Copies of photographs probably made or collected by Herbert W. Dick for his 1965 book, Bat Cave. Included are images of excavations and sediment, field camp and crew, a nearby quarry site, a building in Horse Springs, and projectile points and baskets found at Bat Cave in New Mexico. Depicted individuals include Jeffery V. Morris, Hugo G. Rodeck,...
Photographs from an album compiled by Christian Barthelmess for a fellow soldier, O.S. Gordon. The bulk of the images relate to American Indians and the United States army and include studio portraits; images of dwellings and camps; cowboys; Zuni and Navajo performing daily activities; Cheyenne and Zuni dances; a Cheyenne travois; fishing and hunt...
Photographs used to illustrate John Reed Swanton's "The Indians of the Southeastern United States" depicting American Indians of the Southeast and their dwellings, food preparation, and ceremonies.
Copies of photographs depicting members of the Cook and Bradby families of the Pamunkey Reservation in Virginia, including some images of Pamunkey Indians with game or birds. There is also a photograph that include James Miles, Governor of Virginia, and a group that participated in the Jamestown Exposition in 1907.
Copies of family photographs, including those of the Archambault and Gates families, collected by Susan K. Power. There are studio portraits, images of family members in regalia, and photographs of crafts and paintings; a beaded satchel can be seen in multiple images, including nineteenth and twentieth century photographs. Annotated electrostatic...
Copy of a tinted image of a seated Nias warrior.
Copies of photographs depicting Barbara Freire-Marreco Aitken, her husband Robert, Elizabeth Yates, and their home.
Copies of photographs collected by Mary Ogden Dranga that relate to Hopi Indians. They include images of Hopi pueblos, a Snake Dance, and a Green Corn Dance, made by A. A. Forbes; an expedition party at Moqui Pueblo, including Frederick Webb Hodge and George Wharton James in 1895; and Thomas v. Keam's house. The album in which the original prints...
Copies of photographs depicting Little Powder, an Arapaho chief; High Backbone, a Cheyenne Indian, or Hump, a Sioux Indian married to a Cheyenne woman; Chief Joseph, October 1877; and Squaw Jim, a two-spirit Crow Indian, seated next to a Crow woman.
Portrait of Eduardo Masferre that he selected for inclusion in an exhibit of his photographs in the Smithsonian Institution National Museum of Natural History in 1992.