273 records — Page 14 of 28
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Dates:
circa 1885-1910
Size:
128 photographic prints ((1 box), black & white, 13 x 18 cm. or smaller)
Collection ID:
EEPA.2000-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs of Madagascar in the early French colonial period and Merina Kingdom in Central Madagascar, ca. 1887-1900. Portrait images include Queen Ranavalona III (exiled to Algiers in 1897), her husband, the Prime Minister, and other royals. There are images are of Malagasy women from other parts of the island.

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Creators:
Cole, Herbert M
Dates:
1973
Size:
357 slides (photographs) (color)
Collection ID:
EEPA.2000-008
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Herbert M. Cole of people and architecture in Kenya, 1973. Peoples included are the Samburu, Turkana and Pokot.

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Creators:
Acebes, Hector R.
Dates:
1949-1953
Size:
206 photographic prints ((2 boxes), black & white, 8 x 10 in.)
130 slides (photographs) ((1 vol), color)
23 photographic prints ((1 box), black & white, 8 x 10 in.)
Collection ID:
EEPA.2000-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographic images taken by Hector R. Acebes from 1949 to 1953 throughout many countries to include Mali, Tanzania and Morocco.

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Creators:
Schneider, Gilbert
Dates:
mid 1970s
Size:
24 photographic prints ((1 box), black & white, 12 x 15 cm.)
Collection ID:
EEPA.XXXX-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs of art objects and of object installations taken during the mid-1970s.

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Creators:
Smith, Thomas William Maccaulay
Dates:
between 1980-1985
Size:
606 negatives (photographic) (+42 contact sheets., black & white, 35 mm. )
1 box
11 slides (photographs) (color)
Collection ID:
EEPA.1997-015
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Thomas William Maccaulay Smith, an avid photographer, while serving as U.S. Ambassador to Ghana in the early 1980s. The images provide extensive documentation of woodworking techniques to include the carving of tools, stools, canoes and figures. Also included among the images are the textile production and blacksmithing.

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Creators:
Puccinelli Robbins, Lydia
Dates:
1948-1974
Size:
7 items (photographic prints )
0 items (ephemera )
Collection ID:
EEPA.2016-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of ephemera related to the Museum of African Art (now the Smithsonian National Museum of African Art) and 7 photographic prints. Ephemera includes monographs, clippings, exhibition invitations, the original prospectus for the Museum by Warren Robbins (1963), and a page of remarks delivered by Paul Tishman at the "Tribute to ...

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Creators:
Robinson, Blake
Dates:
1961
Size:
12 negatives (photographic) (dupe negs, black & white, 4 x 5 in.)
115 postcards (1 volume)
12 photographic prints ((1 album), black & white, 13 x 18 cm. or smaller.)
12 photographic prints (dupe prints (1 v.), black & white, 8 x 10 in.)
Collection ID:
EEPA.1997-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographic album purchased by Blake Robinson in 1961 from the Charlejean Studio in Brazzaville, Congo. These images are of great interest as the images were most likely taken by an African photographer. Images include three of rivers scenes, two of funeral ceremonies, one each of a President and a press conference, three of modern house interiors and one aerial of Monumama. 42 postcards are from the city and surrounding countryside of Mogadishu, Somalia and depict architecture and wildlife. Evidence of Italian and Islamic influences appear in the urban scenes of Mogadishu's schools, banks, burial grounds, places of worship and legislative building. People pictured in the background are seen in mostly European clothing. A few scenes of the countryside include Somali herders in their traditional garments. Postcards of wildlife illustrate elephants, wart hogs, lions, buffalo, antelope and a leopard. 73 postcards depict scenes of urban and rural living in Chad, Nigeria, Liberia, Senegal, Cote d'Ivoire, Congo and Morocco. Images include market places, aerial views of Goree and Liberian basket weavers.

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Creators:
Roget, Léon, Major, 1865-1929
Dates:
1886-1888
Size:
53 photographic prints ((1 album), black & white, 12 x 17 cm.)
53 negatives (photographic) (dupe negs, black & white, 4 x 5 in.)
53 photographic prints (dupe prints (1 v.), black & white, 12 x 17 cm.)
Collection ID:
EEPA.1997-013
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs assembled by Major Leon Roget, 1858-1909, in 1886 and 1888 in Boma, Congo Free State. Major Roget had organized the first companies of Force publique and had become its first commander (1886-1888). Most of the images are described in captions written on separate sheets by Rene J. Cornet, author of "La Bataille du Rail." Some images show the building of the railroad of the lower Congo (Matadi-Kinshasa), Katanga, and relate to the Belgian occupation and geological exploration of the Southeastern province and Maniema of the Belgian Congo by his father, Jules Cornet, 1865-1929. The majority of the images show architecture and colonial life in Boma and Matadi. They include a balloon ascent in 1889, a group of African men and women, African troops and African women with scarification. The most remarkable photographs include a picture of a Kongo burial ground, a studio photograph of a "horizontale" in Sierre Leone and a portrait of Makoleka, a "feticheur," who was executed for murder.

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Dates:
1900-1905
Size:
146 negatives (photographic) (dupe negs, black & white, 4 x 5 in.)
146 photographic prints (dupe prints (2 v.), black & white, 8 x 10 in.)
67 photographic prints (albumen, black & white, 25 x 30 cm.)
79 photographic prints ((1 box), black & white, 16 x 11 cm. or smaller)
Collection ID:
EEPA.1997-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs belonging to the fiancée of Mr. A.E. Ball, a missionary with the Church Missionary Society in Bida, Nigeria (Nupe). While she was waiting for him in England, he sent numerous photographs with penciled explanations to her, which she kept even after the engagement had ended. Many of the images appear to be the work of A.W. Banfield, a Canadian missionary and a contemporary of A.E. Ball, whose photographs are now in the Royal Ontario Museum in Toronto. Identical images are found in Banfield's book, Life Among the Nupe Tribe, (1905). Twenty-five of the images are portraits of African men and women in the style and size of cartes de visite. Many more of the images include group photographs of Africans and Europeans. A third subject found among the images is architecture. These images include Nupe buildings in Bida, a cathedral in the Canary Islands, a mosque and the High Commissioner's bungalow in Zumgeru.

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Creators:
Stanley, Janet
Dates:
1967
Size:
14 slides (photographs) (color)
Collection ID:
EEPA.1998-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Janet Stanley while working with the Ghanaian Youth Workcamp Association, from mid-June through mid-August, 1967. During this time, she served at two work camps, the first being in Awundome-Tsito, Ho District, Volta Region, where most of the slides were taken. The other photographic images were taken at Accra, her point of entry.

273 records — Page 14 of 28