The Schindler photographs and negatives contain views of the ruins at Hawikku and the surrounding environs near Zuni Pueblo (New Mexico), as well as Rain Dance images.
One cabinet card with an albumen photographic print by Cyril Punch of a Benin altar with two bronze heads supporting ivory tusks and framing a group of brass statues and bells, an inscription on the frame reading, "Juju altar, Benin City, May 1891.
This collection contains 22 lantern slides in black and white and color, 129 black-and-white glass negatives and 19 albumen prints taken by William L. Calver between 1895-1936. The images primarily depict archaeological excavation sites in Inwood, New York City, and the broader New York City area. Also present are 129 duplicate acetate negatives.
This collection contains 30 black-and-white negatives and one albumen print taken by Philip H. Glover in 1909. The images depict scenes of a dance on the Blackfeet (Piegan) Reservation in Browning, Montana.
Images depict primarily Northern Plains subjects.
This collection consists of 101 black-and-white acetate negatives and 36 albumen prints taken by Daniel Sutherland Davidson in 1925. The images portray Pamunkey and Chickahominy Indians of Virginia and the Algonquin (Kitcisakik, Grand Lake Victoria) and Tetes de Boule (Attikamek) Indians of Quebec, Canada.
This collection contains 54 albumen prints and 3 black-and-white negatives taken circa 1890-1900. Only two of the images can be definitively attributed to Richard Wetherill; the majority are attributed to "one of the Wetherill Brothers," either Richard or his brother John. The images depict views of various locations in Colorado, including Johnson Canyon, Mancos Canyon, the La Plata Mountains (San Juan Mountains), Mesa Verde (Balcony House, Cliff Palace, Navajo Canyon, Cliff Canyon, Ruin Canyon), and the Wetherill ranch known as Alamo House. Also present are images of a Zia Pueblo woman and a burial site at Grant Gulch, Colorado.
An album of photographs taken between 1905 and 1907 by H.G.L. Smith or his associates to document his hunting trips in Rhodesia (now Zimbabwe) and the accompanying African workers.
This collection, which dates from circa 1850-1971, contains materials relating to abolitionist Frederick Douglass. It includes 3 books (Narrative of the Life of Frederick Douglass, LIfe and Times of Frederick Douglass, and My Bondage and My Freedom), a carte-de-visite, various portraits of Douglass, including an etching and lithograph, clippings from Harper's Weekly and the Evening Star, and photographs of Douglass in various settings, including one of Douglass in Key West with members of the Santo Domingo mission.
The Edwin F. Coffin collection consists of photographs made by Coffin on behalf of the Museum of the American Indian, Heye Foundation. Aside from a number of views of New York real estate owned by the Museum (1924), the remainder of the collection contains Museum of the American Indian excavation photographs made in the Bee Cave Canyon rockshelter ...