The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California "light and space" artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.
The papers of curator Philip Brookman measure 3.5 linear feet and date from 1977 to 1993. The collection documents Brookman's exhibition, writing, and filmmaking projects in the form of artist files, exhibition files, professional files, and subject and research files. Much of the material concerns the production and distribution of Brookman's 1988 video documentary about Chicano art in California, Mi Otro Yo (My Other Self), that grew out of the exhibition and conference "Califas: An Exhibition of Chicano Art and Culture in California," held at University of California, Santa Cruz in 1981 and 1982.
The California Art Club guest register and scrapbooks measure 1.5 linear feet and date from 1916 to 1961. Included are guest registers spanning 1927 to 1931; a Year Book 1916 of the California Art Club containing images of member artwork and essays; and eleven scrapbooks with clippings, exhibition materials, club bulletins, and place settings.
The papers of painter, printmaker, and educator Enrique Chagoya measure 0.8 linear feet and date from 1990 to 1995. The collection includes four dossiers compiled by Chagoya for evaluations of his professorship at California State University in Hayward, California. The dossiers contain resumes, student evaluations, correspondence, exhibition announcements and catalogs, clippings, transparencies of artwork, class syllabi, lists of accomplishments as an educator, and lists of exhibitions.
The John Button letters to Gerald L. Fabian measure 0.6 linear feet and date from 1950 to 1982. The collection consists primarily of correspondence from painter John Button to Gerald Fabian. Also included are letters from Fabian to Button, as well as printed material.
The papers of California pop artist and teacher Mel Ramos measure 0.6 linear feet and date from 1959 to 1984. The collection documents Ramos's career as an artist through correspondence with Lawrence Alloway, Dwan Gallery, Roy Lichtenstein, David Stuart, and Tom Wesselman, among others; a few inventories, invoices, and loan agreements; documentation of his work with the San Francisco Art Institute; and exhibition announcements and catalogs. Writings include two manuscripts on Ramos and the Pop Art movement, a one-page interview of Ramos, and poetry by Robin Skelton. Of interest in the collection, are files containing photographs, photo-collages, and clippings used for paintings such as "Elephant Seal," "Virnaburger," and "Manet's Olympia."
The records of Womanspace Gallery, a cooperative gallery for feminist activities in Los Angeles, California, measure 1.7 linear feet and date from 1970 to 1974. The bulk of the collection consists of exhibition files. Also found are administrative files, correspondence, publishing files, financial records, printed material, and photographic material.
The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.4 linear feet and date from 1876 to 1990 (bulk 1938-1989). The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.
The papers of Sacramento painter, printmaker, and teacher Wayne Thiebaud date from 1944 through 2001 and measure 1.0 linear foot. Thiebaud's prolific painting career is documented in this collection mostly through exhibition catalogs, printed materials, original artwork, photographs, and ephemera. His career as an art professor at the University of California at Davis is documented to a lesser extent.
The papers of painter, educator, and curator Jan Wurm measure 2.7 linear feet and date from 1966 to 2013. The collection provides a range of documentation of Wurm's career, highlighting her many exhibitions and instructional courses in the Berkeley, California area. Also found are thirty self-published books of Wurm's artwork, fifteen sketchbooks, and several photographs.