The papers of Wisconsin painter, educator, and draftsman John Wilde measure 21.3 linear feet and date from 1935 to 2011. The papers consist of biographical material, correspondence, interviews, writings and notes, 27 journals, personal business records, exhibition files, two scrapbooks, photographic materials, six sketchbooks, artwork, and nearly 90 limited edition, letterpress artist collaboration books – many that include artwork contributed by Wilde.
The papers of Wisconsin printmaker and educator Raymond Gloeckler measure 1.4 linear feet and date from 1952 to 2008. Gloeckler's career is documented through biographical material, correspondence with galleries and art organizations, exhibition and commission files, printed material, and artwork.
The papers of painter and author Sylvia Fein measure 5.9 linear feet and date from 1936 to 2011. The papers primarily document her friendships with other artists from the Wisconsin-based Magic Realist group, including Dudley Huppler, John Wilde, Marshall Glasier, and Karl Priebe, as well as her career as a painter and her work on the books Heidi's Horse and First Drawings: Genesis of Visual Thinking. Documentation consists of scattered biographical material, extensive correspondence, project files, writings by Huppler and others, printed material, photographs, artwork by Wilde and Glasier, and scrapbooks.
The papers of painter, muralist, and illustrator John Steuart Curry, and Curry family papers, measure 10.1 linear feet and date from 1848 to 1999. Papers document his career and family history through certificates, correspondence, photographs, clippings, contracts, receipts, inventories, writings, notes, and other materials. The papers contain particularly rich documentation of Curry's period as artist-in-residence at the University of Wisconsin, from 1936 to 1946. Mural projects in Kansas, Washington, DC, and Wisconsin are also documented.
This collection consists of 32 digital photographs shot by David J. Marcou and depict The Last Stand symphony dress rehearsal on April 24, 2008 in La Crosse, Wisconsin. The photographs depict the La Crosse Symphony Orchestra; co-composers Bill Miller (Mohican/Stockbridge-Munsee), Joshua Yudkin, and Kristin Wilkinson; conductor Amy Mills; La Crosse...
Twenty-one digital photographic prints of miscellaneous subjects from photographs taken by David J. Marcou. These images are "born-digital" photographs, 2002-2008, except for the earliest, made on black-and-white negative film in 1980 or 1981.
These photographs document the contemporary life of members of the Ho Chunk Nation of Wisconsin and include images of elderly men and women in their homes, a young dancer wearing a jingle dress and holding a watergun, a young boy, and outdoor scenes.
The papers of librarian, curator, and photographer Paul Vanderbilt (1905-1992) measure 25.2 linear feet and date from 1854 to 1992 with the bulk of the material dating from 1945 to 1992. The papers are comprised of biographical materials, personal and business correspondence, interviews, writings and notes, fourteen diaries and two diary fragments, reference and project files, photographic materials, sound recordings, and professional files.
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee. The papers of Hartley H. T. Jackson were received by the Smithsonian Institution Archives in two accessions. The first accession was transferred from the Bird and Mammal Laboratories, United States Department of Interior, in 1973; a...
The papers of art educator and administrator Michael P. Church measure 0.6 linear feet and date from 1934 to 1984. The collection includes biographical material, letters, notes and writings, printed material, and photographs.