The Marilyn Houlberg Haiti Collection includes negatives, audio cassettes, video reels, prints, CDs, DVDs, field books, and manuscript materials, including lecture/research files and correspondence, which were created from the 1970s to circa 2012 by Houlberg and focus on the arts and culture of Haiti, especially those of the Afro-Caribbean religion of Voudou.
The collection includes photographs taken by Aylette Jenness in northern Nigeria between 1967 and 1969. They document daily life in a remote part of Yauri Emerite, focusing on the townspeople of Yelwa and those in its environs.
Photographs taken by Seligman between 1970 and 2004 primarily of West Africa, including Senegal, Gambia, Guinea Bissau, Mali, Dogon, Zimbabwe, Zambia, Botswana, Swaziland, Kenya, and Morocco. Additionally, there are some images of masquerades in Cote d'Ivoire and Togo, and scenes in Ghana and Great Zimbabwe. Images depict cultural landscapes, masqu...
The collection consists of one postcard and 67 photographs documenting the installation for and art objects in the exhibition "African Art from Nigeria and the Ivory Coast" (April 6-25, 1983), held at the Sarah Lawrence College Art Galley, and curated by Barbara Jarocki. The postcard is an invitation to the opening reception.
Photographs taken by Ann O'Hear of leatherworking and pottery technology in Ilorin, Nigeria, from 1980 to 2015.
The collection includes 193 slides taken by Marilyn Heldman in Ethiopia in the 1960s and 1970s. Subjects include architecture, art objects, marketplaces, pottery, reliefs and cultures including the Bamileke, Fulani, Hausa, Oyo and Yoruba peoples.
Jean Borgatti's collection dates from 1971 to 2003 and was created in Nigeria and Ghana. Much of the collection documents masquerades, shrines, festivals, market scenes, and ceremonies, and includes images of Urhobo, Uzairue, Ishan (Esan), Etsako, and Otuo peoples.
The collection consists of two black and white photographs of Dr. Hertzog and her students in the Department of Computer Science, Ile-Ife, Nigeria, dated 1975 and 1976. Both photographs were produced by local Nigerian photographers, Sunkanmi (1975) and Bisi Photo Studio (1976).
The collection consists of ephemera related to the Museum of African Art (now the Smithsonian National Museum of African Art) and 7 photographic prints. Ephemera includes monographs, clippings, exhibition invitations, the original prospectus for the Museum by Warren Robbins (1963), and a page of remarks delivered by Paul Tishman at the "Tribute to ...
The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.