Slide kit of West Africa Art published by Sanders Art Media in Los Angeles, California, in 1987. The images are mostly of masks but also include some sculptors.
The videorecording "Togu na and Check: Change and Continuity in the Art of Mali", which documents two forms of art of the Dogon and Bamana peoples in Mali, West Africa, in 1989.
Photographs collected by the Staff of the Eliot Elisofon Photographic Archives of the National Museum of African Art, Smithsonian Institution.
Photographs from various museums assembled by the Smithsonian Institution Traveling Exhibition Service (SITES) for use in the traveling exhibition entitled, "Art of Cameroon" (on display at the Smithsonian National Museum of Natural History from February 1, 1984-June 17, 1984). The exhibition was described on the Smithsonian website in these words: "On view are 153 objects, including figural sculptures, thrones, stools, elephant masks, bowls, baskets, calabashes (gourds), drinking horns, textiles, and more. Many objects are on loan from museums and collectors in the U.S., Europe, and Africa. "A crossroads for the migrations of many peoples, the diversity of Cameroon's population is reflected in the great variety and richness of art forms. Objects from the steppes and the forest are shown, but the primary focus of the exhibition is the art of the West African kingdoms of the Cameroon grassfields."
This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic ...
Photographs displayed in the exhibition entitled, "Regards croises," held at the National Museum of Mali in Bamako, Mali, from July 27 through August 26, 1990. The exhibit was a joint effort between the National Museum of Mali and The National Museum of African Art (U.S.), which included images from both museums. The prints are complementary copies from the National Museum of Mali. The National Museum of African Art provided images from the photographer, Eliot Elisofon.
The collection includes 193 slides taken by Marilyn Heldman in Ethiopia in the 1960s and 1970s. Subjects include architecture, art objects, marketplaces, pottery, reliefs and cultures including the Bamileke, Fulani, Hausa, Oyo and Yoruba peoples.
Manuscript and printed textual material, photographic prints and negatives, slides, audio tapes, film, original and reproduction artwork, maps, scrapbooks, and historical and natural artifacts related to the history of African exploration and natural history, dating primarily from the nineteenth and twentieth centuries. Includes correspondence, drafts of publications, diaries, account books, ephemera, posters, newsclippings, biographies, memoirs, portraits, and the former personal property of selected explorers, big game hunters, missionaries, pioneers, and naturalists in Africa.
This accession consists of National Museum of African Art (NMAfA) exhibition records created during the tenures of Warren M. Robbins, Director, 1964-1982; John E. Reinhardt, Acting Director, 1982-1983; Sylvia H. Williams, Director, 1983-1996; Roslyn A. Walker, Director, 1997-2002; and Sharon F. Patton, Director, 2003-2008. Exhibitions include:...
The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.