78 records — Page 1 of 8
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Creators:
National Museum of the American Indian
Dates:
2011
Collection ID:
Accession 11-229
Repository:
Smithsonian Institution Archives

This accession consists of two websites maintained by the National Museum of the American Indian (NMAI) as they existed in May and June 2011. The main NMAI website, crawled May 4, 2011, includes visitor and programmatic information; exhibition information and online exhibitions; press releases; resources for museum professionals; collection i...

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Creators:
LaDuke, Betty
Dates:
circa 1981-2018
Size:
2 electronic discs (dvd)
4 Boxes (Printed Material (non-photographic))
11 Posters ((Oversize))
24 prints (visual works)
2488 negatives (photographic) (color , 35 mm)
3,194 Photographs (color , 20 x 24 inches or smaller)
Collection ID:
EEPA.2007-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from circa 1981 to 2018 and consists of photographic prints, negatives, posters, art prints, DVDs and printed and manuscript materials. Photographs depict architecture, agricultural work, beadwork, weaving, village scenes, artists, artists at work, artworks, markets, celebrations, scenic views, animals, churches and mosques. Most depict Kunama or Saho peoples, particularly women and children. LaDuke also regularly photographed war zones during the Border War, especially those in Nakfa and Gelebe, portraying Internally Displaced Persons (IDP) camps. Locations include villages in Ethiopia and Eritrea, particularly Senafe, Nakfa and Massawa, as well as Border War zones various battlefields and camps for internally displaced persons.

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Creators:
Garbe, Walter
Dates:
1909
Size:
20 Photographic prints
19 copy negatives
1 lantern slide
Collection ID:
NMAI.AC.137
Repository:
National Museum of the American Indian

This collection includes photographic prints, copy negatives, and one lantern slide made by Walter Garbe in 1909 among the Laklãnõ community (Xokleng/Botocudos/Kaingang). These were most likely shot across a range of locations in Brazil, possibly including Santa Catarina, Santa Leopoldina (Espírito Santo), and the Central-West Region of Mato Grosso.

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Creators:
Enriquez, Gaspar, 1942-
Dates:
1973-2017
Size:
1.5 Linear feet
0.001 Gigabytes
Collection ID:
AAA.enrigasp
Repository:
Archives of American Art

The papers of painter, portrait artist, and educator Gaspar Enriquez measure 1.5 linear feet and 0.001 GB and date from 1973 to 2017. The papers are comprised of biographical materials, correspondence, writings, commission and project files, exhibition files, and printed and digital materials that document Enriquez's career in El Paso, Texas.

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Creators:
Smithsonian Institution. Traveling Exhibition Service
Dates:
1978-2012
Size:
14.27 cu. ft. (13 record storage boxes) (1 tall document box) (1 16x20 box)
Collection ID:
Accession 17-358
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the Smithsonian Institution Traveling Exhibition Service (SITES) in regard to the planning, execution, administration, and promotion of the major traveling exhibitions "In the Spirit of Martin: The Living Legacy of Dr. Martin Luther King, Jr.," "Jim Henson's Fantastic World," ...

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Creators:
National Museum of American History. Department of the History of Science and Technology
Dates:
circa 1925-1937, 1954-1985
Size:
5.5 cu. ft. (5 record storage boxes) (1 document box)
Collection ID:
Record Unit 375
Repository:
Smithsonian Institution Archives

These records document administrative operations and exhibition programs of the Department of the History of Science and Technology and its predecessors, chiefly from 1958 to 1985. A small amount of the records pertain to technological exhibitions and other activities of curatorial divisions located in the Arts and Industries Building in ...

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Creators:
National Museum of American Art. Office of Program Support
Dates:
1947-1981
Size:
146.04 cu. ft. (5 record storage boxes) (280 document boxes) (1 5x8 box) (1 film box) (2 oversize folders)
Collection ID:
Record Unit 321
Repository:
Smithsonian Institution Archives

The records of the Office of Program Support, National Museum of American Art, 1965-1981, with related records from 1947, were received in the Archives from 1981 through 1994.

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Creators:
National Museum of the American Indian. Office of the Deputy Director
Dates:
1993-2006
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 14-174
Repository:
Smithsonian Institution Archives

This accession consists of project management and projects files created and maintained by Douglas E. Evelyn, Deputy Director, 1992-2005, and pertain to specific National Museum of the American Indian (NMAI) projects, such as special exhibitions, digitization of archival materials, the NMAI website, public programs, symposiums, workshops, film...

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Creators:
Washington, Rico, Music Journalist
Yanagawa, Shino, Photographer
Dates:
2009-2011
Size:
4 Linear feet (2 boxes; 4 linear ft., 3.58 GB)
Collection ID:
ACMA.06-103
Repository:
Anacostia Community Museum Archives

An exhibition exploring the varied stigmas and stereotypes applied to New York City's Housing Authority sites and the residents (past and present) who live in them. Journalist Rico Washington and photographer Shino Yanagawa collaborated on this exhibit which offers an in-depth look at how New York City public housing has impacted society-at-large by producing some of the world's most influential and dynamic artists, entrepreneurs, athletes, musicians, politicians, and thinkers. It was exhibited at the World Festival of Black Arts and Culture in Dakar, Senegal, 2010, at the Gordon Parks Gallery at the College of New Rochelle (NY), 2013, and the Brooklyn Historical Society from 2014-2015.

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Creators:
Lippard, Lucy R.
Dates:
1930s-2007
bulk 1960-1990
Size:
56.5 Linear feet
0.454 Gigabytes
Collection ID:
AAA.lipplucy
Repository:
Archives of American Art

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

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78 records — Page 1 of 8