273 records — Page 1 of 28
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Creators:
Ottenberg, Simon
Dates:
between 1951-1960
Size:
1068 Slides (photographs) (color)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Simon Ottenberg in Southeastern Nigeria within the Afikpo Village Group, at the time a group of 22 Eastern Igbo villages (sometimes considered part of the Cross River Igbo grouping) in southeastern Nigeria, while on a pre-doctoral Social Science Research Grant from December of 1951 through March of 1953 and during field research from September of 1959 to December of 1960. Also included are photographs taken from June of 1960 to December of 1960 of Abakaliki, a town and the administrative center of the northestern Igbo people, north of Afikpo. According to Dr. Ottenberg in his publication about masked Afikpo rituals, "The Afikpo belong to an Igbo subgroup called Ada or Edda (Forde and Jones 1950, pp. 51-56), which includes the Okpaha, Edda, Amaseri, and Unwana village-groups, all of which border on the Afikpo, and the Nkporo and Adaeze, both short distances away" (Masked Rituals of Afikpo, 1975, p. 3).

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Dates:
1993-1996
Size:
9 Video recordings (sd., color)
Collection ID:
EEPA.1994-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Video recorded interviews conducted by Dr. Simon Ottenberg with Nigeria artists in Nigeria and in the United States of America, 1994-1996.

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Creators:
Herskovits, Melville J. (Melville Jean), 1895-1963
Dates:
1928-1934
Size:
736 Negatives (photographic) (+contact prints (5 v.), black & white, 3 x 4 in.)
736 Photographic prints ((6 v.), black & white, 3 x 4 in.)
Collection ID:
EEPA.1986-029
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Melville J. Herskovits during his trips with his wife, Frances Shapiro Herskovits, to Surinam (1928-29); Dahomey, now Republic of Benin (1931); Haiti (1934); and Brazil (1941-42). From 1928 to 1943 Melville Herskovits and his wife, Frances Herskovits (nee Shapiro) traveled together throughout West Africa and the Americas to collect evidence of the legacy of African culture. The contributions of Frances Herskovits to her husband's research were fully recognized in an exhibition held by the Mary and Leigh Block Museum of Art at Northwestern University, from April 2-August 9, 1998. Entitled, "Living Tradition in Africa & the America: The Legacy of Melville J. and Frances S. Herskovits," the brochure noted, "On each trip, Frances was a full partner in the research...Until Melville's death in 1963, they worked together on the analysis of their data and the writing of books and articles; and after he died, she edited a collection of his papers."

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Creators:
LaDuke, Betty
Dates:
circa 1981-2018
Size:
2 Electronic discs (DVD)
4 Boxes (Printed Material (non-photographic))
11 Posters ((Oversize))
24 Prints (visual works)
2488 Negatives (photographic) (color , 35 mm)
3,194 Photographs (color , 20 x 24 inches or smaller)
Collection ID:
EEPA.2007-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from circa 1981 to 2018 and consists of photographic prints, negatives, posters, art prints, DVDs and printed and manuscript materials. Photographs depict architecture, agricultural work, beadwork, weaving, village scenes, artists, artists at work, artworks, markets, celebrations, scenic views, animals, churches and mosques. Most depict Kunama or Saho peoples, particularly women and children. LaDuke also regularly photographed war zones during the Border War, especially those in Nakfa and Gelebe, portraying Internally Displaced Persons (IDP) camps. Locations include villages in Ethiopia and Eritrea, particularly Senafe, Nakfa and Massawa, as well as Border War zones various battlefields and camps for internally displaced persons.

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Creators:
National Museum of African Art (U.S.)
Dates:
1898-[ongoing]
Size:
61 Volumes
Collection ID:
EEPA.1985-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection includes postcards from 45 African countries. Subjects include agriculture; animals; artists; body arts; cityscapes; cultural landscapes; dance; education; expeditions; flora; industry; leaders; marketplaces; medicine; military; missionaries; music; portraits; recreation; rites and ceremonies; and transportation, among many other topics.

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Creators:
National Museum of African Art (U.S.)
Keystone View Company
Underwood & Underwood
Dates:
1882-1930
Size:
240 Stereographs (black and white, 9 x 22 cm.)
Collection ID:
EEPA.1986-022
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photographs document African businesses, cities, industry, landscapes, peoples and resources. The collection documents various locations within Kenya, Tanzania, Congo (Democratic Republic of), Zimbabwe, Uganda and South Africa. Peoples represented include Kikuyu, Maasai, Bangi, Chagga, Ndombe, Poto, Bangala, Zulu, and Kongo peoples. There are many images of agriculture, hunting, making pottery, mining diamonds and gold, church services at a Catholic mission, a gathering of chiefs at a court, a lion-killing ceremony, and war dances. Businesses and industries shown include coffee plantations; the DeBeers Diamond Mine; a diamond mine compound and crushing mill; fishing boats; a hemp plantation; ivory trade; a market; and the stock market.

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Creators:
Hukill, Mark A.
Dates:
mid-1900s
Size:
6 Slides (photographs) (color)
Collection ID:
EEPA.1982-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Mark A. Hukill of the Palais de Congres in Niamey, Niger.

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Creators:
Ottenberg, Simon
Ottenberg, Simon
Dates:
between 1978-1992
Size:
3145 Slides (photographs) (color)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection primarily includes photographs of Limba peoples taken by anthropologist Simon Ottenberg during field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, and Guinea, from October 1978 through July 1980. The collection also includes photographs taken while conducting field research at an Afikpo village-group, in southeastern Nigeria, from January 30, 1988 to February 5, 1988 and in 1992.

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Creators:
Borgatti, Jean
Dates:
1971-2003
Size:
3617 Slides (photographs) (color, 35 mm)
166 Contact sheets ((2 binders))
3555 Negatives (photographic) (black and white, 35 mm)
4 Notebooks ((1 box))
1 Cassette tape ((2 boxes))
25 Film reels (Super 8)
Collection ID:
EEPA.2016-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Jean Borgatti's collection dates from 1971 to 2003 and was created in Nigeria and Ghana. Much of the collection documents masquerades, shrines, festivals, market scenes, and ceremonies, and includes images of Urhobo, Uzairue, Ishan (Esan), Etsako, and Otuo peoples.

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 Copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

273 records — Page 1 of 28