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Dates:
1999, 2001
Size:
10 audiotapes (Reference copies).
Collection ID:
Record Unit 9603
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Kinard, John, 1936-1989, interviewee
Dates:
1987
Size:
2 audiotapes (Reference copies).
Collection ID:
Record Unit 9538
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Anacostia Community Museum
Dates:
1999
Size:
0.9 Linear feet (2 boxes)
Collection ID:
ACMA.03-011
Repository:
Anacostia Community Museum Archives

An exhibition exploring and examining religious imagery in African American art curated by Deborah Willis. The show was organized by the Anacostia Museum and Center for African American History and Culture and held at the Anacostia Gallery February 14, 1999 through June 15, 1999. This exhibit featured over 60 artists including David C. Driskell, Leslie King-Hammond, Radcliffe Bailey, Chester Higgins, Jr., and Valerie Maynard.

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Creators:
Smithsonian Institution. Anacostia Community Museum
Dates:
undated
Size:
1 Linear foot (1 box)
Collection ID:
ACMA.03-014
Repository:
Anacostia Community Museum Archives

An exhibition on the history of African American quilt-making. The show was organized by the Kentucky Quilt Project, Inc., Louisville, Kentucky and exhibited at the Anacostia Neighborhood Museum from July 1993 to October 1993. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, photographs, brochures, educational materials, and floor plans.

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Creators:
Anacostia Community Museum
Dates:
1998
Size:
1.25 Linear feet (3 boxes)
Collection ID:
ACMA.03-006
Repository:
Anacostia Community Museum Archives

An exhibition of sculpture and installation art featuring eight women artists, the show sought to decode the social imagery of black women's representation and experiences. Curated by Deborah Willis, the exhibit was organized by the Anacostia Museum and Center for African American History and Culture and held at the Smithsonian Arts and Industries Building, South Gallery from April 13, 1998 to September 30, 1998. Artist featured included: Denise Ward Brown, Beverly Buchanan, Carole Byard, Rashida Ferndinand, Kira Lynn Harris, Valerie Maynard, and Renée Stout, and Eve Sandler.

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Creators:
Smithsonian Institution. Anacostia Community Museum
Dates:
undated
Size:
1.25 Linear feet (4 boxes)
Collection ID:
ACMA.03-044
Repository:
Anacostia Community Museum Archives

An exhibition on contemporary African American women artists curated by Robert L. Hall and exhibited at the Anacostia Museum of the Smithsonian Institution from November 1990 to April 1991. Artists included are: Erlena Chisolm Bland, Lilian Thomas Burwell, Yvonne Pickering Carter, Margo Humphrey, Martha Jackson-Jarvis, Viola Burley Leak, Winnie Owens-Hart, Stephanie E. Pogue, Malkia Roberts, Gail Shaw-Clemons, Sylvia Snowden, Renée Stout, Denise Ward-Brown, Joyce E. Wellman, and Adell Westbrook.

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Creators:
National Museum of American History. Department of Exhibits
Dates:
1984-1989
Size:
0.58 cu. ft. (1 document box) (1 oversize folder)
Collection ID:
Accession 17-053
Repository:
Smithsonian Institution Archives

This accession consists of records that document the design and production of the exhibition Field to Factory: Afro-American Migration, 1915-1940 at the National Museum of American History (NMAH). The exhibition examined the lasting impact of the migration of African Americans to the Northern section of the United States. Materials includ...

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Creators:
Smithsonian Institution. Anacostia Community Museum
Dates:
1993-03 - 1993-06
Size:
1.42 Linear feet (2 boxes)
Collection ID:
ACMA.03-018
Repository:
Anacostia Community Museum Archives

An exhibition on the history of the Alvin Ailey American Dance Theater. The show was organized by the New York Public Library for the Performing Arts and exhibited at the Anacostia Neighborhood Museum from March 1993 to June 1993. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, exhibit scripts, administrative records, brochures, and floor plans.

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Creators:
Anacostia Community Museum
Dates:
1995-1999
Size:
14 Linear feet (17 boxes)
Collection ID:
ACMA.03-037
Repository:
Anacostia Community Museum Archives

An exhibition examining the faith and spiritual traditions in African American religious life in the 1990s. The exhibition features members of Christian churches as well as those of other faiths. Special attention is given to the ways that African American congregations are responding to contemporary challenges affecting their families, neighborhoods, and communities. Curated by Gail Lowe, the show wa displayed in the Smithsonian Arts & Industries Building from May 1998 to December 1999.

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Creators:
Muhammad, Amir N. (Amir Nashid)
Dates:
2005
Size:
1 Sound recording
1 Video recording
Collection ID:
ACMA.03-071
Repository:
Anacostia Community Museum Archives

An exhibition on the presence and contributions of persons of African descent and Muslim heritage in America during the eighteenth and nineteenth centuries. The exhibit presented vignettes of figures - enslaved and free - known for their passion for freedom, pioneering spirit, and faithfulness. Amir N. Muhammad and Collections and Stories of American Muslims, Inc.(CSAM) serve as guest curators for this exhibition held from July 11 to October 16, 2005. These records document the lecture and tour given by Amir N. Muhammad.

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