116 records — Page 1 of 12
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Creators:
Torpedo Factory Art Center
Dates:
1974-1996
Size:
4.7 Linear feet
Collection ID:
AAA.torpfaca
Repository:
Archives of American Art

The records of the Torpedo Factory Art Center measure 4.7 linear feet and date from 1974-1996. The collection documents the history, operations, and activities of one of the largest and longest-running artist collaboratives in the United States and includes organizational records, correspondence, business and financial records, lists and directories, reports, event files, printed material, and photographs.

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Creators:
Sterling, Craig
Dates:
1990-1996
Size:
0.15 Cubic feet (1 box, 16" x 20" x 1")
Collection ID:
NMAH.AC.0805
Repository:
Archives Center, National Museum of American History

Black and white photoprints by photographer Craig Sterling, made in the 1990s as part of an ongoing series depicting familiar buildings, monuments, and other sites in Washington, D.C., including the U.S. Capitol, the Lincoln Memorial, the Jefferson Memorial, and the Arboretum.

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Creators:
Drake, Alexander, 1843-1916
Dates:
1879-1890
Size:
8 Items
Collection ID:
AAA.drakalex
Repository:
Archives of American Art

Eight letters from Robert Frederick Blum to Alexander Drake concerning Blum's travels in Venice, Madrid, Tokyo, and Alexandria, Virginia. Blum describes his surroundings and briefly mentions his art work, such as in a letter introducing "Mr. Hodges, a gentleman from St. Louis" for whom he plans to illustrate an article on Venetian life. Some of the...

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Creators:
Faul, Jan, 1945-
Dates:
1991
Size:
0.3 Cubic feet (1 box)
Collection ID:
NMAH.AC.0441
Repository:
Archives Center, National Museum of American History

The collection is a set of twenty-four black-and-white silver gelatin prints entitled "Potomac: East and West," by Jan Faul, 1991. They include agricultural landscapes, cemeteries, industrial buildings commercial buildings in rural areas, etc., in the Potomac River region of Washington, D.C., Maryland, Virginia, and West Virginia. Each image contains a small area hand-colored by the photographer, providing a subtly mysterious, often whimsical or humorous effect.

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Creators:
Brown and Williamson.
Johnson, Virgil
American Tobacco Company.
Benson and Hedges.
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Dates:
circa 1890-1997
Size:
25 Cubic feet (26 boxes)
Collection ID:
NMAH.AC.0645
Repository:
Archives Center, National Museum of American History

As a teenager, Virgil Johnson [b.1918] became interested in the designs and symbols on cigarette packs like "Black Cat" and "White Roll", and he began actively collecting in the 1930s. His interest intensified during the 1940s when he was stationed in North Africa and across the Mediterranean region as a photographer with the U.S. Navy. Mr. Johnson collected cigarette packs for over fifty years, and was a member of the Cigarette Pack Collector's Association. Approximately 6000 cigarette packages, foreign and American, arranged in 24 albums. Manufacturers include names such as those shown below.

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Creators:
Turner, Lynn
Applegate
Filson & Son
Bairstow, J. B.
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Dates:
circa 1865-1918
Size:
0.3 Cubic feet (1 document box)
Collection ID:
NMAH.AC.0210
Repository:
Archives Center, National Museum of American History

This collection consists of two photograph albums and a number of individual photographs (tintypes and cabinet prints, all portraits), from the turn of the century to approximately 1918. The cabinet prints are from Pennsylvania and Ohio studios. Most of the snapshots seem to have been taken in and around Washington, D.C.

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Creators:
Cox, Allyn, 1896-1982
Dates:
1856-1982
Size:
11 Linear feet
Collection ID:
AAA.coxally
Repository:
Archives of American Art

The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 2007
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2007
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution, Resident Associates Program, African American Studies Center
Dates:
1986-1992
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 96-121
Repository:
Smithsonian Institution Archives

These records consist of program materials for the African American Studies Center in the Smithsonian Resident Associate Program (RAP). Most records are correspondence, memoranda, notes and reports to and from Jacqueline Hicks Grazette, Program Manager, concerning her contacts with African American speakers, entrepreneurs, authors, and local ...

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Creators:
Gates, Robert Franklin, 1906-1982
Dates:
1910-1988
bulk 1928-1988
Size:
2.3 Linear feet
Collection ID:
AAA.gaterobe
Repository:
Archives of American Art

The papers of Washington, D.C. area painter and art instructor Robert Franklin Gates date from 1910-1988, bulk 1928-1988, and measure 2.3 linear feet. Found within the papers are biographical materials; letters from government agencies, museums, galleries, and colleagues; business records primarily concerning transactions with the Jack Rasmussen Gallery; artwork including scattered drawings by Gates and block prints by Joe Goethe and D. Neufeld; two scrapbooks; printed materials; and photographs of Gates, family members, models, artwork, and exhibition installations. There are also photograph albums and miscellaneous photographs documenting a 1936 voyage to the Virgin Islands commissioned by the U.S. Treasury Department.

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116 records — Page 1 of 12