51 records — Page 1 of 6
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Creators:
Renwick Gallery. Office of the Director
Dates:
1967-1988
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Record Unit 465
Repository:
Smithsonian Institution Archives

This record unit primarily documents the tenure of Lloyd Herman, Director of the Renwick Gallery, but also contains the records of David W. Scott, Robert Tyler Davis, and Joshua C. Taylor, directors of the National Collection of Fine Arts (NCFA). The records pertain to temporary exhibitions as well as the permanent collections of the Renwick ...

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Creators:
Renwick Gallery
Dates:
1970-1983
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 16-149
Repository:
Smithsonian Institution Archives

This accession consists of records that document the exhibitions Woodenworks: Furniture Objects by Five Contemporary Craftsmen; Design Is . . .; and Craft Multiples. Woodenworks: Furniture Objects by Five Contemporary Craftsmen was the major inaugural exhibition at the Renwick Gallery and was on display from January 28 - July 19, 1972. I...

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Creators:
Scott, Joyce, 1948-
Silberman, Robert B. (Robert Bruce), 1950-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2009 July 22
Size:
61 Pages (Transcript)
Collection ID:
AAA.scott09
Repository:
Archives of American Art

An interview of Joyce J. Scott conducted 2009 July 22, by Robert Silberman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Scott's home and studio, in Baltimore, Maryland.

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Creators:
Museum of Craft and Folk Art
Dates:
1970-2012
Size:
28.9 Linear feet
12.48 Gigabytes
Collection ID:
AAA.musecraf
Repository:
Archives of American Art

The Museum of Craft and Folk Art records measure 28.9 linear feet and 12.48 GB and date from 1970 to 2012. The museum was established in 1982 in San Francisco, California and exhibited local and national craft and folk art collections until it closed in 2012. The collection includes administration records, extensive exhibition files, artists' files, museum publications, printed material, video recordings, born digital items, and photographic material.

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Creators:
National Museum of American Art. Office of the Deputy Director
Dates:
circa 1967-1983
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Record Unit 444
Repository:
Smithsonian Institution Archives

These records consist of files maintained by Harry Lowe in his positions as Curator of Exhibits and Assistant, Acting, and Deputy Director.

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Creators:
Medicine, Beatrice
Dates:
1914, 1932-1949, 1952-2003 (bulk dates, 1945-2003).
Size:
28 Linear feet (65 document boxes, 1 box of oversize materials, 1 box of ephemera, 1 shoebox of index cards, 1 map drawer)
Collection ID:
NAA.1997-05
Repository:
National Anthropological Archives

The Beatrice Medicine papers, 1913-2003 (bulk 1945-2003), document the professional life of Dr. Beatrice "Bea" Medicine (1923-2005), a member of the Standing Rock Sioux tribe, anthropologist, scholar, educator, and Native rights activist. The collection also contains material collected by or given to Medicine to further her research and activism interests. Medicine, whose Lakota name was Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman," focused her research on a variety of topics affecting the Native American community: 1) mental health, 2) women's issues, 3) bilingual education, 4) alcohol and drug use, 5) ethno-methodologies and research needs of Native Americans, and 6) Children and identity issues. The collection represents Medicine's work as an educator for universities and colleges in the United States and in Canada, for which she taught Native American Studies courses. Additionally, because of the large amount of research material and Medicine's correspondence with elected U.S. officials and Native American leaders, and records from Medicine's involvement in Native American organizations, the collection serves to represent issues affecting Native Americans during the second half of the 20th century, and reflects what Native American leaders and organizations did to navigate and mitigate those issues. Collection materials include correspondence; committee, conference, and teaching material; ephemera; manuscripts and poetry; maps; notes; periodicals; photographs; training material; and transcripts.

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Creators:
National Museum of American Art. Office of the Registrar
Dates:
1963-1987
Size:
54.58 cu. ft. (54 record storage boxes) (1 tall document box)
Collection ID:
Record Unit 453
Repository:
Smithsonian Institution Archives

This record unit documents the activities of the Office of the Registrar staff and consists of temporary loan files; temporary exhibition files, including shipping, insurance information, and loan agreements; general correspondence files; administrative files; and the files of the Smithsonian Art Commission, 1963-1975.

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Creators:
Gordon, Lori K.
Dates:
2001-2004
Size:
1.31 Linear feet (2 boxes; audiocassettes, videocassettes, floppy disk, CDs)
Collection ID:
ACMA.06-082
Repository:
Anacostia Community Museum Archives

The Labat: A Creole Legacy project records, which dates from 2001 to 2004 and measure 1.31 linear feet, contain materials documenting the creation of artist Lori K. Gordon's quilt, titled "Labat: a Creole Legacy," and the life of Celestine Labat. The collection is composed of audiocassettes, videocassettes, floppy disks, CDs, transcripts, newspaper clippings, writings, notes, correspondence, notecards, and postcards.

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Creators:
Woman's Building (Los Angeles, Calif.)
Dates:
1970-1992
Size:
33.5 Linear feet
Collection ID:
AAA.womabuil
Repository:
Archives of American Art

The records of the Woman's Building feminist arts organization in Los Angeles measure 33.5 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.

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Creators:
Renwick Gallery
Dates:
1957, 1961-1989, 1997-2003
Size:
25 cu. ft. (25 record storage boxes)
Collection ID:
Accession 10-128
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the Renwick Gallery during the tenures of Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; and Kenneth R. Trapp, Curator-in-Charge, 1995-2003. Topics covered include art organizations; craft fairs and craft schools; correspondence with m...

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51 records — Page 1 of 6