Cook Labs records
Collapse [ ]
Expand
- Creators:
-
Cook Labs
Cook, Emory, 1913-2002
- Dates:
-
1908-2002, bulk 1948-1965
- Size:
-
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
- Collection ID:
- CFCH.COOK
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.
Found In
Collapse [ ]
Expand
- Creators:
-
Garden Club of America
- Dates:
-
circa 1920-present
- Size:
-
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 lantern slides
- Collection ID:
- AAG.GCA
- Repository:
-
Archives of American Gardens
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.
Found In
Collapse [ ]
Expand
- Creators:
-
Princeton University
- Dates:
-
1863-1950
- Size:
-
135 Cubic feet (10,690 posters)
- Collection ID:
- NMAH.AC.0433
- Repository:
-
Archives Center, National Museum of American History
Primarily war-related posters.
Found In
Collapse [ ]
Expand
- Creators:
-
United Telegraph Workers.
Western Union Telegraph Company
- Dates:
-
circa 1820-1995
- Size:
-
452 Cubic feet (871 boxes and 23 map folders)
- Collection ID:
- NMAH.AC.0205
- Repository:
-
Archives Center, National Museum of American History
The collection documents in photographs, scrapbooks, notebooks, correspondence, stock ledgers, annual reports, and financial records, the evolution of the telegraph, the development of the Western Union Telegraph Company, and the beginning of the communications revolution. The collection materials describe both the history of the company and of the telegraph industry in general, particularly its importance to the development of the technology in the nineteenth and twentieth centuries. The collection is useful for researchers interested in the development of technology, economic history, and the impact of technology on American social and cultural life.
Found In
Collapse [ ]
Expand
- Creators:
-
Underwood & Underwood
- Dates:
-
1895-1921
- Size:
-
160 Cubic feet
- Collection ID:
- NMAH.AC.0143
- Repository:
-
Archives Center, National Museum of American History
The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...
Found In
Collapse [ ]
Expand
- Creators:
-
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
-
1929-1989
- Size:
-
87 Boxes
The subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.06
- Repository:
-
Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Found In
Collapse [ ]
Expand
- Creators:
-
Elisofon, Eliot
- Dates:
-
circa 1935-1978
- Size:
-
14000 negatives (photographic) (b&w, 35mm)
30000 slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
- Collection ID:
- EEPA.1973-001
- Repository:
-
Eliot Elisofon Photographic Archives, National Museum of African Art
This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.
Found In
Collapse [ ]
Expand
- Creators:
-
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
-
1928-1994
- Size:
-
320 Boxes
- Collection ID:
- NMAH.AC.0618.S04.05
- Repository:
-
Archives Center, National Museum of American History
The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.