The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. TheA small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.

An interview of André Emmerich conducted 1993 January 18, by Mona Hadler for the Archives of American Art.

Photographs, business correspondence, printed matter, writings, and miscellaneous files documenting Wilmarth's career as a sculptor and printmaker, 1956-1987, and his teaching activities at Cooper Union, 1970-1980.

The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.

The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.

A transcript of an interview with Barbara Zucker conducted by art historian Amy Schlegel between June 22 and November 6, 1995. The first part of the interview was conducted in New York City; the second part in Burlington, Vermont. Zucker discusses her work in the context of feminism. She explains her choice of materials and the development of her s...

Typescripts of nine lectures by Hans Hofmann, annotated by Rodnick; Hofmann obituary; announcements for Hofmann exhibitions at Kootz Gallery, 1949 and 1951, and Andre Emmerich Gallery, 1967; a Christmas card from Hofmann, 1958, probably to Rodnick; and printed material from the Hans Hofmann School of Fine Arts, 1947-1957. [Microfilm title Hans Hofm...

Biographical material, photographs, project files, subject files, correspondence, printed material and audio visual material concerning Gerome Kamrowski's career as a Surrealist painter.

Letters, journals, diaries, calendars, address books, photographs, clippings, exhibition catalogs, as well as manuscripts and translations of Hans Hofmann's "Painter's Primer"; Hofmann's lectures at Berkeley, 1931 and notebooks of his critiques, 1945-1947 (transcribed by Tina Dickey); and an interview of Huck conducted by Tina Dickey, Mar. 23, 1991...

An interview of Patricia Faure conducted 2004 Nov. 17-24, by Susan Ehrlich, for the Archives of American Art, in Beverly Hills, Calif.