The papers of Una Hanbury measure 5.3 linear feet and date from 1910 to 1994, with the bulk of the material from 1966 to 1990. The collection documents the sculptor's career and the dispersal of her estate through business records, project files, subject files, printed material, and photographs. There is also a small amount of material relating to her personal life including correspondence with friends and family and photographs from various stages of her life.
This accession consists of records that document the planning, curation, and execution of temporary exhibitions at the Hirshhorn Museum and Sculpture Garden, including EXPRESSIV, and the WORKS and DIRECTIONS series sponsored by the Museum. The records were created and maintained by Neal David Benezra, Assistant Director for Art and Public...
This accession consists of records documenting publicity for exhibitions, lectures, films, public programs, and other activities. Exhibitions documented in this accession include Clyfford Still: Paintings, 1944-1960; Edward Ruscha; Regarding Beauty: A View of the Late Twentieth Century; William Kentridge; Alberto Giacometti, 1901-1966; DI...
The papers of sculptor Bashka Paeff measure 1.5 linear feet and date from 1920 to 1981. The small collection documents her work as an artist in Boston, Massachusettes, through biographical material, two diaries, printed material, and photographs of Bashka Paeff and her artwork. Also found are an autograph book containing signatures and notes from MacDowell Colony members, one clippings scrapbook, and four photograph albums, including one from a trip to Europe in the 1920s.
These records document the planning, development, and installation of exhibitions by the Department of Painting and Sculpture, Hirshhorn Museum and Sculpture Garden (HMSG). Included are biographical and bibliographical research files on artists; correspondence with museums, galleries, and artists concerning loan of artwork; loan reports; ...
The papers of sculptors and close companions Marion Sanford and Cornelia Chapin measure 2.5 linear feet and date from 1929-1988. The papers include scattered materials created by and about both women, including biographical materials, one folder of correspondence for each woman, a few writings and essays, newsclippings, exhibition catalogs, other printed materials, and four scrapbooks (three about Chapin and one about Sanford). Photographs are of Chapin only and of artwork of both women. There is also one phonograph album transferred onto cassette of a radio interview with Chapin and several motion picture films of Chapin's home movies shot in upstate New York and Paris.
These records include the correspondence of Shannon and Schiesser; minutes of meetings; exhibition proposals; installation floor plans; scripts; conservation planning; budgets; and photographs of HMSG, art works, and artists; and modifications to the Museum's Sculpture Garden.
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.
The papers of installation artist Moses Ros measure 2.3 linear feet and date from 1978 to 2012. The collection is comprised of files for several New York City Housing Authority commissions, as well as architecture, sculpture, and mural projects; professional files for Dominican York Proyecto GRAFICA, MUD/BONE Print Studio, and a New York American Institute of Architects residency; printed materials; and artwork that includes doodles, sketches, mock ups, and a paper and feather mask.
This accession consists of records documenting objects used in exhibitions at the Hirshhorn Museum and Sculpture Garden. Materials consist of correspondence, memoranda, loan agreements, object lists, loan record sheets, shipping records, insurance records, condition notes, and indemnities.