Victor Vernon was an aviation pioneer, flight instructor, U. S. Navy aviator, and airline executive. This collection consists of three scrapbooks that chronicle Vernon's aviation career.

The Raymond Orteig Historical Archive consists of approximately 188 documents relating to the prize of 25,000 dollars offered by Raymond Orteig for the first nonstop flight from New York to Paris or from Paris to New York.

This collection consists of a photo album and a scrapbook kept by Benjamin Scovill "Ben" Kelsey to document his life and aviation career. The collection also includes Kelsey's U. S. Army Air Forces "Air Route Manual: United States to Great Britain," dated May 25, 1942, prepared for use by the first flights of military aircraft across the North Atlantic in support of Operation Bolero.

This collection consists largely of newspaper clippings and photos of famous aviators and aviatrices, including Maurice Bellonte, Donald Bennett, Gordan Bennett, M.W. Benningfield, Vincent Bendix, Mr. and Mrs. Floyd Bennett, Lieut. Bentley, Capt. Hans Bertram, Prof. G.M. Bellanca, Lieut. C.K. Bettis, Hermelinda Briones, T. Campbell Black, Kurt Bjor...

John Guy Gilpatric (1896-1950) was one of America's earliest aviators. Although not officially an Early Bird, he first learned to fly in 1912 at the age of sixteen. That same year he gained notoriety by setting a new American record when he reached an altitude of nearly 5,000 feet with a passenger on board. During his teenage years, Gilpatric gave flying lessons and flew in air exhibitions, eventually becoming employed as a test-pilot. He later worked as an aviation instructor in Toronto, Canada, teaching the Royal Canadian Air Cadets. Following the United States' entry into World War I in 1917, Gilpatric enlisted in the Army Air Service as a First Lieutenant, where he was stationed overseas as Engineering Officer, First Aero Squadron, American Expeditionary Forces (AEF). The collection contains four scrapbooks, photographs, correspondence, licenses and identity cards, newspaper clippings, newsletters, and periodicals, which chronicle his aviation career and military service.

This collection consists of the archives of Giuseppe M. Bellanca and his company, including the following types of mediums: drawings, stress analysis tests, reports, photographs/negatives, documents, correspondence, patent information, newspaper clippings, business records, and financial statements.

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Frank Spencer was a historian of biological anthropology who began his career as a medical laboratory technician. His papers include correspondence, manuscripts, notes, research files, teaching materials, photographs, and audiotapes. Spencer's research on the Piltdown hoax as well as the Piltdown research of Ian Langham, whose work Spencer continued after his death in 1984, and Spencer's research on the life and career of Aleš Hrdlička for his dissertation are both represented in the collection.

The C. J. (Clarence Joseph) Bulliet papers measure 34.6 linear feet and are dated circa 1888-1959. Biographical materials, correspondence, writings, subject and artist files, printed material, photographs, and artwork document the career of the influential Chicago art critic and writer. The records contain extensive information about art and artists in Chicago and the Midwest from the early to mid-twentieth century.

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.