This accession consists of program materials for the African American Studies Center in the Smithsonian Resident Associate Program (RAP). Most records are correspondence, memoranda, notes and reports to and from Jacqueline Hicks Grazette, Program Manager, concerning her contacts with African American speakers, entrepreneurs, authors, and local African American Church leaders …
Oral history interview with Joyce J. Scott
Silberman, Robert B. (Robert Bruce), 1950-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
An interview of Joyce J. Scott conducted 2009 July 22, by Robert Silberman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Scott's home and studio, in Baltimore, Maryland.
Oral history interview with Robert E. Meyerhoff
McElhinney, James Lancel, 1952-
71 Pages (Transcript)
An interview with Robert E. Meyerhoff conducted 2014 December 11-12, by James McElhinney, for the Archives of American Art and the Center for the History of Collecting in America at the Frick Art Reference Library of The Frick Collection, at Meyerhoff's Fitzhugh Farm in Phoenix, Maryland.
Louise Daniel Hutchinson Oral History Interviews
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program …
Oral history interview with Sam Gilliam
1989 Nov. 4-11
54 Pages (Transcript)
4 Items (Sound recording, sound cassettes)
54 Pages (Transcript)
An interview of Sam Gilliam conducted 1989 Nov. 4-11, by Ben Forgey for the Archives of American Art. Gilliam speaks of his decision to come to Washington, D.C., from Louisville, Ky.; his shift from figurative painting to abstract painting; meeting Washington painters Robert Gates and Tom Downing; the "stature" of Tom Downing …
Joyce J. Scott papers
The papers of African American sculptor, jewelry maker, quilter, and performance artist Joyce J. Scott measure 9.1 linear feet and date from 1948 to 2019, with the bulk of the material dating from the 1970s to the 2000s, and individual materials from 1914 to 1915, and from 1932. The collection consists of biographical material; correspondence; writings; professional files, including exhibition and project files, born-digital materials, and gallery records; printed material; photographic material, including photo albums; artwork; and audiovisual material, including recordings of performances and lectures.
B.R. Kornblatt Gallery records
The records of the B. R. Kornblatt Gallery of Baltimore, Md. and Washington, D.C. measure 4.1 linear feet and date from 1971 to 1992. The collection consists primarily of artists' files along with a few exhibition files and sales records.
Historical Records of Jones-Hall-Sims House
The Jones-Hall-Sims House also known as "Freedom House" is featured prominently in the NMAAHC Defending Freedom, Defining Freedom: The Era of Segregation exhibition. This collection reflects the research completed by historian Dr. George McDaniel documenting the history of the Jones-Hall-Sims House, the communties of Jonesville and Jerusalem.
Edith T. Martin papers
The collection, which dates from 1961 to 2004 and measures 11.16 linear feet, documents the career of artist, curator, and museum technician Edith T. Martin. The papers in the collection include education documents, professional correspondence, sketches, promotional material, news clippings, newsletters, catalogues/magazines from exhibits and arts organizations, and exhibit photographs and slides.
This accession consists of information files, original reports and correspondence, papers and articles, and other background material on Smithsonian buildings. These records were compiled by the Office of Architectural History and Historic Preservation (OAHP), research associates, and volunteers. Items in brackets describe cross-references to other materials in the collection. Buildings …