275 records — Page 1 of 28
[ ]
Collapse
[ ]
Expand
Dates:
1998
Size:
541 slides (photographs) (+master guide +special guide)
Collection ID:
EEPA.1988-005
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

A published instructional slide set of African and Middle Eastern scenes that is part of a larger slide set of "The World History Slide Collection".

Found In
[ ]
Collapse
[ ]
Expand
Dates:
1954-1955
Size:
31 Photographic Prints ((1 box), black & white, 19 x 31.5 cm.)
Collection ID:
EEPA.2019-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

A bound notebook of prints picturing a model of the royal palace at Babanki Tungo, West Cameroon. The accompanying caption on the inside of the first image reads, "The model represented in this photographic album is the royal palace at Babanki Tungo, West Cameroon. It was carved by Robert Toh, the royal craver, during 1954-55. The brass figurines were sculpted by Umaru Njasi, a brass-caster from Bamum. The photographs are by Evan G. Schneider and were taken in Southeastern Ohio. Mr. Schneider is also responsible for the printing. Gilbert D. Schneider Athens, Ohio - - 1968." The palace and figurines were also donated in 1979 to the Museum of African Art, now the National Museum of African Art (accession no. 79-1-1).

Found In
[ ]
Collapse
[ ]
Expand
Dates:
1954-1955
Size:
31 photographic prints ((1 box), black & white, 19 x 31.5 cm.)
Collection ID:
EEPA.XXXX-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

A bound notebook of prints picturing a model of the royal palace at Babanki Tungo, West Cameroon. The accompanying caption on the inside of the first image reads, "The model represented in this photographic album is the royal palace at Babanki Tungo, West Cameroon. It was carved by Robert Toh, the royal craver, during 1954-55. The brass figurines were sculpted by Umaru Njasi, a brass-caster from Bamum. The photographs are by Evan G. Schneider and were taken in Southeastern Ohio. Mr. Schneider is also responsible for the printing. Gilbert D. Schneider Athens, Ohio - - 1968." The palace and figurines were also donated in 1979 to the Museum of African Art, now the National Museum of African Art (accession no. 79-1-1).

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Anderson, William "Cat", 1916-1981 ((musician))
Dates:
1940-1981
bulk 1963-1977
Size:
5 Cubic feet (12 boxes)
Collection ID:
NMAH.AC.0630
Repository:
Archives Center, National Museum of American History

Primarily audiotapes, sheet music, and photographic images. Also: correspondence, newspaper clippings, magazine articles, itineraries, awards, and ephemera.,Of particular interest are recordings or photographic images, including the personalities listed below, and President and Mrs. Tubman of Liberia; also, two interviews and three recordings of Ca...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Ellsworth, Scott, Dr.
Zinn, Manfredo
Marx, Dick
Nunez, Raul
More …
Dates:
1926-1988
Size:
17.4 Cubic feet (86 boxes)
Collection ID:
NMAH.AC.0198
Repository:
Archives Center, National Museum of American History

The Marlboro Oral History and Documentation Project is the result of a two-year effort supported in part by a gift from Philip Morris, Inc. Sixty oral history interviews and a variety of television commercials, print advertising, promotional materials, packaging, and industry publications were gathered to document Marlboro cigarette advertising. T...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
King, D. Ward
Dates:
1902-2005
Size:
0.75 Cubic feet ( 2 boxes, 1 map-folder)
Collection ID:
NMAH.AC.1332
Repository:
Archives Center, National Museum of American History

Photographs, publications and correspondence related to D. Ward King's invention the King Road Drag, or the Split-Oak drag, which improved rural travel in the early 20th century by introducing a simple design and low-effort system for grading poor-quality roads. The King Road Drag was promoted heavily across the United States and Canada via the "Good Roads Campaign" originally sponsored by the railroad companies in the early decades of the twentieth century.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
More …
Dates:
1925-1993
Size:
19 Boxes
The subseries contains black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.11
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Custom Craft
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
More …
Dates:
1922-1994
Size:
40 Boxes
Collection ID:
NMAH.AC.0618.S06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 6 documents the orders placed at the Scurlock Studio by clients and identified individuals and organizations, and materials that could not be identified and are categorized by subjects. An oveview to the entire Scurlock collection is available here: Scurlock Studio Records

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Scurlock, Addison N., 1883-1964
Rice, Moses P.
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
More …
Dates:
1930-1995
Size:
115 Boxes
Collection ID:
NMAH.AC.0618.S02
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 2 consists of color photographs and hand-colored photographs, but there are also order envelopes and materials, and other photographic material types that were part of the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

Found In
275 records — Page 1 of 28