48 records — Page 5 of 5
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Creators:
Kauffer, E. McKnight (Edward McKnight), 1890-1954
Dates:
1915-1954
Size:
3 Cubic feet
Collection ID:
SIL-CH.1997-134-1
Repository:
Smithsonian Libraries

This collection documents Kauffer's work as a theater designer, and graphic designer from 1915-1954.The collection includes allusions to correspondences between Kauffer in America to T.S. Eliot (1888-1965) in London, between 1930 and 1955. (There are no letters between the two men in the collection.) Although Kauffer and Eliot were to become friends after 24 July 1930, they were professionally related before that time. Kauffer illustrated the Ariel edition of Eliot's "Marina." Kauffer and Eliot met in London. In the collection are also posters of Kauffer's works, biographical pieces, and obituaries as well as photographs of the artist.

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Creators:
Parish, Henry, Mrs., II
Parish-Hadley Associates
Hadley, Albert
Dates:
[196-]-1994
Size:
11 Boxes (13 albums)
Collection ID:
SIL-CH.2000-3-1
Repository:
Smithsonian Libraries

The Parish-Hadley Collection documents the history of the New York City design firm from 1962-1994.Particular emphasis is on Sister Parish (Mrs. Henry Parish II) and Albert Hadley. Magazine clippings from various publications make up the majority of the collection as well as gossip column excerpts about Parish-Hadley or infamous clients. The slides date mostly from the 1980s-1990s and depict some but not all Parish-Hadley projects.

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Creators:
Zilberg, Jonathan Leslie, 1961-
Dates:
1961-1967
Size:
24 Items (24 art originals : watercolor on paper ; mounted in album 25 x 31 cm. + 1 essay (10 leaves ; 28 cm.) + 3 appendices (5, 2, [1] leaves : ill. ; 28 cm.))
Collection ID:
SIL-AA.XXXX-0016
Repository:
Smithsonian Libraries

Consists of 24 watercolors mounted in a "Croxley Drawing Book" album ([24] p., interleaved with tissue paper) with the hand-written identification: "Watercolour drawings by f-emale & m-ale African primary school children" on p. [1] of the cover; 1 print-out of essay (2010), Painted drawings by Rhodesian school children in the Smithsonian Institution, by Jonathan Zilberg; and 1 photocopy of a "Suggested press release" for a traveling exhibition of similar paintings that toured the U.S. under the auspices of the Smithsonian Institution Traveling Exhibition Service from 1960 through 1970. The paintings were mounted in the album sometime between 1965 and 1967. The watercolors were created by children at the Nyarutsetso Art Centre, Highfield, Salisbury (now Harare) Rhodesia (now Zimbabwe) in the course of art classes taught by Anglican missionary and art educator, Canon Edward Paterson, and date from 1961-1967.

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Creators:
Gotkin, Jerry, 1936-
Gotkin Art Studio
Gotkin, Marjorie, 1925-1999.
Dates:
1965-2007
Size:
1 Item (2 binders)
Collection ID:
SIL-AAPG.XXXX-0007
Repository:
Smithsonian Libraries

Collection consists of reproductions of paintings and photocopies of various documents: newspaper clippings, exhibition announcements and brochures, labels, correspondence, receipts, and contracts. Also includes biographical information and lists of exhibitions.

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Creators:
Horwitt, (George) Nathan, 1889-1990.
Dates:
[193-]-[196-]
Size:
4 Cubic feet
Collection ID:
SIL-CH.1991-127-1
Repository:
Smithsonian Libraries

This collection documents Horwitt's major projects from the 1930s to the 1960s.Project files include drawings, sketches, blueprints, correspondence, patents, legal correspondence, clippings, financial reports, and advertisements for Horwitt's projects. Samples of logos and letterheads he designed are included as well. The most thorough documentation pertains to the Braquette, the Cyclometer, the Museum Watch, and the Beta Chair. Drawings, sketches, blueprints, and plans are boxed separately, mostly flat. Interviews with individuals who worked with and knew Horwitt are on audio cassettes, "Recollections of Nathan Horwitt." Two short videos, "The Legend behind the Museum Watch" and "Movado Worldwide Museum" are stored on 3/4 in. video cassettes.

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Creators:
Deskey, Donald, 1894-
Dates:
1927-1989
Size:
75 Cubic feet
Collection ID:
SIL-CH.1975-11-77
Repository:
Smithsonian Libraries

Project files containmagazine and newspaper clippings, reviews, correspondence, renderings, floor plans, perspective drawings, site plans, sketches, preliminary drawings, patents, stationery, labels, and technical reports. There is an extensive collection of photographs and slides of many of Deskey's packaging designs, interiors, furnishings, and exhibition installations. The files of Donald Deskey Associates include organizational charts, client files, proposals, and financial records. Some of Deskey's personal correspondence, speeches, articles, and family photographs are included. Materials cover the period from 1927-1975.

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Creators:
Dreyfuss, Henry, 1904-1972
Dates:
1927-1972
Size:
130 Cubic feet
Collection ID:
SIL-CH.1972-88-332-4
Repository:
Smithsonian Libraries

This material does not cover all clients and projects undertaken by Dreyfuss. This collection consists of theater design materials, industrial design materials, primarily, though not exclusively, from the 1950s and 60s, draft copies of his books, including extensive research files for the "Symbol Sourcebook," texts of lectures delivered by Dreyfuss, and biographical material. Included is Dreyfuss's Brown Book which provides an outline of his achievements. Photographs and slides of many of his designs are included. Materials relating to three publications include original drafts of the books with author notes, drawings, photographs, correspondence, and research materials. Also contains materials relating to the symbols exhibition held at the Hallmark Gallery in New York City in 1972.This collection was the source of many of the objects and issues addressed in Cooper-Hewitt's 1997 exhibition, "Henry Dreyfuss: Directing Design", and companion book, "Henry Dreyfuss, Industrial Designer: The Man in the Brown Suit", both conceived by Russell Flinchum. 311 reels of microfilm documenting most of the projects undertaken by Dreyfuss Associates were created by the firm and added to the collection later.

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Creators:
National Collection of Fine Arts (U.S.)
William S. & Alfred Martien (Firm)
Dates:
between 1856 and 1880?
Size:
1 Album ((176 cartes de visite photographic prints), ports., 25 cm.)
Collection ID:
SIL-AAPG.N40.P57
Repository:
Smithsonian Libraries

A collection of 176 cartes de visite or photographic portraits of various American, British, and European artists active during the second half of the 19th century, assembled by an unidentified previous owner and housed in a commercially-produced blank album.The photographs originate from a number of different photography studios, including Bayard & Bertall, Bingham, Matthew Brady, Carjat & Cie., H.G. DeBurlo, Disdéri, Franck, F. Joubert, McLean & Co., Mayer & Pierson, Ernst Milster, Nadar, Pierre Petit, Ch. Reutlinger, Richards, and others.

48 records — Page 5 of 5