30 records — Page 1 of 3
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Creators:
Noble, David Grant
Dates:
1970-1971
Size:
140 Gelatin silver prints
Collection ID:
NMAI.AC.113
Repository:
National Museum of the American Indian

This collection contains gelatin silver photographs shot by photographer David Grant Noble that depict Mohawk ironworkers constructing a building in New York City and Anishinaabe (Chippewa/Ojibwa) wild rice harvesting in Wisconsin and Minnesota, 1970-1971.

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Creators:
Darnell, Victor
Dates:
undated
1908-1913
Size:
0.3 Cubic feet (1 box)
Collection ID:
NMAH.AC.1018
Repository:
Archives Center, National Museum of American History

Photographs of bridge construction projects collected by Victor Darnell was an early student of civil engineering and a pioneering civil engineer.

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Creators:
Anshutz, Thomas Pollock, 1851-1912
Dates:
circa 1870-1942
Size:
2.76 Linear feet
Collection ID:
AAA.anshthom
Repository:
Archives of American Art

The papers of Thomas Anshutz measure 2.76 linear feet and date from around 1870 to 1942, with the bulk of materials dating from 1880 to 1911. The papers document his education and career as a painter, photographer, and art instructor. The collection is particularly rich in photographs made between approximately 1880 and 1900, when Anshutz and others at the Pennsylvania Academy of the Fine Arts, under the direction of Thomas Eakins (1844-1916), began using photography as an aid in the study of the figure and as studies for paintings. Also found are correspondence, a notebook with scattered sketches, a handful of clippings regarding Anshutz's career, and scattered notes and printed materials.

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Creators:
Untermyer, Samuel, II
Lord And Burnham
Waring, John, b. 1820
Tilden, Samuel J., 1814-1886
More …
Dates:
circa 1940
Size:
0.25 Cubic feet (119 glass 35mm slides; 1 photographic print (2 1/2 X 3 1/2 in). , 2" x 2")
Collection ID:
AAG.UNT
Repository:
Archives of American Gardens

The Untermyer Family Slide Collection includes 119 glass 35mm slides documenting the grounds of Samuel Untermyer's estate, Greystone. In addition to general garden views, the images depict architectural features, vistas from the property, and interior shots of Greystone's greenhouse. The slides are not captioned or dated. The photographer was Samuel Untermyer II, the grandson of Samuel Untermyer.

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Creators:
Rivers, Charles, 1904-1993
Dates:
1929-1963
bulk 1929-1930
Size:
0.5 Cubic feet (4 boxes )
Collection ID:
NMAH.AC.0360
Repository:
Archives Center, National Museum of American History

The collection contains: twenty-nine silver gelatin photoprints mounted on Fome-Core, Masonite, and cardboard, ranging in size from 5-1/2" x 9-1/4" to 10-11/16" x 13-13/16"; three 5" x 7" unmounted silver gelatin photoprints; a scrapbook which originally contained 56 silver gelatin photoprints, ranging in size from 2" x 3" to 7-1/2" x 9-1/2"; and s...

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Creators:
National Museum of American History (U.S.). Division of Engineering and Industry
Dates:
1835-1930
Size:
0.3 Cubic feet (1 box )
Collection ID:
NMAH.AC.0225
Repository:
Archives Center, National Museum of American History

Collection of personal notebooks of civil engineers.

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Creators:
Blaney, Dwight, 1865-1944
Dates:
circa 1883-1944
circa 1993
bulk circa 1883-1920s
Size:
3.3 Linear feet
Collection ID:
AAA.blandwig
Repository:
Archives of American Art

The papers of Boston and Ironbound Island, Maine, painter Dwight Blaney measure 3.3 linear feet and date from circa 1883-1944, with twenty slides of a family album dated circa 1993. The bulk of the material dates from circa 1883 to the 1920s. The collection includes scattered personal papers including pencil and pen sketches by Blaney and his brother Henry Blaney; three of Blaney's notebooks on art history; printed material including exhibition catalogs for Blaney and others; a scrapbook of news clippings about John Singer Sargent and photographs of artwork by Sargent; photographs including images of Blaney and his home, John Breck and his studio, and a portrait of John Singer Sargent; and one hundred and ninety-nine glass plate negatives, primarily of Blaney's artwork and interiors of his homes. Also found are three glass plate negatives of paintings by John Singer Sargent, and one glass plate of Sargent seated on Blaney's boat painting Blaney, who is painting on the shore.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1850-1970
Size:
3.86 Cubic feet (consisting of 3 boxes, 1 folder, 1 oversize folder, 3 map folders, 6 flat boxes (4 full, 2 partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Architecture
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Architecture forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Fendrick Gallery
Dates:
1952-2001
Size:
106.4 Linear feet
0.008 Gigabytes
Collection ID:
AAA.fendgall
Repository:
Archives of American Art

The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

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Creators:
Dunham, S. Ann (Stanley Ann)
Dates:
1965-2013
Size:
18 Linear feet ((44 boxes))
Collection ID:
NAA.2011-04
Repository:
National Anthropological Archives

The S. Ann Dunham papers, 1965-2013, primarily document her work as an economic anthropologist in Indonesia. The papers include her dissertation research on blacksmithing and materials relating to her professional work as a consultant for organizations like the Ford Foundation and Bank Raykat Indonesia (BRI). Her work included projects on microcredit, women in development, and rural industries. Materials consist of field notebooks, correspondence, reports, research proposals, case studies, surveys, lectures, photographs, research files, and floppy disks.

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30 records — Page 1 of 3