Morton Ralph Goldsmith letters from Ernest Fiene and Boris Grigore̓̓v
Fiene, Ernest, 1894-
26 letters from Ernest Fiene, 1956-1964, and six letters from Boris Grigoriev, 1923-1926. Fiene writes in detail about his investments and personal fiances, family and personal matters, and also about his painting and the market for his work. Grigore̓v sends greetings from Europe, mentions the work he is doing, current exhibitions, and asks …
Oral history interview with Caroline Goldsmith
Munro, Eleanor, 1928-
44 Pages (Transcript)
An interview of Caroline Goldsmith conducted 2004 June 10-21, by Eleanor Munro, for the Archives of American Art, in New York, N.Y.
James Penney papers
4.3 Linear feet (Addition)
Correspondence, writings and notes, diaries, scrapbooks, extensive sketchbooks and sketches, photographs and printed materials.
Schneider-Gabriel Galleries records
The Schneider-Gabriel Galleries records measure 0.9 linear feet and date from 1918 to 1953. The collection is comprised mostly of photographs of paintings that span the European and American continent, dating from the 13th century to the mid-20th century. The collection also includes correspondence relating to the sale, conservation, and legitimacy of the New York gallery's artwork; a folder of papers concerning the immigration of artist Grigory Gluckmann and his wife, Anna, to the United States in 1941; financial records comprised of scant bills, checks, and statements; the catalog draft from a Walter Pach exhibition; and correspondence, printed material, and provenance records concerning portraits of George Washington by Gilbert Stuart.
Hans Christensen papers
The papers of designer, silversmith, and educator Hans Christensen measure 12.3 linear feet and date from 1924 to 1989 with the bulk of the collection dating from 1955 to 1983. The collection includes biographical materials, correspondence, writings and notes, personal business records, teaching files for the Rochester Institute of Technology, printed and broadcast materials, artwork, photographic materials, and sound and video recordings.
Aline Meyer Liebman papers
Correspondence, photographs, business and financial records, printed matter, scrapbooks, and exhibition catalogs document Mrs. Liebman's acquisition of modern American art, European painting and decorative arts, her interest in and support of photography, her encouragement of individual artists, the inception and early history of the Museum of Modern Art, and her …
Walt Kuhn Family papers and Armory Show records
The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.
Joseph Hirshhorn papers regarding the Elmer MacRae papers
The Joseph Hirshhorn papers regarding the Elmer MacRae papers measure 0.6 linear feet and date from 1959 to 2012, with the bulk of the material dating from 1960 to 1975. The papers relate to Joseph Hirshhorn's acquisition of the Elmer MacRae papers, as well as their subsequent use in the 50th anniversary exhibition of the Armory Show and for Milton Brown's book, The Story of the Armory Show. The collection includes correspondence, exhibition files, loan forms, rights and reproductions forms, and photographs.
Lester Beall collection
This collection documents the career of Lester Beall, graphic designer and commercial artist from approximately 1933-1967.
Staempfli Gallery records
The Staempfli Gallery records measure 5.2 linear feet and date from 1958 to 1992. Scattered administrative and financial records, correspondence, sales invoices, inventory records, and exhibition catalogs document the business activities of this New York gallery.