232 records — Page 17 of 24
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Creators:
Ferne, Hortense T., 1885-1976
Dates:
1932-1933
Size:
180 acetate negatives (black and white, 5 x 7 inches.)
71 Photographic prints (gelatin silver, 10 x 13 inches.)
Collection ID:
NMAI.AC.045
Repository:
National Museum of the American Indian

This collection contains 180 black-and-white acetate negatives and 71 gelatin silver prints taken by American artist Hortense Ferne. The images depict scenes of everyday life in the Mexican states of Oaxaca, Puebla, Morales, Guerrero and the Federal District, as well as the Teotihuacán archaeological site. A few images of San Jose Mission and the Alamo in San Antonio, Texas, are also present.

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Creators:
Huckerby, Thomas
Dates:
1912-1920
Size:
61 negatives (photographic) (black and white, 4.5 x 6.5 inches.)
Collection ID:
NMAI.AC.047
Repository:
National Museum of the American Indian

This collection contains 61 glass plate negatives taken by Rev. Thomas Huckerby between 1912-1920. Most of the images depict views of petroglyphs on St. Vincent and the Grenadines, St. Lucia and Grenada. Also includes eight images of objects collected by Huckerby; these objects are now in the collections of the National Museum of the American Indian.

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Creators:
Wetherill, John
Wetherill, Richard, 1858-1910
Dates:
circa 1890-1900
Size:
3 acetate negatives (black and white, 5 x 7 inches.)
54 Photographic prints (albumen, 5 x 7 inches.)
Collection ID:
NMAI.AC.051
Repository:
National Museum of the American Indian

This collection contains 54 albumen prints and 3 black-and-white negatives taken circa 1890-1900. Only two of the images can be definitively attributed to Richard Wetherill; the majority are attributed to "one of the Wetherill Brothers," either Richard or his brother John. The images depict views of various locations in Colorado, including Johnson Canyon, Mancos Canyon, the La Plata Mountains (San Juan Mountains), Mesa Verde (Balcony House, Cliff Palace, Navajo Canyon, Cliff Canyon, Ruin Canyon), and the Wetherill ranch known as Alamo House. Also present are images of a Zia Pueblo woman and a burial site at Grant Gulch, Colorado.

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Creators:
Morrow, Stanley J.
Dates:
1867-1890
Size:
1 negatives (photographic) (acetate)
15 albumen prints
Collection ID:
NMAI.AC.031
Repository:
National Museum of the American Indian

Images depict primarily Northern Plains subjects.

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Creators:
Calver, William L.
Dates:
1895-1936
Size:
129 negatives (photographic) (black and white, 4.5 x 6.5 inches.)
22 lantern slides (black and white, color.)
19 albumen prints
129 acetate negatives (Duplicates, black and white, 5 x 7 inches.)
Collection ID:
NMAI.AC.042
Repository:
National Museum of the American Indian

This collection contains 22 lantern slides in black and white and color, 129 black-and-white glass negatives and 19 albumen prints taken by William L. Calver between 1895-1936. The images primarily depict archaeological excavation sites in Inwood, New York City, and the broader New York City area. Also present are 129 duplicate acetate negatives.

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Creators:
Malkin, Borys, 1917-2009
Dates:
circa 1960-1962
Size:
28 negatives (photographic) (black and white)
1 Photographic print (black and white)
117 slides (photographs) (color)
Collection ID:
NMAI.AC.040
Repository:
National Museum of the American Indian

Images of Brazilian Indians, including Karaja, Tapirape, Awetí (Aueto), Wayana (Oyana) and Ka'apor. Images include outdoor/ indoor portraits and daily and ceremonial activities.

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Creators:
National Congress of American Indians
Dates:
1952-1997
Size:
24 videoreels (1/2 inch)
1 videocassettes (hi8)
3 sound cartridges
1 sound recording (dictaphone belt)
10 videocassettes (vhs)
442 Sound tape reels (1/4" open reel)
30 videocassettes (u-matic)
713 Sound cassettes
Collection ID:
NMAI.AC.010.001
Repository:
National Museum of the American Indian

The National Congress of America Indians (NCAI), which describes itself as the oldest and largest American Indian and Alaskan Native organization in the United States, was founded on November 16, 1944, in Denver, CO and is still active today. NCAI was founded to serve as a link between individual tribal councils and the United States government but also aimed to educate the general public about Indians, preserve Indian cultural values, protect treaty rights with the United States, and promote Indian welfare. This collection of National Congress of America Indians Audio and Film Recordings contains materials created by and for NCAI to maintain a record of organizational proceedings and events between 1952 and 1997. Recorded in various formats, the bulk of this collection is on 1/4" open reel to reel tapes and sound cassettes. The events represented in this collection include annual and mid-year conventions, executive council meetings, congressional hearings, intertribal institutes and a variety of workshops and meetings regarding economic, civil and educational issues facing indian country.

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Creators:
Bull, William, 1878-1942
Albertype Co.
Dates:
approximately 1915
Size:
12 photomechanical prints (collotypes (Albertypes))
Collection ID:
NMAI.AC.404
Repository:
National Museum of the American Indian

This collection includes 12 portraits photographed by William Bull of Chiefs from the Pikuni (Piegan) [Blackfeet Nation] shot in Glacier National Park, Montana, around 1915. The collotypes (photomechanical prints) were hand-colored and published by the Albertype company of Brooklyn, New York.

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Creators:
Bernard, Joseph-Fidèle, 1878-1972
Dates:
1921
Size:
11 glass plate negatives
11 copy negatives
Collection ID:
NMAI.AC.132
Repository:
National Museum of the American Indian

The Joseph-Fidèle Bernard photographs from Alaska consists of negatives taken by Bernard in 1921 among the Inupiaq (Alaska Inupiat Eskimo) and Siberian Yu'pik communities. Bernard was an artic trader, trapper and captain of the schooner "Teddy Bear."

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Creators:
Jones, James C. (James Clyde), 1944-
Dates:
1977-1979
1988
Size:
910 slides (photographs) (color, 35mm)
2 Sound cassettes
Collection ID:
NMAI.AC.110
Repository:
National Museum of the American Indian

This collection includes slides (photographic) and audio-cassettes created by James Jones during research trips to San Ingnacio de Moxos, Beni, Bolivia in 1977-1979 and 1988. Jones was conducting research to complete his dissertation in anthropology and photographed many indigenous Moxo (Mojo) community members he interviewed during the course of his research, as well as local festivals and agricultural activities.

232 records — Page 17 of 24