35 records — Page 1 of 4
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Creators:
Hatch, John Davis
Dates:
1790-1995
Size:
24.9 Linear feet
Collection ID:
AAA.hatcjohn
Repository:
Archives of American Art

The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.

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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
1970-1990
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 93-051
Repository:
Smithsonian Institution Archives

This accession consists of records that document the various exhibitions that were shown at the National Portrait Gallery (NPG) between 1973 and 1988, such as Return to Albion: Americans in England, 1760-1940, The Art of Henry Inman, The Artist's Mother: Portraits and Homages, Robert Edge Pine: A British Portrait Painter in America, 17...

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Creators:
McGuigan, Mary K.
Dates:
1794-1938
Size:
0.6 Linear feet
Collection ID:
AAA.mcgumary
Repository:
Archives of American Art

The collection of artists' letters compiled by Mary and John McGuigan Jr. measure 0.6 linear feet and date from 1794-1938. The collection is comprised of a group of letters, writings, and signed documents to and from a variety of artists, art administrators, art critics, historians, and art-related organizations assembled from multiple sources. It also includes associated printed material with some documents and a few photographs, including carte de visites and cabinet cards.

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Creators:
Swift, Mary
Dates:
1973-2004
Size:
8.2 Linear feet
Collection ID:
AAA.swiftmar
Repository:
Archives of American Art

The papers of photographer and curator Mary Swift measure 8.2 linear feet and date from 1973-2004. The bulk of the collection contains photographs that Swift took while working for the Washington Review. The images consist of photographs, contact sheets, and negatives of artists and art events in Washington, D.C. Also included are some personal papers; two video recordings of art events in Washington, D.C.; research material and a manuscript from Swift's M.A. thesis "Howard William Mehring, 1931-1978: Washington Color Painter" from George Washington University; and approximately 130 sound recordings of interviews conducted by Swift and panel discussions.

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Creators:
Duveen, Albert
Dates:
[ca. 1831-1950]
Size:
5 microfilm reels
Collection ID:
AAA.duvealbe2
Repository:
Archives of American Art

Files on ca. 150 American artists and art subjects, selected from Duveen's art reference files. Included are photographs of paintings in other collections, auction and exhibition catalogs, miscellaneous publications.

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Creators:
National Portrait Gallery. Department of Design and Production
Dates:
1981-2002
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 07-054
Repository:
Smithsonian Institution Archives

This accession consists of two series. Series 1 consists of graphics records and documents the work of the department on such aspects of exhibitions as gallery guides, posters, invitations, label text, banners, letterhead, case labels, brochures, murals, and advertisements. Series 2 consists of installation records and documents the work ...

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Creators:
Cummings, Thomas Seir, 1804-1894
Dates:
circa 1824-1983
bulk circa 1824-1894
Size:
0.4 Linear feet
Collection ID:
AAA.cummitho
Repository:
Archives of American Art

The papers of acclaimed miniaturist and co-founder of the National Academy of Design Thomas Seir Cummings (1804-1894), measure 0.4 linear feet and date from circa 1824-1983, with the bulk of the material dating from circa 1824-1894. Papers include correspondence, writings and notes, personal and academy business and financial records, and printed material, which provide scattered but significant documentation of Cummings's various roles at the National Academy of Design and as an author and educator.

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Creators:
Archambault, Anna Margaretta, 1856-1956
Dates:
[ca. 1880-1946]
Size:
2 Items (partial microfilm reels)
Collection ID:
AAA.archanna
Repository:
Archives of American Art

Correspondence and papers relating primarily to Archambault's work in miniatures. Omitted from microfilming are photographs of Archambault's sitters and models.

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Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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Creators:
National Academy of Design (U.S.)
Dates:
1817-2012
Size:
92.7 Linear feet
Collection ID:
AAA.natiacad
Repository:
Archives of American Art

The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.

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35 records — Page 1 of 4