Records
These records consist of publicity reports and clippings regarding the traveling exhibition, America's Smithsonian; contact sheets of photographs that primarily document special events associated with the exhibition; and 2 VHS tapes of a promotion involving Ray Charles.
Comment Cards
This accession consists of visitor comment cards from the traveling exhibition, "America's Smithsonian." Venues for which comment cards exist in this accession include Los Angeles, Kansas City, New York, Providence, St. Paul, and Houston.
Records
This accession includes photographs and magnetic tape slides documenting the installation of America's Smithsonian Exhibition at venue sites. Also includes photographs of venue building sites; of artifacts being removed from Smithsonian Museums for use in the exhibit; of unpacked and damaged artifacts; and of special events in conjunction with the …
Records
This accession consists of records that document work involved in preparing the American's Smithsonian exhibition, a major traveling exhibition for the Smithsonian Institution's 150th Anniversary. As an Office, America's Smithsonian Exhibition became defunct in April 1998; it was under the National Museum of American History, Office of Membership and Development. Materials include …
Luis Cancel papers
bulk 1970-1996
0.947 Gigabytes (ER01-ER04)
The papers of Puerto Rican arts administrator and artist Luis Cancel measure 10.1 linear feet and .947 gigabytes and date from circa 1900 to 1998 with the bulk of the material dating from 1970 to 1996. The collection is comprised of biographical material, professional files, arts administration records documenting his directorship at the Bronx Museum of the Arts and as Commissioner for the Department of Cultural Affairs in New York, subject and artist's files, files for the exhibition Legacy / Legado, printed materials, word processing documents, digital photographs, and unidentified sound recordings.
Milton Wolf Brown papers
0.225 Gigabytes
The papers of art historian and educator Milton Wolf Brown date from 1908 to 1998 and measure 26.0 linear feet and 0.225 GB. The collection documents Brown's career through scattered biographical material, correspondence with friends, publishers, colleagues, artists, museums, and art organizations, travel journals, files for the Prendergast Catalogue Raisonne Project, exhibition, research, teaching, and organization files, printed and digital material, and scattered photographs. A large portion of this collection consists of writings by Brown including notebooks, draft writings for books and other publications, lectures, and his writings as a student.
Robert and Elizabeth Webb photographs of world travels
20 Color slides (circa)
1,500 Prints (circa, silver gelatin (some in photo albums))
1,000 Items (circa 1000 copy color prints (made from slides))
Photographs made by Robert and Elizabeth Webb in numerous locations across the world, including Asia (China, Japan, Taiwan, Philippines, Borneo, Singapore, Thailand, Burma, Nepal, India, Sri Lanka, and Russia); the Balkans (Czech Republic, Croatia, Yugoslavia, Montenegro, Serbia, Bulgaria, Romania, Hungary, and Poland); Europe (Spain, England, France, Italy, Greece, Switzerland, Austria …
LeRoy Neiman papers
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
Website Development Records
These records document the development of the National Museum of American Art's (NMAA) website. Around 1996 the NMAA formed a partnership with America Online (AOL) to host the Museum's website. Later, in 1998, the relationship with AOL came to an end when the Museum gained the expertise and infrastructure to assume responsibility …
Tomás Oliva papers
This small collection of papers of Cuban born sculptor and painter Tomás Oliva measure 0.2 linear feet and date from circa 1969-1996. Found among the papers are a chronology; life documents; exhibition catalogs, including one from the 1993 exhibition of three of the original Los Once Cuban artist's group forty years after their first exhibition in Havana; one letter from Cyndee Levy-Angulo; notes and poetry; a photograph of Oliva with José Antonio Díaz Peláez; photographs of sculpture, two sketchbooks; and loose sketches and doodles.
