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- Creators:
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Schultz, Leonard P. (Leonard Peter), 1901-1986, interviewee
- Dates:
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1976
- Size:
-
3 audiotapes (Reference copies). 6 digital .mp3 files (Reference copies).
- Collection ID:
- Record Unit 9510
- Repository:
-
Smithsonian Institution Archives
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...
Found In
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- Creators:
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Britton, Joe
Matheis-Kraft, Carol
- Dates:
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1945
- Size:
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0.15 Cubic feet (1 box )
- Collection ID:
- NMAH.AC.1234
- Repository:
-
Archives Center, National Museum of American History
Collection documents Panama, the Panama Canal, the Canal Zone, the San Blas Islands, military installations in Panama, villages, local buildings, people, flora and fauna, circa 1945.
Found In
Leonard Peter Schultz Papers
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- Creators:
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Schultz, Leonard P. (Leonard Peter), 1901-1986
- Dates:
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circa 1915-1970, with related papers from 1899
- Size:
-
16.36 cu. ft. (32 document boxes) (1 5x8 box)
- Collection ID:
- Record Unit 7222
- Repository:
-
Smithsonian Institution Archives
These papers concern Schultz's personal and professional life and include notes, correspondence, research data, sketches, manuscripts, meeting programs, clippings, and published works concerning general ichthyology; ichthyological nomenclature; sharks and shark attacks; professional societies; expeditions, particularly the Bikini survey a...
Found In
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- Creators:
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National Portrait Gallery. Office of Exhibitions
- Dates:
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1975-1979
- Size:
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4 cu. ft. (4 record storage boxes)
- Collection ID:
- Accession 87-156
- Repository:
-
Smithsonian Institution Archives
This accession consists of records that document the exhibition Return to Albion: Americans in England, 1760-1940. Materials include correspondence with lenders, lender information sheets, photographs of works of art exhibited, photocopies of exhibition labels, exhibition catalog reproduction rights requests/forms, catalog photo orders, e...
Found In
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- Creators:
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National Portrait Gallery. Office of Exhibitions
- Dates:
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1970-1990
- Size:
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7 cu. ft. (7 record storage boxes)
- Collection ID:
- Accession 93-051
- Repository:
-
Smithsonian Institution Archives
This accession consists of records that document the various exhibitions that were shown at the National Portrait Gallery (NPG) between 1973 and 1988, such as Return to Albion: Americans in England, 1760-1940, The Art of Henry Inman, The Artist's Mother: Portraits and Homages, Robert Edge Pine: A British Portrait Painter in America, 17...
Found In
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- Creators:
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Lipofsky, Marvin, 1938-2016
- Dates:
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1954-2018
- Size:
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46 Linear feet
- Collection ID:
- AAA.lipomarv
- Repository:
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Archives of American Art
The papers of studio glass artist Marvin Lipofsky measure 46.0 linear feet and date from 1954 to 2018. Found are biographical materials, correspondence, writings and notes, travel diaries, artist files, exhibition and gallery files, organization files, professional files, technical studio files, printed material, photographic material, three scrapbooks, sketchbooks, and artwork. There is a 0.4 linear foot unprocessed addition to this collection donated in 2021 that includes personal and professional correspondence between Lipofsky and others regarding travel and shows, a file on teaching, and biographical information, and "In a Bottle" transparency. Materials date from circa 1964-2002.
Found In
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- Creators:
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Smithsonian Institution. Assistant Secretary in charge of the United States National Museum
- Dates:
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1860-1908
- Size:
-
76.58 cu. ft. (151 document boxes) (3 5x8 boxes)
- Collection ID:
- Record Unit 189
- Repository:
-
Smithsonian Institution Archives
Most of the correspondence is directed to Goode, with lesser amounts to True, Walcott, and Rathbun. Also, a small amount of correspondence is addressed to the Secretary of the Smithsonian Institution, (Baird, 1878-1887; and Samuel P. Langley, 1887-1906) but is generally referred to the Assistant Secretary for response. Much of the material is...
Found In
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- Creators:
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DeVincent, Sam, 1918-1997
- Dates:
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1834 - 1964
- Size:
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10 Boxes
- Collection ID:
- NMAH.AC.0300.S24
- Repository:
-
Archives Center, National Museum of American History
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 24 contains materials documenting the business of and popular attitudes towards Education in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
Found In
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- Creators:
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Holman, Thomas S., 1953-2015
- Dates:
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1970-1989
- Size:
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1.8 Linear feet
- Collection ID:
- AAA.holmthom
- Repository:
-
Archives of American Art
Curator, and gallery director Thomas S. Holman's research materials on Reginald Marsh, 1970-1989, measure 1.8 linear feet. Research materials consist of correspondence, notes, printed material, writings, and images accrued during the course of exhibition research that Holman pursued while he was curator of collections at the Minnesota Museum of American Art and director of the Bell Gallery, Brown University. Reginald Marsh research, mainly conducted from 1982-1983, comprises the vast majority of the collection. In addition, there are research files for proposed Charles Demuth and Charles Sheeler exhibitions. Grant research compiled in 1989 concerns a mural exhibition.
Found In
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- Creators:
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Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997
- Dates:
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1837-1984
bulk 1935-1979
- Size:
-
4.9 Linear feet
- Collection ID:
- AAA.fleilawr
- Repository:
-
Archives of American Art
The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.
