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- Creators:
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Booker, Chakaia, 1953-
- Dates:
-
1981-2018
bulk 1994-2010
- Size:
-
2.3 Linear feet
- Collection ID:
- AAA.bookchak
- Repository:
-
Archives of American Art
The papers of African American sculptor Chakaia Booker measure 2.3 linear feet and date from 1981 to 2018 with the bulk of the collection dating from 1994 to 2010. The collection consists primarily of printed material, but also includes selected correspondence and professional files, including a portfolio.
Found In
Oral history interview with Renée Stout
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- Creators:
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Stout, Renée, 1958-
Chow, Nyssa, 1980-
- Dates:
-
2019 June 5-6
- Size:
-
9 Items (sound files (6 hrs., 22 min.) Audio, digital, wav)
148 Pages (Transcript)
- Collection ID:
- AAA.stout19
- Repository:
-
Archives of American Art
An interview with Renée Stout conducted 2019 June 5 and 6, by Nyssa Chow, for the Archives of American Art, at the National Museum of American History, Smithsonian Institution in Washington, D.C.
Found In
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- Creators:
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McGee, Charles, 1924-
Miro, Marsha
- Dates:
-
1976 July 23-26
- Size:
-
98 Pages (Transcript)
- Collection ID:
- AAA.mcgee76
- Repository:
-
Archives of American Art
Interview of Charles McGee conducted 1976 July 23 and 26, by Marsha Miro, for the Archives of American Art.
Found In
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- Creators:
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Rhoden, John (John W), 1918-
- Dates:
-
1940-1968
- Size:
-
1 Microfilm reel (60 items on partial microfilm reel)
- Collection ID:
- AAA.rhodjohn
- Repository:
-
Archives of American Art
This microfilm collection of the papers of African American sculptor John W. Rhoden contain correspondence, exhibition catalogs, biographical material, clippings, a scrapbook, personal photographs, and photographs of Rhoden's work.
Found In
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- Creators:
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Ringgold, Faith
Holmes, Doloris
- Dates:
-
1972
- Size:
-
11 Pages (Transcript)
- Collection ID:
- AAA.ringgo72
- Repository:
-
Archives of American Art
Interview of Faith Ringgold conducted in 1972, by Doloris Holmes, for the Archives of American Art's "Art World in Turmoil" oral history project.
Found In
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- Creators:
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Purifoy, Noah, 1917-
- Dates:
-
1935-1998
bulk 1971-1998
- Size:
-
1.2 Linear feet
- Collection ID:
- AAA.purinoah
- Repository:
-
Archives of American Art
The papers of African American assemblage artist Noah Purifoy measure 1.2 linear feet and date from 1935 to 1998 with the bulk of the material dating from 1971 to 1998. The collection contains biographical material; correspondence; writings on Purifoy and art; material related to the California Arts Council; material related to other professional activities, including commissions and exhibitions; printed material; and scrapbooks.
Found In
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- Creators:
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Lowe, Harry, 1922-
- Dates:
-
1938-1982
- Size:
-
0.4 Linear feet ((partially microfilmed on 1 reel))
- Collection ID:
- AAA.loweharr
- Repository:
-
Archives of American Art
Letters, photographs, slides, and printed materials on art exhibits and subjects.
Found In
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- Creators:
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Searles, Charles Robert, 1937-2004
- Dates:
-
1953-2010
- Size:
-
3.9 Linear feet
- Collection ID:
- AAA.searchar
- Repository:
-
Archives of American Art
The papers of African American sculptor and painter Charles Searles measure 3.9 linear feet and date from 1953 to 2010. The collection documents his career through scattered biographical material, correspondence, personal business records, printed material, artwork, photographs, and a scrapbook.
Found In
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- Creators:
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Holley, Lonnie
Franco, Josh T., 1985-
- Dates:
-
2020 July 29
- Size:
-
1 Item ((29 min.), digital, mp4)
7 Pages (Transcript)
- Collection ID:
- AAA.holley20
- Repository:
-
Archives of American Art
An interview with Lonnie Holley conducted 2020 July 29, by Josh Franco, for the Archives of American Art's Pandemic Oral History Project at Grocery On Home in Atlanta, Georgia.
Found In
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- Creators:
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Ray, Tom
- Dates:
-
1992-1999
- Size:
-
0.2 Linear feet
- Collection ID:
- AAA.raytom
- Repository:
-
Archives of American Art
Tom Ray letters from Henry Bridgewater measures 0.2 linear feet and consists of forty-five letters to Tom Ray from Henry Bridgewater dating from 1992-1999, written during his incarceration at the Louisiana State Penitentiary. Bridgewater writes about his works of art, in particular, lamps he created that he would send to Ray for him to trade and sell to other folk art collectors.
