002
Size:
25,000 items
negatives (color , 35mm)
photographic prints (color , 4 x 6 inches)
Collection ID:
EEPA.2009-013
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of approximately 25,000 images (negatives and prints) taken by the late Dr. Timothy Garrard (1943-2007). Some images were taken in Ghana, Mali and Burkina Faso between 1980-1990, but the majority were taken in Cote d'Ivoire from 1983-2002. Subjects depicted include natural and cultural landscapes, the Senufo Poro society, and the Akan, Baule and Senufo peoples.

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Dates:
1895-1897
Size:
65 negatives (photographic) (dupe negs, black & white, 4 x 5 in. )
65 photographic prints (albumen (1 box), black & white)
65 photographic prints (dupe prints (1 v.), black & white, 8 x 10 in. )
Collection ID:
EEPA.1996-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs of inhabitants and landscapes of Southern Nigeria. Images include views of Old Calabar; colonial architecture, interior and exterior; Christmas group portrait; Queens Diamond Jubilee, 1897, in Calabar; portraits of Africans employed by the colonials; wedding in Creektown; sports in Calabar; Niger Coast Protectorate marching band; chiefs at Native Court, Calabar; soldier from the Gold Coast Protectorate with Benin medal; a yacht; dance at the late King Duke's IX quarters, Calabar; Chief Essien-Etum, Calabar; King Epo Honesty III, Creektown; Chief Coffee Adam Lion Bar; Chief's Coco's war canoe; and Calabar women with their attendants.

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Creators:
Kennéy, Michael, 1904-1982
Kennéy, Lona B. Mrs., 1896-1994
Dates:
1933-1939
Size:
89 negatives (photographic) (black & white, 12 x 9 cm. or smaller)
1 film reel (1 reel (89 interpositives), black & white, 70 mm.)
2 volumes
16 photographic prints ((1 box), black & white, 32 x 25 cm. or smaller)
237 photographic prints ((contact prints), black & white, 8x10 in. or smaller)
8 postcards (black & white, 8 x 12 cm.)
237 photographic prints ((1 v.), black & white, 8x10 in. or smaller)
Collection ID:
EEPA.1997-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken or collected by Dr. Michael Kennéy while serving as a colonial medical officer in the Belgian Congo from 1933-1939. Eight images are portrait photographs. They are numbers 103, 104, 105, 108, 110, 111, 112, 114

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Creators:
Macdonald, Claude, Major General
Dates:
circa 1895
Size:
135 negatives (photographic) (dupe negs, black & white, 4 x 5 in. )
135 photographic prints (albumen, black & white, 14 x 21 cm.)
135 photographic prints (copy prints (2 v.), black & white, 8 x 10 in.)
Collection ID:
EEPA.1996-019
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographic album formerly belonging to Major General Claude Maxwell Macdonald (1852-1915), Commissioner, Oil Rivers Protectorate, in West Africa, circa 1895. The album contains photographs of the consulate general in Old Calabar, Opobo and Bonny. Images, such as the arrival of Lady Macdonald in 1895 (returning from a home leave), interiors of British residences, and (named) group portraits of the British reflect colonial life and infrastructure. Native and British troops are depicted as well. Several images show the results of the British attacks on Brass and Nembe, in retaliation for King Nana's unwillingness to cooperate. Several images were taken of chiefs, among them a copy photograph of a 1882 image of King Nana of the Benin River, King Jaja of Opobo, King Koko of Brass, King Duke IX of Old Calabar, and King George Pebble of Bonny. Perhaps the most outstanding imagery is a series "On the way to Benin," which contains the photograph of an altar, a crucified woman, a forest path, and a contingent of British colonials. Several remarkable photographs depict Cross River masquerades with head crests, dances of Kru "Boys," and portray women of the Niger Delta. One photograph, showing the bronze sculpture of a Benin horseman placed on a rug in front of a wall (very likely taken in Nigeria), is of great interest for art historians. This particular figure left Benin before the city was ransacked and destroyed by the British Punitive Expedition in 1987, and, according to William B. Fagg, eminent historian of Nigerian art, came to the Merseyside County Museums, Liverpool, UK, as early as 1892 (note that Macdonald arrived in the Oil Rivers Protectorate in 1891).

273 records — Page 12 of 28