Query: Afro-Caribbean cults
Smithsonian Folklife Festival records: 1980 Festival of American Folklife
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
October 8-13, 1980
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1980
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.1980 for Afro-Caribbean cults
Smithsonian Folklife Festival records: 1969 Festival of American Folklife
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-6, 1969
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1969
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.1969 for Afro-Caribbean cults
Smithsonian Folklife Festival records: 1976 Festival of American Folklife
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 16-September 6, 1976
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1976
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.1976 for Afro-Caribbean cults
Cook Labs records
Creators:
Cook Labs
Cook, Emory, 1913-2002
Dates:
1908-2002, bulk 1948-1965
Size:
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
Collection ID:
CFCH.COOK
Repository:
Ralph Rinzler Folklife Archives and Collections

The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

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in CFCH.COOK for Afro-Caribbean cults
Marilyn Houlberg Nigeria collection
Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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in EEPA.2005-002 for Afro-Caribbean cults
Vivian E. Garrison papers
Creators:
Garrison, Vivian, 1933-2013
Dates:
circa 1930-2009
bulk 1960-1993
Size:
108.29 Linear feet
Collection ID:
NAA.2017-19
Repository:
National Anthropological Archives

Vivian E. Garrison was an applied medical anthropologist who researched the cultural understandings and community treatment structures surrounding mental illness and mental health care among low-income, minority, and migrant communities of the New York metropolitan area. The Vivian E. Garrison papers document this research and consist of clinical and case files; research policies and protocols; presentations and workshops notes; manuscripts and drafts; publications and working papers; correspondence; grant applications; administrative files; sound recordings and films; annotated scholarly literature; and personal biographical material.

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in NAA.2017-19 for Afro-Caribbean cults
Publications
Creators:
Smithsonian American Art Museum. Office of Print and Electronic Publications
Dates:
1964-2000
Size:
1 cu. ft. (2 document boxes)
Collection ID:
Accession 01-104
Repository:
Smithsonian Institution Archives

This accession consists of publications produced for the National Collections of Fine Arts/NCFA (1937-1979), National Museum of American Art/NMAA (1980-2000), and the Smithsonian American Art Museum/SAAM (2000- ). Publications relate to various museum activities and events such as exhibitions, collection inventories, development materials, recruitment and promotional materials for programs, as well …

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in Accession 01-104 for Afro-Caribbean cults
Exhibition Records
Creators:
Smithsonian Institution. Traveling Exhibition Service
Dates:
1979-1998
Size:
22 cu. ft. (22 record storage boxes)
Collection ID:
Accession 01-204
Repository:
Smithsonian Institution Archives

This accession consists of records that document the organization, design, and promotion of exhibits. Major exhibitions represented include Ocean Planet, Seeds of Change, and Tropical Rainforests: A Disappearing Treasure. Materials include correspondence, memoranda, planning documents, exhibit proposals, research notes and materials, letters of agreement, floor plans, releases, itineraries, contracts, exhibition …

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in Accession 01-204 for Afro-Caribbean cults
Audiotapes
Creators:
Smithsonian Associates
Dates:
1997-1999
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 00-098
Repository:
Smithsonian Institution Archives

This accession consists of master cassette audiotapes of programs presented by the various offices within the Smithsonian Associates.

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in Accession 00-098 for Afro-Caribbean cults
John Victor Murra papers
Creators:
Zalinger, Alvin D.
Swift, Arthur L.
Sturtevant, William C.
Yanez Perez, Luis
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Dates:
1927-1998
Size:
42.5 Linear feet ((88 boxes and 1 map case folder) )
Collection ID:
NAA.1982-59
Repository:
National Anthropological Archives

The Papers of John Victor Murra document his personal and professional life through audiovisual materials, correspondence, diaries, graduate school notes, lectures, photocopies of archival materials, photographs, published materials collected by Murra, reading and research notes and his own writings. The materials span more than 70 years. The collection includes materials relating to Murra's immigration to the United States and later lawsuit for naturalization, his undergraduate and graduate studies at the University of Chicago, his experiences in the Spanish Civil War and in Ecuador during the Second World War as Don Collier's assistant, his teaching career at a number of colleges and universities in the United States and abroad including the University of Puerto Rico, Vassar College, Yale University, and Cornell University, and his research interests such as the fieldwork projects he directed at Hunuco and Lake Titicaca. The bulk of his correspondence may be found in Series I - Correspondence which mostly consists of his communications with former classmates from the University of Chicago, colleagues in the United States and abroad, and former students. Series IV - Biographical and Series VII - Graduate School and Teaching contain a significant amount of material pertaining to Murra's studies at the University of Chicago and his lawsuit for naturalization. Correspondence and newspaper editorials from F. C. Cole and Robert Redfield as well as oral history transcripts of Murra's personal reminiscences are among the items found in these series. For many years, Murra also kept personal diaries, originally intended as records of his dreams, which form Series III - Dream Archives. Although this collection is primarily textual in nature, there are also a photograph and an audio-visual series. The later includes recordings of Murra's Lewis Henry Morgan lectures. The occasional photograph also appears throughout other series.

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in NAA.1982-59 for Afro-Caribbean cults
14 records — Page 1 of 2