The Yatsuhashi Harumichi Family Papers (1906-1976) document the professional and personal lives of a Japanese-American family in Boston during the twentieth century. The patriarch, Yatsuhashi Harumichi (1886-1982), was an influential Asian art dealer and the papers also document the professional experiences of Asian art dealers in the United States during the early and mid 20th century. Mr. Yatsuhashi worked at the antiquities firm of Yamanaka & Company before starting his own Asian antiquities shop in 1945. Included in the papers, portions in Japanese, are correspondence; catalogues relating to the Alien Property Custodian's 1944 liquidation of Yamanaka & Company's New York branch's holdings; photographs depicting art objects and shop interiors, the Yatsuhashi family, Yamanaka & Company, and extended family, friends, and colleagues; and items belonging to Mr. Yatsuhashi's wife, Shigeki, and some of their children.
Writer, curator, and professor Benjamin Franklin March Jr. (1899-1934) studied, lectured, and wrote in the United States and in China, and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. His papers, dating from 1923 to 1934, document his professional and personal life in the United States and in China and include lecture notes and outlines; research notes; diaries; scrapbooks; and photographs.
The John Calvin Ferguson Family papers measure 6.4 linear feet, and date from circa 1850s to 1988, with the bulk dating from 1900 to 1945. The bulk of the papers consists of John Calvin Ferguson's personal, professional, and family correspondence, and correspondence between other members of the Ferguson family. The papers also include biographical materials; sermons, speeches, and writings by Ferguson and others; printed materials, both collected and given to Ferguson; and photographs, including five photograph albums.
Papers created by Asian art historian, curator, and collector Dr. James Francis Cahill. Includes personal and professional correspondence and project files documenting his many publications, lectures and activities in the Asian art field. Documents span his early career at the Freer Gallery of Art, where he served as curator of Chinese art from 1957-1965, and his tenure 1965-1994 as Professor of the History of Art at the University of California, Berkeley.
Abel William Bahr was a coal merchant and general importer born in China who became an important collector of Chinese art. Several books and catalogues have been published about his collection. His papers include numerous drafts and notes about his memoirs as a collector, correspondence with other collectors and photographs of Chinese art objects, from jade to pottery to paintings.
Photographs and negatives of Sonia P. and Hans C. Seherr-Thoss. Mounted and unmounted color slides, transparencies, black and white negatives, mounted prints, contact sheets, and a photograph, circa 1960-1968. The majority of images, taken by Hans C. Seherr-Thoss, appear in their publication, Design and Color in Islamic Architecture: Afghanistan, Iran, and Turkey, published by the, Smithsonian Institution Press, in 1968. Countries depicted are Iran, Turkey, Afghanistan, Tajikistan, and Uzbekistan.
A collection of black and white prints and negatives of Islamic monuments taken by former ambassador Richard B. Parker. The collection includes 200 prints and 481 negatives. The images document Islamic architecture throughout Algeria, Cairo, Lebanon, Syria, Jordan, Morocco, and Spain.
Personal papers of Robert O. Muller, a Connecticut-based art dealer and collector who, over the course of seventy years, assembled one of the world's finest collections of Japanese prints from the late 1860s through the 1940s. The papers include Muller's correspondence relating to Japanese art, files relating to his and his wife's 1940 honeymoon in Japan during which he forged many contacts with Japanese artists and art dealers and purchased thousands of prints, subject files, catalogs, business transactions, magazine and newspaper clippings, photographs, and notes and drafts for a planned book.
Aschwin Lippe was a research fellow and later curator in the Department of Far Eastern Art at the Metropolitan Museum of Art in New York City. The collection includes his early research and writings on East Asian art, particularly Chinese paintings. It has substantial material on his involvement in selecting the paintings and writing the catalog for the 1961 Chinese Art Treasures Exhibition. He later shifted his research focus to medieval Indian sculpture. The collection includes journals kept during several years of field research in India as well as his extensive photo-documentation of Indian temples and religious sculpture.
Elizabeth Moynihan is an architectural historian and author, specializing in the study of Mughal gardens in India. This collection measures 7.13 linear feet and documents Elizabeth Moynihan's research of the Lotus Garden of Dholpur, the Jai Mahal Garden in Jaipur, Mehtab Bagh, and many other Mughal Gardens in India. It includes correspondence; fiel...