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- Creators:
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National Museum of African Art. Curatorial
- Dates:
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1981-2011
- Size:
-
17 cu. ft. (17 record storage boxes)
- Collection ID:
- Accession 12-375
- Repository:
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Smithsonian Institution Archives
This accession documents closed, denied, and unfinished exhibitions at the National Museum of African Art (NMAfA). These records contain correspondence, research, notes, checklists, label texts, brochures, floor plans and designs, clippings, loan information, photographs, slides, transparencies, and negatives. Some materials are in electronic ...
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- Creators:
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National Museum of African Art. Office of the Director
- Dates:
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2003-2010
- Size:
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1 cu. ft. (1 record storage box)
- Collection ID:
- Accession 16-045
- Repository:
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Smithsonian Institution Archives
This accession consists of records relating to the National Museum of African Art (NMAfA) created by the director's office during the tenure of Johnnetta Cole, 2009- . The records relate to grants, fundraising, exhibitions, partnerships, workplace diversity, and budget. Materials include correspondence, memoranda, reports, grants, clippings, ...
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- Creators:
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National Museum of African Art. Office of Education and Public Programs
- Dates:
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1973-2007
- Size:
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13 cu. ft. (13 record storage boxes)
- Collection ID:
- Accession 10-006
- Repository:
-
Smithsonian Institution Archives
This accession consists of files created and maintained primarily by Edward Lifschitz and Veronika Jenke. These records document public education programs in African art, history, and culture. Materials include correspondence and memoranda; workshop and program information; docent training information; docent newsletters; photographs, neg...
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- Creators:
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Robbins, Warren M
- Dates:
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circa 1927-2009
- Size:
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83.1 cu. ft. (80 record storage boxes) (4 12x17 boxes) (2 16x20 boxes)
- Collection ID:
- Accession 11-001
- Repository:
-
Smithsonian Institution Archives
These papers document the life and work of Warren M. Robbins, covering a wide swath of his life, from his early career in the Foreign Service to his work in cross cultural communications and African art. A prolific writer, Robbins correspondence with such people as Maya Angelou, Ernie Barnes, Saul Bellow, Eliot Elisofon, Otto Fried, Buckminste...
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- Creators:
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Smithsonian Institution. Office of Telecommunications
- Dates:
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1981-1991, 1996, 1999
- Size:
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15.5 cu. ft. (15 record storage boxes) (1 document box)
- Collection ID:
- Accession 08-084
- Repository:
-
Smithsonian Institution Archives
This accession consists of videotapes and audiotapes created during the production of "Here At The Smithsonian" ("HATS"), an eight volume series of television productions. The series was conceived by Nazaret Cherkezian, Director, Office of Telecommunications (1976-1986) and produced by Ann Carroll (Volumes I-IV) and John P. Meehan (Volumes V-V...
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- Creators:
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Downtown Gallery
- Dates:
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1824-1974
bulk 1926-1969
- Size:
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109.56 Linear feet
- Collection ID:
- AAA.downgall
- Repository:
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Archives of American Art
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
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- Creators:
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Smithsonian Institution. Traveling Exhibition Service
- Dates:
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1978-2012
- Size:
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14.27 cu. ft. (13 record storage boxes) (1 tall document box) (1 16x20 box)
- Collection ID:
- Accession 17-358
- Repository:
-
Smithsonian Institution Archives
This accession consists of records documenting the activities of the Smithsonian Institution Traveling Exhibition Service (SITES) in regard to the planning, execution, administration, and promotion of the major traveling exhibitions "In the Spirit of Martin: The Living Legacy of Dr. Martin Luther King, Jr.," "Jim Henson's Fantastic World," ...
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- Creators:
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Elisofon, Eliot
- Dates:
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circa 1935-1978
- Size:
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14000 negatives (photographic) (b&w, 35mm)
30000 slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
- Collection ID:
- EEPA.1973-001
- Repository:
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Eliot Elisofon Photographic Archives, National Museum of African Art
This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.
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- Creators:
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National Museum of American History. Department of Exhibits
- Dates:
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1957-1992
- Size:
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35.58 cu. ft. (35 record storage boxes) (1 12x17 box) (1 oversize folder)
- Collection ID:
- Record Unit 551
- Repository:
-
Smithsonian Institution Archives
These records consist of exhibition design, production, and installation information including proposals and narratives, scripts, schedules, graphic designs, construction contracts and specifications, floor plans, blueprints, schematic drawings, and photographs. The records also include Department of Exhibits administrative files such as corre...
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- Creators:
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Jacques Seligmann & Co.
- Dates:
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1904-1978
bulk 1913-1974
- Size:
-
203.1 Linear feet
- Collection ID:
- AAA.jacqself
- Repository:
-
Archives of American Art
The records of Jacques Seligmann & Co. measure approximately 203.1 linear feet and date from 1904 to 1978, with bulk dates from 1913 to 1974. The collection includes extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies. The collection is an invaluable resource in tracing the provenance of particular works of art and provides a comprehensive view of the activities of collectors and art dealers in the years leading up to and following World War II.