This collection spans the period from the mid-1940s to the early-1960s and consists ofnewspaper and magazine articles by and about Loewy, including the 1949 TIME magazine on which he appeared on the cover. Extensive clippings exist pertaining to his designs for automobiles. Also includes many articles and speeches written by and about William Snaith, a partner in the firm which was renamed Raymond Loewy/William Snaith, Inc. in 1961. A catalog from the exhibition, "Ten Automobiles," which took place at the Museum of Modern Art in New York City in 1953, is included. Other materials include brochures printed and designed by the firm, press releases, a listing of projects, honors, and membership. Some photographs of Loewy and his design team are included. The collection does not contain any original design materials or project files.
Materials collected by Robert P. Alexander, acquired by him chiefly between 1975 and 1985. The collection includes photocopied, reprinted, or excerpted articles from periodicals and chapters from books, abstracts, copies of typed manuscripts, and some non-book format materials (e.g. sound recordings, slides, etc.). The source of each item is generally typed or handwritten on the piece, although the source is not recorded in every case. Some soft-bound longer monographic works are also included in the collection. The collection includes materials issued from the late 18th century (i.e., in modern editions or photocopies) through the first half of the 1980s, with the bulk of the collection dating from the late 19th century onwards.
D.S. in German, sheet of autograph calculations (4 p.), and holograph manuscript (4 p.) of excerpt from Eclogae Chronicae, in Latin and Greek.
Collection of William Temple Hornaday's notes and correspondence, chiefly relating to his travels, his publications, and his collecting of wild animals. Includes lists of Hornaday's expenses and animals collected on an expedition to Borneo in 1878 for Henry A. Ward, with addendum dated 1933; correspondence from Albert N. Theobald, Charles Theobald, and Wm. Theobald of the Theobald Brothers firm of taxidermists in Mysore, south India (1906-1919); letters from Norman W. Mumford of Boston, Mass. (1920), G.W. Beardsley of the Evening Herald Co., Binghamton, N.Y. (1909), and Mortimer Osborne Bigelow, Capt. 8th U.S. Cavalry, Fort Huachuca, Arizona (1909), and a letter from Hornaday and his wife Josephine to Wm. Sarre[?] (1934).
Manuscript and printed textual material, photographic prints and negatives, slides, audio tapes, film, original and reproduction artwork, maps, scrapbooks, and historical and natural artifacts related to the history of African exploration and natural history, dating primarily from the nineteenth and twentieth centuries. Includes correspondence, drafts of publications, diaries, account books, ephemera, posters, newsclippings, biographies, memoirs, portraits, and the former personal property of selected explorers, big game hunters, missionaries, pioneers, and naturalists in Africa.
Collection consists ofapproximately 66,000, high quality engravings collected by Kubler from European and American books and periodicals dating almost exclusively from the 19th century.Portraits and city views document the social history and material culture of the period. Specific topics covered include archery, boxing, funerals, irrigation, milk, peddlers, riots, stenography, volcanos, and wrecks, among others. Among the publications from which illustrations were removed are Harper's weekly, Frank Leslie's Illustrated Newspaper, Puck, Illustrated London News, and King's New York City Views. Dates Kubler noted on the individual items are the dates on which the illustrations appeared in the publication from which they were extracted, not the date of the events or subjects being documented. Each print is mounted on tissue. Folders marked by a red circle indicate extremely rare prints.
The Parish-Hadley Collection documents the history of the New York City design firm from 1962-1994.Particular emphasis is on Sister Parish (Mrs. Henry Parish II) and Albert Hadley. Magazine clippings from various publications make up the majority of the collection as well as gossip column excerpts about Parish-Hadley or infamous clients. The slides date mostly from the 1980s-1990s and depict some but not all Parish-Hadley projects.
This collection documents Scheeline's work as a textile designer from 1945-1970.The archive material consists of brochures, photographs, sketches, correspondence, scrapbooks, client records, and other related items that document Ms. Scheeline's career from the 1930s to the 1980s (briefly covers 1990s). A majority of the items deal specifically with the projects for textiles and wallcoverings, research on forms in nature, and notes on her travels.
This archive includes interesting documents related to Trude Guermonprez's life and work as a weaver. The archives are especially related to the designer's work for her major clients, like Holland America Line and Owens Corning Fiberglass; other pieces in this archive are related to Guermonprez's work for custom curtains made for major synagogues and her designs, interior fabrics, screens and rugs realized in conjunction with J.P. Oud, Architects Associated, New York; Eric Mendelsohn, Warren Callister, etc. The correspondence and the photographs in this collection provide insight into the designer's private life. Included in this collection are press articles, brochures, correspondence, postcards, photographs, color slides, notebooks, textiles, and textile wood patterns.