Emily Hall Tremaine papers
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- Creators:
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Tremaine, Emily Hall, 1908-1987
- Dates:
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circa 1890-2004
- Size:
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8.9 Linear feet
- Collection ID:
- AAA.trememil
- Repository:
-
Archives of American Art
The papers of art collector Emily Hall Tremaine measure 8.9 linear feet, date from circa 1890 to 2004, and document the development of Tremaine's seminal collection of modernist, pop, and contemporary art. The papers comprise biographical material including a sound recording, personal correspondence, art collection files, artist files, exhibition loan files including a video recording, and reproduction request files. Also found are two scrapbooks documenting Tremaine's first marriage to Baron Maximilian von Romberg; and photographs of Tremaine, her family and friends, and works of art from her collection.
Found In
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- Creators:
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Leo Castelli Gallery
- Dates:
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circa 1880-2000
bulk 1957-1999
- Size:
-
215.9 Linear feet
0.001 Gigabytes
- Collection ID:
- AAA.leocast
- Repository:
-
Archives of American Art
The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.
Found In
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- Creators:
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Museum of the American Indian, Heye Foundation
Heye, George G. (George Gustav), 1874-1957
- Dates:
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1890-1998
- Size:
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400 Linear feet
- Collection ID:
- NMAI.AC.001
- Repository:
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National Museum of the American Indian
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
Found In
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- Creators:
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Perls Galleries
- Dates:
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1937-1997
- Size:
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79.6 Linear feet
- Collection ID:
- AAA.perlgall
- Repository:
-
Archives of American Art
The records of the Perls Galleries measure 79.6 linear feet and date from 1937 to 1997. Founded by Klaus Perls in 1937 and operating until 1997, the gallery dealt primarily in modern French art and the artwork of Alexander Calder. Found within the records are extensive correspondence (circa 44 linear feet) with artists, dealers, galleries, museums, and collectors; photographs and negatives of inventory and other artwork; exhibition files, scattered financial records; and exhibition catalogs and clippings.
Found In
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- Creators:
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American Federation of Arts
- Dates:
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1895-1993
bulk 1909-1969
- Size:
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79.8 Linear feet
- Collection ID:
- AAA.amerfeda
- Repository:
-
Archives of American Art
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.
