Field photography from the 1923 Louis C. G. Clarke Kechipauan Expedition at the Kechipauan ruins on the A:shiwi (Zuni) Reservation in New Mexico.
This collection contains photographs that were commissioned by Fred Harvey Co. and shot by Carl Moon circa 1907-1914. The photographs depict American Indian communities in the southwest including A:shiwi (Zuni), Acoma Pueblo, Diné (Navajo), Hopi, Laguna Pueblo, and Taos Pueblo among many others.
The majority of the images are individual and group portraits of Southwestern tribes, photographed between 1900-1902, including Laguna Pueblo, Hopi Pueblo, Zuni Pueblo, Taos Pueblo, San Juan Pueblo, White Mountain Apache, Ute, San Carlos Apache, and Navajo Indians.
This collection consists of seven 8 x 10" black and white photographic prints. The photographs were taken by Walter Hazelton in 1936 during visits to Kewa, San Ildefonso, Santa Clara, and Zuni Pueblos, all in New Mexico.
The Phyllis Hersh collection consists of papers and photographs associated with a book project on contemporary Hopi, Navajo, Santo Domingo, and Zuni jewelry and jewelers. The collection measures 1.3 linear ft. of mansucript materials, 521 photographic prints, and 85 photographic negatives, and dates from 1974 to 2008, with the bulk of the material dating from 1975 to 1980. The papers primarily document Hersh's work on "The Indian Jewelers' Art," an unfinished book on contemporary Native American jewelry.
The S.K. Lothrop collection primarily contains negatives, photographic prints, and lantern slides made by Lothrop while employed by the Museum of the American Indian, Heye Foundation. Lothrop traveled on behalf of the Museum to New Mexico, Argentina, Chile, El Salvador, Guatemala, and Peru. The four New Mexico negatives in this collection date from...
This collection consists of 145 postcards and 11 photographs depicting indigenous peoples of the Americas, with dates ranging 1890 – 1930s. The bulk of the collection consists of postcards of Native communities throughout the United States, and includes portrait images, dwellings, basket-making, weaving, and crafts.
The Mary Harriman Rumsey collection largely consists of photographic prints and lantern slides documenting the Harriman Expedition to Alaska in summer 1899. These depict members of the expedition and Alaskan scenery and people. The collection also includes scenic photographs of Alaska taken by Dora Keen in 1914 and photographs of Blackfeet, Hopi, Apache, and Suquamish Indians made by Edward Curtis in 1900 and 1903.
This collection of films produced and acquired by the Museum of the American Indian (MAI) contains materials created by and for the MAI as ethnographic studies and as documentation of its own activities (including archaeological expeditions and cultural exchanges) between 1917 and 1938. Tribes represented include: Arikara, Crow, Navajo, Pilaga, Pue...
The Edward S. Curtis photogravure plates and proofs for The North American Indian include photogravure printing plates and associated proofs made from Curtis photographs and used in the publication of The North American Indian volumes 1-9 and 12-19. The bulk of the images are portraits, though there are also images of everyday items, ceremonial artifacts, and camps.