The collection consists of twenty matted black and white photographs taken in February 2011 that were used in Doggett's series, Omo: Expressions of a People (2012). These artistic photographs were taken in Omo Valley, Ethiopia, and depict Suri, Hamar, Dhassanac and Karo peoples.
This collection is comprised of 769 35mm color slides, dates from 1982 to 1986 and documents various Agemo festivals, a performing art of the Yoruba religion. More specifically, Pemberton photographed Agemo funeral rites at the Asu Aluwa house in Olosiwonade, Ijebu, various Agemo priests and their stools, the Odun Agemo festival, Chief Sherafusi's Odun Agemo festival in Igbile, and Egungun dancing at the palace in Oru, Ijebu.
The collection dates from 1678 to circa 2005 and consists of 58 maps, engravings, posters, original documents and photographs related to East, Central and South Africa. There is a special focus on Ethiopia (Abyssinia), Tanzania and the Sudan, and the collection's subjects include East African geography, history, political affairs and African leaders, as well as European (German, Italian, British) and American colonization, exploration and warfare in Africa.
The Robbins Center Collection includes posters advertizing the Museum of African Art (now the National Museum of African Art, Smithsonian Institution) and its exhibits, exhibit brochures, a watercolor painting and photographs by Eliot Elisofon, and museum signage.
This collection contains a variety of materials including (1,615) 35 mm color slides, circa 400 photographic prints, 1 box of manuscript materials, 1 notebook, 52 audio and 1 video cassettes, and 1 CD-ROM. Many of the slides and photographs were taken during Houlberg's field work in Nigeria (1973-1975) and depict Ibeji figures, wood carvings, Egungun masquerades and masks, twins, portraits, hairstyles, festivals, shrines, textiles, and peoples including the Yoruba, Ekoi, Ibibio, and Ogoni. The audiocassettes consist of lectures, music, field records, and interviews.
The Marilyn Houlberg Haiti Collection includes negatives, audio cassettes, video reels, prints, CDs, DVDs, field books, and manuscript materials, including lecture/research files and correspondence, which were created from the 1970s to circa 2012 by Houlberg and focus on the arts and culture of Haiti, especially those of the Afro-Caribbean religion of Voudou.
The collection includes photographs taken by Aylette Jenness in northern Nigeria between 1967 and 1969. They document daily life in a remote part of Yauri Emerite, focusing on the townspeople of Yelwa and those in its environs.
Photographs taken by Seligman between 1970 and 2004 primarily of West Africa, including Senegal, Gambia, Guinea Bissau, Mali, Dogon, Zimbabwe, Zambia, Botswana, Swaziland, Kenya, and Morocco. Additionally, there are some images of masquerades in Cote d'Ivoire and Togo, and scenes in Ghana and Great Zimbabwe. Images depict cultural landscapes, masqu...
The collection consists of one postcard and 67 photographs documenting the installation for and art objects in the exhibition "African Art from Nigeria and the Ivory Coast" (April 6-25, 1983), held at the Sarah Lawrence College Art Galley, and curated by Barbara Jarocki. The postcard is an invitation to the opening reception.
Photographs taken by Ann O'Hear of leatherworking and pottery technology in Ilorin, Nigeria, from 1980 to 2015.