The papers of art historian, critic, and painter Suzi Gablik measure 12.8 linear feet and 4.48 GB and date from 1954 to 2014. The collection documents her career through scattered biographical documents, professional correspondence, 83 journals and notebooks, writings for book projects, notes, lectures, professional files, printed material, photographs, some digital, and photograph albums. Also included are two digital videos.
The papers of art critic and photographer Max Kozloff measure 1.4 linear feet and date from circa 1950-2015. The collection provides a glimpse into the work life of a prolific twentieth century American art critic through biographical material, correspondence with artists and critics, interviews, many unpublished writings, and printed material.
The papers of art critic, writer, and painter Theodore F. Wolff measure 8 linear feet and date from 1920-2013, with the bulk of the material dating from 1977-2013. The collection documents Wolff's career through biographical material, correspondence, interviews, writings, subject files, printed material, a small amount of artwork, and photographs.
Six scrapbooks of art critic Charles FitzGerald measure 1.1 linear feet and date from circa 1901 to 1918. They are comprised of newspaper clippings from the Evening Sun, Sun, New York Times, and other newspapers. Many of the printed articles, except where noted, were written by FitzGerald. Miscellaneous letters to FitzGerald are interleaved within the books and additional loose letters, writings, newspaper clippings, and notes are found. Also included are note cards that contain an index to Scrapbooks #4-6.
The papers of art critic Thomas Craven measure approximately .7 linear feet and date from 1919 through 1949 and 1975. The collection consists primarily of a dismantled scrapbook (1925 1949; 1975) containing newspaper clippings of Craven's articles and writings which span his career. Also found within the scrapbook are reviews by Oscar Bluemner and Byron Browne of Craven's two anti-modernist books, Men of Art and Modern Art. The collection also contains four letters concerning publications, a typescript essay about Thomas Craven's early career, two files of scattered writings in manuscript form, two bound handwritten manuscript versions of A Treasury of Art Masterpieces (1939), and Greek Art (1950), and miscellaneous loose newsclippings.
The papers of art critic, author, and lecturer Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the collection consists of letters from art critics, artists, family, friends, galleries, and museums. Notable correspondents include Jack Bush, Anthony Caro, Richard Diebenkorn, Friedel Dzubas, Helen Frankenthaler, Adolph Gottlieb, Hans Hofmann, Morris Louis, Robert Motherwell, Charles Pollock, Jules Olitski, David Smith, and Anne Truitt among others. Also found are biograpical materials, personal business and financial records, an etching by Kurt Wisneski, printed materials, and two reports by Greenberg concerning his travels.
The papers of writer and art critic Dodie Kazanjian measure 14.1 linear feet and 0.546 GB, and date from 1949-2017, bulk 1980-2017. The collection is comprised of writings, interviews, and research material related to Kazanjian's career as an art writer for Vogue and House and Garden magazines. Included are manuscripts, correspondence, notes, printed material, photographs of artwork, and interviews with various artists and art world figures. The interviews were conducted by Kazanjian as part of her research process and were recorded on over 230 sound cassettes found in the collection. Many of the interviews are also transcribed. A small amount of born-digital material includes images of artworks and artists and audio recordings of interviews.
The papers of New York art critic, writer, educator, and painter, Gregory Battcock, measure 10.6 linear feet and date from 1952 to circa 1980. The collection includes biographical material, correspondence, published and unpublished writings, artists' files, personal business records, printed materials, scrapbooks, photographic materials, and artifacts that detail his involvement in both the mainstream and fringe art scenes of the 1970s.
The C. J. (Clarence Joseph) Bulliet papers measure 34.6 linear feet and are dated circa 1888-1959. Biographical materials, correspondence, writings, subject and artist files, printed material, photographs, and artwork document the career of the influential Chicago art critic and writer. The records contain extensive information about art and artists in Chicago and the Midwest from the early to mid-twentieth century.
The papers of Dore Ashton measure 35.6 linear feet and date from circa 1928-2014, with one letter in the Joseph Cornell subject file dating from 1849. The records document Dore Ashton's career as an art critic, historian and educator, with particular depth for the period of 1952 through 1990. The collection contains a small amount of biographical material, as well as correspondence, writings, subject files, printed materials, artwork, and reference photographs of artworks. An addition to the Dore Ashton papers includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material.