The Parish-Hadley Collection documents the history of the New York City design firm from 1962-1994.Particular emphasis is on Sister Parish (Mrs. Henry Parish II) and Albert Hadley. Magazine clippings from various publications make up the majority of the collection as well as gossip column excerpts about Parish-Hadley or infamous clients. The slides date mostly from the 1980s-1990s and depict some but not all Parish-Hadley projects.
This archive includes interesting documents related to Trude Guermonprez's life and work as a weaver. The archives are especially related to the designer's work for her major clients, like Holland America Line and Owens Corning Fiberglass; other pieces in this archive are related to Guermonprez's work for custom curtains made for major synagogues and her designs, interior fabrics, screens and rugs realized in conjunction with J.P. Oud, Architects Associated, New York; Eric Mendelsohn, Warren Callister, etc. The correspondence and the photographs in this collection provide insight into the designer's private life. Included in this collection are press articles, brochures, correspondence, postcards, photographs, color slides, notebooks, textiles, and textile wood patterns.
Collection consists of reproductions of paintings and photocopies of various documents: newspaper clippings, exhibition announcements and brochures, labels, correspondence, receipts, and contracts. Also includes biographical information and lists of exhibitions.
Consists of 24 watercolors mounted in a "Croxley Drawing Book" album ( p., interleaved with tissue paper) with the hand-written identification: "Watercolour drawings by f-emale & m-ale African primary school children" on p.  of the cover; 1 print-out of essay (2010), Painted drawings by Rhodesian school children in the Smithsonian Institution, by Jonathan Zilberg; and 1 photocopy of a "Suggested press release" for a traveling exhibition of similar paintings that toured the U.S. under the auspices of the Smithsonian Institution Traveling Exhibition Service from 1960 through 1970. The paintings were mounted in the album sometime between 1965 and 1967. The watercolors were created by children at the Nyarutsetso Art Centre, Highfield, Salisbury (now Harare) Rhodesia (now Zimbabwe) in the course of art classes taught by Anglican missionary and art educator, Canon Edward Paterson, and date from 1961-1967.
The collection consists chiefly of hand-written notes made by Southgate on a wide range of postal history topics and related matters, generally on lined or graph paper measuring 25 x 15 cm. or smaller, for keeping in triple-post binders. Some of the notes were made in "Lefax" or other commercially-available notebooks. The collection includes numerous mounted newsclippings, brochures, and excerpted articles from philatelic journals, as well as statistical data, advertisements, copies of correspondence, and diagrams made by Southgate to illustrate plate variations, etc.
Scrapbook compiled by George Barnard Grant (inventor of Grant's calculating machine), a businessman based in Lexington and Boston, Massachusetts, containing printed ephemera, machine manuals, handwritten and typescript notes and correspondence, photographs, patent applications, and other papers relating to calculating machines, inventors, the 1876 Centennial Exhibition in Philadelphia, and Grant's patent dispute with Léon Bollée in the 1880s. Some of the other inventions and companies referenced in the scrapbook include: Baldwin's calculating machine; Reliance Machine Works (B.F. Quimby); Baldwin's arithmometer; Teasdale's calculating machine; American Type Machine Co. (Westcott type casting and setting machine); Babbage's difference engine; Warren on the Thomas De Colmar calculating machine; Warren Bros. calculating engine; Tendollaradder (Grant Calculating Machine Co.); tabulating machine of G. & E. Schuetz; the Pidgin Electric Calculating Machine Co.; Webb's adding machine; Sir William Thomson's harmonic analyzer; L. Bollée's calculating machine; Grant's ciphering hand-organ; and Hattersley composing and distributing machines.
This collection spans the years 1894-circa 1944 and contains approximately 56,000 black and white photographs. The photographs are mounted in 148 large (22"x18") and 93 small (12"x14") albums. About 5,000 are mounted individually. The images depict the full repertoire of Caldwell products. Since all of Caldwell's designs were custom made for each project, these photographs were used to illustrate all of the many designs for lighting they produced.
A collection of 176 cartes de visite or photographic portraits of various American, British, and European artists active during the second half of the 19th century, assembled by an unidentified previous owner and housed in a commercially-produced blank album.The photographs originate from a number of different photography studios, including Bayard & Bertall, Bingham, Matthew Brady, Carjat & Cie., H.G. DeBurlo, Disdéri, Franck, F. Joubert, McLean & Co., Mayer & Pierson, Ernst Milster, Nadar, Pierre Petit, Ch. Reutlinger, Richards, and others.