Effie Seachrest papers
Ten letters; an inscribed Robert Vonnoh catalog; a photograph of a portrait of Seachrest by Daniel MacMorris; and a clipping. Correspondents include Gifford Beal, Frederick Carl Frieseke, Ernest Lawson, John Noble, Mary Mears, sister of artist Helen Farnsworth Mears, journalist William Allen White, and Kansas governor, Henry J. Allen.
Oral history interview with Robert Morris
Kitto, Svetlana, 1980-
47 Pages (Transcript)
An interview with Robert Morris conducted 2018 April 19 and 20, by Svetlana Kitto, for the Archives of American Art at Morris' home in Ulster County, New York.
Oral history interview with James Penney
Brown, Robert F.
79 Pages (Transcript)
Interview of James Penney, conducted by Robert F. Brown for the Archives of American Art, Smithsonian Institution, in Clinton, New York, on August 21 and December 6, 1981.
Oral history interview with Thomas Hart Benton
Interview of Thomas Hart Benton conducted 1973 July 23-24, by Paul Cummings, for the Archives of American Art. Benton speaks of his childhood in Missouri and Washington, D.C., working as a newspaper cartoonist, and classes at the Chicago Art Institute (1907-1908) and the Academie Julian in Paris (1908). He discusses the New York art …
Oral history interview with Edith Gregor Halpert
Phillips, Harlan B. (Harlan Buddington), 1920-
An interview of Edith Halpert conducted 1962-1963, by Harlan Phillips, for the Archives of American Art.
Catherine Viviano Gallery records
The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.
Oral history interview with Marek Cecula
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
10 Items (Sound recording: 10 sound files (4 hr., 55 min.), digital, wav)
An interview of Marek Cecula conducted 2009 May 19-20, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Cecula's studio, in New York, New York.
Albert Bloch papers
The papers of painter and educator Albert Bloch measure 17.9 linear feet and date from 1873 to 2014. The collection documents his career as an artist and university professor in Lawrence, Kansas, as well as his time in Munich, Germany, as part of the Blue Rider group of German Expressionists. The collection includes biographical material, extensive personal and professional correspondence, writings, personal business records, exhibition files, printed material, photographs, and artwork. Throughout the collection are records maintained by his widow Anna Bloch on the exhibition, sale, and research of Bloch's work after his death.
Arthur Sinclair Covey papers
The papers of mural painter and illustrator Arthur Sinclair Covey measure 5.7 linear feet and date from 1882 to 1960. Found within the papers are biographical material; correspondence with art institutions, patrons, and colleagues; scattered business and financial records; notes and writings by Covey and others, including a transcript of an interview with Covey by a radio station; art work and sketchbooks by Covey and his colleagues including Paul Bransom, Harvey Dunn, and Edward Penfield; project files concering Covey's mural projects; a scrapbook of clippings; additional printed material; and photographs of Covey, family members, colleagues, and art work.
Betty Parsons Gallery records and personal papers
The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.