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Creators:
National Museum of African Art (U.S.)
Dates:
1989
Size:
1 video recording ((28:00 min.) , sound, color)
Collection ID:
EEPA.1989-030
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The videorecording "Togu na and Check: Change and Continuity in the Art of Mali", which documents two forms of art of the Dogon and Bamana peoples in Mali, West Africa, in 1989.

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Creators:
Elisofon, Eliot
Dates:
circa 1935-1978
Size:
14000 negatives (photographic) (b&w, 35mm)
30000 slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

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Creators:
Heldman, Marilyn
Dates:
1965-1996
Size:
179 slides (photographs) (color, 35 mm)
Collection ID:
EEPA.2013-013
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of 179 slides taken by Marilyn Heldman in Ethiopia, Nigeria, Eritrea, and Cameroon. Subjects include architecture, art objects, marketplaces, pottery, reliefs and cultures including the Anuak, Dorze, Falasha, Fulani, Gurage, Tigre, Falasha .

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Creators:
Sanders Art Media
Dates:
circa 1987
Size:
50 slides (photographs) (1 volume, color)
Collection ID:
EEPA.1987-021
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Slide kit of West Africa Art published by Sanders Art Media in Los Angeles, California, in 1987. The images are mostly of masks but also include some sculptors.

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Creators:
National Museum of African Art. Curatorial
Dates:
1981-2011
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 12-375
Repository:
Smithsonian Institution Archives

This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic ...

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Creators:
Heldman, Marilyn
Dates:
1960s-1970s
Size:
193 Slides (1 Binder, color, 35 mm)
Collection ID:
EEPA.2016-005
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes 193 slides taken by Marilyn Heldman in Ethiopia in the 1960s and 1970s. Subjects include architecture, art objects, marketplaces, pottery, reliefs and cultures including the Bamileke, Fulani, Hausa, Oyo and Yoruba peoples.

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Creators:
National Museum of African Art. Office of the Director
Dates:
1980-2008
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 09-011
Repository:
Smithsonian Institution Archives

This accession consists of National Museum of African Art (NMAfA) exhibition records created during the tenures of Warren M. Robbins, Director, 1964-1982; John E. Reinhardt, Acting Director, 1982-1983; Sylvia H. Williams, Director, 1983-1996; Roslyn A. Walker, Director, 1997-2002; and Sharon F. Patton, Director, 2003-2008. Exhibitions include:...

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Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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Creators:
National Museum of African Art (U.S.)
Dates:
1990
Size:
24 Photographic prints (black and white)
10 Photographic prints (color, 8 x 10 in.)
Collection ID:
EEPA.1995-015
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs displayed in the exhibition entitled, "Regards croises," held at the National Museum of Mali in Bamako, Mali, from July 27 through August 26, 1990. The exhibit was a joint effort between the National Museum of Mali and The National Museum of African Art (U.S.), which included images from both museums. The prints are complementary copies from the National Museum of Mali. The National Museum of African Art provided images from the photographer, Eliot Elisofon.

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Creators:
National Museum of African Art (U.S.)
Shamir, Marli
Dates:
1971
Size:
229 gelatin silver prints (black and white, 8 x 10 in. or smaller)
89 Photographic prints ((1 v.), black and white, 23 x 18 cm. or smaller)
Collection ID:
EEPA.1995-025
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Marli Shamir in Mali, in 1971. The majority of the images show architecture in Djenne, Mali. Other images depict architecture of the Dogon in Timbuktu, Gao and San. Photographs from this collection were featured by Labelle Prussin's thesis entitled, "The Architecture of Djenne; African Synthesis and Transformation," (Yale University, 1974) and in her book entitled, "Hatumere: Islamic Design in West Africa," (Berkeley: University of California Press, 1986). The images have also been displayed in an exhibition entitled, "Marli Shamir Photographs from the Sahel," held in the Israel Museum in Jerusalem, in 1976.

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