W.G. Constable papers
The papers of art historian and museum curator W.G. (William George) Constable measure 25.7 linear feet and date from 1905 to 1981, with the bulk of the material from 1920 to 1976. The papers include biographical material; professional and personal correspondence; extensive lectures, writings, and notes; exhibition and book research files; printed materials; and photographs, glass plate negatives, and slides. There is substantive correspondence related to Constable's participation in the American Defense Harvard Group and about the formation of the Roberts Commission, including correspondence with Ralph Perry, Hugh Hencken, Paul Sachs and George L. Stout. There are numerous official reports prepared by Constable after World War II for the U. S. Office of Military Government for Germany.
Dr. Marcus Jacobson Papers of 20th Century Contemporary Artist Gu Wenda
1 Item (manuscript, hand written)
1 Exhibition catalog (includes essays and photographs)
1 Item (exhibition post card, black and white, 11 x 35 cm)
2 Photographs (color, 20 x 25 cm)
This collection was created and collected by the late Dr. Marcus Jacobson. It consists of materials relating to contemporary Chinese artist Gu Wenda, whom Dr. Jacobson supported in Gu's early days (mid-1980s) by purchasing works and trying to interest fellow US and Canadian academics (Dr. Jacobson was a well-known neuroscientist …
Oral history interview with Roy Moyer
82 Pages (Transcript)
An interview of Roy Moyer, conducted September 17-23, 1975, by Paul Cummings, for the Archives of American Art, Smithsonian Institution at Moyer's New York City apartment.
Jeff Thomas photographs
The photographs include an image of Jack Moore, a Pima dancer, with the American flag painted on his face; a portrait of the dancer Kevin Haywahe (Assiniboine) wearing a wolf-hide and feather headdress with beaded sun wheel medallion and beaded appendage, elaborate face painting, pipe bead necklace and elaborately beaded breast ornament; an outdoor view of a young boy posed beside grafitti that reads "Cultural Revolution"; a young man standing in front of a grain elevator and wearing a t-shirt with an image of Christopher Columbus and the caption "Founder of the New World"; and a triptych documenting the urban Onondaga Iroquois experience in Ottawa, Ontario.
Letter from Erle Loran to Richard J. Wattenmaker
Letter from Erle Loran, Berkeley, Calif., to "Mr. Wattenmaker," Toronto, thanking him for sending "the magnificent catalogue of your Puvis de Chavannes exhibition. I realize how much we have forgotten about Puvis and how far reaching his influence on modern french painting was." He mentions Puvis' influence on Seurat and …
Walter Tandy Murch papers
The papers of New York City still life painter and art instructor Walter Tandy Murch date from 1880-1970 and measure 8.2 linear feet. Found within the papers are biographical materials, four diaries, correspondence with colleagues and family members, personal business records, exhibition files, notes and writings, two sketchbooks and additional art work, printed material, and photographs of Murch, family members, and art work.
Oral history interview with AA Bronson
201 Pages (Transcript)
An interview with AA Bronson conducted 2017 March 3, 5, and 6, by Theodore Kerr, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Bronson's home and studio, in Berlin, Germany.
Hamid Schricker Photographs
Photography taken by Mr. Schricker in Iran during the 1970s. His photography covers several topics: the opening of the Tehran Museum of Contemporary Art in 1977, images of industrial buildings, and images of Iranian works of art from the Behshar Industrial Group and other artists. Materials consist of slides, positive film strips …
Clayton-Liberatore Gallery records
The records of Bridgehampton, New York's Clayton-Liberatore Gallery measure 3.9 linear feet and date from 1889 to 1980. The collection comprises administrative records that include photographs of artwork and former gallery owner Marie Sterner, and business records for galleries, museums, and arts institutions; artist's files containing records for artwork and exhibitions by over 80 artists including George Bellows, T. Victor Hall, Childe Hassam, Russell Iredell, William J. Scott, Augustus Vincent Tack, Hilda Taylor, and others; and printed materials consisting of art reproductions, books and booklets, clippings, and exhibition catalogs. Many of the files throughout the collection contain material created by Marie Sterner and the Marie Sterner Gallery.
J.L. Hudson Gallery records
The records of Detroit's J.L. Hudson Gallery measure 2.8 linear feet and date from 1958 to 1973. The collection comprises administrative records consisting of card files, early gallery records, and a few other administrative files; correspondence with artists and galleries; artist files for Romare Bearden, Childe Hassam, Isamu Noguchi, and others; exhibition files for the gallery's first exhibition, The W.R. Valentiner Memorial Exhibition (1963-1964), and several other exhibitions held at the gallery; client files documenting business transactions with numerous organizations, galleries, and art schools; and printed materials consisting of exhibition catalogs, announcements, and posters for J.L. Hudson Gallery and other galleries.