294 records — Page 1 of 30
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Creators:
Norton, Robert H.
Cooper-Hewitt Museum.
Kass, Marcia
Dates:
1873-2010
Size:
0.5 Cubic feet (2 boxes, 1 map folder)
Collection ID:
NMAH.AC.0825
Repository:
Archives Center, National Museum of American History

An artificial collection of ephemera from World's Fairs, intended as a growing repository for such miscellany from multiple sources. The initial donation consists of a season ticket, a booklet of souvenir tickets, and one menu from the 1939 New York World's Fair. The 2010 addendum contains eleven graphic works relating to World's Fairs. Eight of th...

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Creators:
Kent, Norman, 1903-1972
Dates:
1939-1964
Size:
300 Items ((on 2 microfilm reels))
Collection ID:
AAA.kentnorm
Repository:
Archives of American Art

Correspondence, articles, clippings, and gallery literature.

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Creators:
Roberts, Frank H. H. (Frank Harold Hanna), 1897-1966
Allyn, Harriet M.
Antevs, Ernst V.
Baker, Frank C.
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Dates:
undated
Size:
1 Item (Papers : 5.4 linear feet (16 boxes)
1 Item (Photographs : ca 3100 prints and negatives)
1 Item (Maps and illustrations )
Collection ID:
NAA.MS4851
Repository:
National Anthropological Archives

This collection of Rober's papers and photographs is almost excluvely concerned with his scientific fieldwork and resulting publications. It is not complete; for example, there is little in the photographs concerning his work at Agate Basin in Wyoming (though some related site forms are part of the records of the River Basin Surveys). Apparently, s...

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Creators:
Rosenthal, Albert, 1863-1939
Dates:
1885-1936
Size:
1 Item (partial microfilm reel)
Collection ID:
AAA.rosealbl
Repository:
Archives of American Art

Letters received, mainly from artists, Sept. 27, 1885-June 3, 1936, and undated, about works of art, invitations, exhibitions, art, travels and other art related subjects.

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Creators:
United States National Museum. Division of Fishes
Dates:
1922, 1927-1965
Size:
12.50 cu. ft. (25 document boxes)
Collection ID:
Record Unit 234
Repository:
Smithsonian Institution Archives

These records consist of correspondence of the members of the staff of the Division of Fishes, 1922, 1927-1965. Most of the correspondence is from domestic and foreign ichthyologists, aquarists, collectors, colleges and universities, museum officials, and the general public. The correspondence generally concerns the identification, exchange, ...

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Creators:
Ginsburg, Isaac, 1886-1975
Dates:
circa 1911-1919, 1924-1958
Size:
4.11 cu. ft. (7 document boxes) (1 half document box) (1 5x8 box)
Collection ID:
Record Unit 7187
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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Creators:
Muller, Robert O., 1911-2003
Dates:
1930-1997
Size:
7.5 Linear feet
Collection ID:
FSA.A2003.14
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Personal papers of Robert O. Muller, a Connecticut-based art dealer and collector who, over the course of seventy years, assembled one of the world's finest collections of Japanese prints from the late 1860s through the 1940s. The papers include Muller's correspondence relating to Japanese art, files relating to his and his wife's 1940 honeymoon in Japan during which he forged many contacts with Japanese artists and art dealers and purchased thousands of prints, subject files, catalogs, business transactions, magazine and newspaper clippings, photographs, and notes and drafts for a planned book.

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Creators:
Vose Galleries of Boston
Dates:
circa 1876
1890s-1996
bulk 1920-1940
Size:
25.6 Linear feet
Collection ID:
AAA.vosegall
Repository:
Archives of American Art

The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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294 records — Page 1 of 30