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Creators:
Kortheuer, H. Francis
Feininger, Lyonel, 1871-1956
Dates:
1887-1944
Size:
1 Item (partial microfilm reel)
Collection ID:
AAA.korth
Repository:
Archives of American Art

Letters and postcards, many illustrated, from Lyonel Feininger to his good friend H. Francis Kortheuer, and a scrapbook kept by Kortheuer containing Feininger letters, drawings, photographs, and clippings of published cartoons from assorted German publications.

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Creators:
Werner, Fred
Dates:
1889-1890
Size:
1 Item (partial microfilm reel)
Collection ID:
AAA.wernfred
Repository:
Archives of American Art

Eight sketches by Feininger for "A Ship of 49" and "Dante's Inferno." Also filmed is a letter from Werner to Dr. Ernst Scheyer discussing the sketches. This letter and another from Werner to Scheyer are in the Ernst Scheyer papers.

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Dates:
1917-1954
Size:
1.4 Linear feet
Collection ID:
AAA.beckmax
Repository:
Archives of American Art

The papers of painter and educator Max Beckmann measure 1.4 linear feet and date from 1917 to 1954. The collection documents Beckmann's art career in Germany as well as New York and includes biographical material, correspondence, printed material and photographs.

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Creators:
Metzig, William, 1893-1989
Murgio, Matthew, Mrs.
Dates:
circa 1925-1979
Size:
16 Cubic feet
Collection ID:
NMAH.AC.1269
Repository:
Archives Center, National Museum of American History

The materials in this collection span the years from the late 1920s to the 1970s and document Metzig's work in Germany and the United States. Little background and biographical information is available. Project files : More than 500 examples of the designer's work, including letterheads, logos, trademarks, brochures, book jackets, magazine covers ...

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Creators:
Marcks, Gerhard
Dates:
1950-1979
Size:
87 Items ((on 1 microfilm reel))
Collection ID:
AAA.marcgerh
Repository:
Archives of American Art

87 letters to Marcks from Frans Wildenhain.

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Creators:
Churchill, Alfred Vance, 1864-1949
Dates:
1888-1944
Size:
0.9 Linear feet
Collection ID:
AAA.churalfr
Repository:
Archives of American Art

This small collection of Alfred Vance Churchill papers regarding Lyonel Feininger measures 0.9 linear feet and dates from 1888 to 1944. Found here are 36 letters from Feininger, a painter and illustrator, to his friend Churchill and a scrapbook compiled by Churchill containing 117 sketches by Feininger, a photograph of Feininger, clippings, and 47 sketches and reproductions by Churchill. There are also additional loose clippings, an exhibition catalog, and three photographs of Feininger.

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Creators:
Garvan, Beatrice B.
Feininger, Julia
Dates:
1951-1952
Size:
3 Items ((on partial microfilm reel))
Collection ID:
AAA.garvbeat
Repository:
Archives of American Art

A letter from Julia Feininger, 1951 Sept. 17, and one from Lyonel Feininger, 1952 Apr. 29 (illustrated with a woodcut), discussing the history of the Feininger painting, "The Cathedral," in response to queries from the purchaser, Beatrice Lippincott (later Beatrice Garvan). Enclosed in the 1951 letter is a photograph of the painting, with a short h...

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Creators:
Leutze, Emanuel, 1816-1868
Dates:
[undated]
Size:
2 Items ((on partial microfilm reel))
Collection ID:
AAA.leutemal
Repository:
Archives of American Art

A note to an unidentified person; and one letter to John Minor.

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Creators:
Klingenberg Litho Company, Detmold, Germany
Dates:
[ca. 1920-1930]
Size:
0.1 Cubic feet ((1 folder))
Collection ID:
NASM.1987.0109
Repository:
National Air and Space Museum Archives

This accession is a cigar box proof of the famous aviatrix in her purple flying outfit. This proof is an example of the kind of artwork offered to cigar manufacturers for use on the inside of the lid of the box. This particular proof was produced by Klingenberg Litho Company, Detmold, Germany.

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Creators:
Swarzenski, Hanns, 1903-1985
Dates:
1942
Size:
1 Item ((on partial microfilm reel))
Collection ID:
AAA.swarhann
Repository:
Archives of American Art

Swarzenski's "The art museum is in the doghouse," an annotated essay commenting upon Sanford Low's pamphlet, THE MUSEUM AS A SOCIAL INSTRUMENT.

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