323 records — Page 1 of 33
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Creators:
National Museum of American History. Department of Public Programs
Dates:
circa 1977-1994
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 96-001
Repository:
Smithsonian Institution Archives

This accession consists of the records of Shirley E. Cherkasky, who served as Coordinator of Performance Programs at the National Museum of American History (NMAH), Department of Public Programs, from 1983 to 1995. Also includes records that date back to when Cherkasky was Director of Museum Programs in the Division of Performing Arts, 19...

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Creators:
National Portrait Gallery. Office of Education and Visitor Experience
Dates:
circa 1980-2016
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 19-028
Repository:
Smithsonian Institution Archives

This accession consists of the records of Jewell Robinson, Public Program Coordinator, who was responsible for public programming at the National Portrait Gallery (NPG). Documented in this collection is the series entitled Cultures in Motion, which acquainted adult audiences with the NPG collection by bringing its sitters to life through ...

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-2013
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
Morris, Robert, 1931-2018
Kitto, Svetlana, 1980-
Dates:
2018 April 19-20
Size:
4 Items (sound files (3 hr., 49 min.) Audio, digital, wav)
47 Pages (Transcript)
Collection ID:
AAA.morris18
Repository:
Archives of American Art

An interview with Robert Morris conducted 2018 April 19 and 20, by Svetlana Kitto, for the Archives of American Art at Morris' home in Ulster County, New York.

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Creators:
Haizlip, Ellis B., 1929-1991
Dates:
circa 1945-1991
bulk 1965-1990
Size:
63.64 Linear feet (82 boxes)
Collection ID:
ACMA.06-005
Repository:
Anacostia Community Museum Archives

The Ellis B. Haizlip papers, which date from circa 1945 --1991 (bulk dates 1965-1990) and measure 63.64 linear feets, are the personal papers of Ellis B. Haizlip, a television, theatre, and event producer most noted for his work on Soul! and Watch your Mouth! The collection is comprised of correspondence, scripts, financial and business documents, printed material, objects, photographs, slides, and videotapes.

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Creators:
Kendall Productions
Dates:
1952-2006
bulk 1997-2004
Size:
4.6 Cubic feet (3 cartons, 2 oversized boxes)
Collection ID:
ACMA.06-055
Repository:
Anacostia Community Museum Archives

The Kendall Productions records date from 1952-2006 with the bulk of material dating from 1997-2004 and measure 4.42 cubic feet. The records consist of material documenting the Kendall Productions documentary Dance Party: The Teenarama Story which first aired on Howard University's PBS affiliate WHUT in 2006. The records are comprised of research and production notes, government records, newspaper articles, questionnaires, photographs, letters, and scripts, accompanied by a significant amount of original media in the following formats: VHS and Beta videocassettes, audiocassettes, and audio compact discs.

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Creators:
Mattachine Society of Washington
Dates:
1978-2013, undated
Size:
4.1 (13 boxes) Cubic feet
Collection ID:
NMAH.AC.1428
Repository:
Archives Center, National Museum of American History

Papers and publications collected by the Mattachine Society of Washington, DC relating to the gay to straight conversion therapy program known as Love in Action (LIA) and director of the Memphis, Tennessee LIA, John J. Smid and author Garrard Conley.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 3-14, 1974
Size:
1 Cubic foot (approximate)
459 Sound tape reels (approximate)
Collection ID:
CFCH.SFF.1974
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Waters, Jack
Fialho, Alex, 1989-
Dates:
2018 February 21-22
Size:
4 Items (sound files (5 hr., 59 min.) Audio, digital, wav)
72 Pages (Transcript)
Collection ID:
AAA.waters18
Repository:
Archives of American Art

An interview with Jack Waters, conducted 2018 February 21 and 22, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at the Visual AIDS office in New York, New York.

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Creators:
Maltsby, Portia
Smithsonian Institution. Program in African American Culture
Dates:
1850-2004, undated
Size:
100 Cubic feet (309 boxes)
Collection ID:
NMAH.AC.0408
Repository:
Archives Center, National Museum of American History

The collection primarily documents the activities of the National Museum of American History's Program in African American Culture (PAAC) dating from 1979 through 2004. The Program in African American Culture (PAAC) created public programs documenting the black experience in the United States, as well as, other countries. Archival materials include photographs, programs, administrative files, magnetic tape, audiocassettes, U-matic and VHS video cassettes.

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323 records — Page 1 of 33