The papers of Florence Arquin measure 8.2 linear feet and date from 1923 to 1985. The papers document Arquin's career as a painter, photographer, educator, writer, and critic through biographical material, correspondence, writings, teaching and project files, printed material, photographs, artwork, and scrapbooks. Additionally, the papers relate to her personal relationships with her husband Samuel Williams and friends, Diego Rivera and Frida Kahlo. Teaching and project files include material from Arquin's work with the Federal Art Project at the Art Institute of Chicago and as director of the U.S. State Department's Kodachrome Slide Project, which was part of an effort to provide educational agencies with visual aids to support Latin American Studies.
The papers of abstract painter and art instructor Vaclav Vytlacil date from 1885-1990 and measure 5.2 linear feet. Found within the papers are scattered biographical materials, correspondence primarily discussing art school-related matters and the exhibition and sale of Vytlacil's work, scattered business and financial records, and notes and writings including lecture notes. The papers also contain audio recordings of interviews of Vytlacil and his associates, artwork by Vytlacil and others, four scrapbooks, printed material including clippings and exhibition catalogs, and photographs of Vytlacil, his colleagues, and his artwork.
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
The papers of painter and educator Edwin Ambrose Webster measure 2.2 linear feet and date from 1821 to 1968. Found within the papers are biographical material; business and personal correspondence; writings; teaching and research files, including information on Webster's participation in the 1913 Armory show; printed material; artwork; and photographic materials of Webster, his family and friends, and his work.
The papers of artist Paulus Berensohn measure 7.7 linear feet and 9.1 GB and date from circa 1950-2017, bulk 1976-2010. The collection documents his career as a poet, ceramic artist, dancer, and educator in Penland, North Carolina, through biographical material, correspondence, writings, teaching files, printed materials, photographs of artwork, and works of art on paper and mail art.
The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.
The papers of metalsmith and jeweler Robert Ebendorf measure 4.8 linear feet and 0.554 GB and date from 1920 to 2015, with the bulk of the material from 1960 to 2010. The papers document Ebendorf's career through scattered biographical material; business correspondence with galleries, universities, and professional groups as well as personal correspondence with friends and family, including a large collection of mail art; artist statements, teaching philosophies, and reflections by Ebendorf as well as writings by others; application materials for the artist's position as Belk Chair at East Carolina University, student fellowship applications, and other teaching files; audio and video recordings of interviews in digital format; inventories, invoices, and publicity material, including several folders of notes and materials for retrospectives; exhibition catalogs, news clippings, and other printed material; sketches, cut paper, and collage work loose and in sketchbooks; and photographic materials of the artist, friends, family, and artwork.
The papers of Italian-American painter, engraver, and printmaker Letterio Calapai measure 3.4 linear feet and date from 1858 through 1993 (bulk 1920s-1993). Found are correspondence, teaching and project files, writings and notes, printed materials, photographs, and sketchbooks, including one with scenes of Rockwell Kent's dairy farm in upstate New York.
The papers of New York City painter, educator, gallery owner, and activist Lois Dodd date from 1945 to 2013 and measure 6.82 linear feet. The papers focus on Dodd's personal work and contain little documentation of her involvement with Tanager Gallery. Found are biographical materials, including an interview conducted by Pat Mainardi in 1973; personal business records; professional correspondence; project and teaching files for Artist Housing Projects and various teaching positions; scattered writings and notes; printed materials including exhibition catalogs and announcements; and photographs. The 2014 and 2015 additions date from 1945-2013 and provide additional material related to Dodd's career as a painter and educator. Found here are biographical material; correspondence with friends and artists; writings by others; project and teaching files; personal business records; printed material; photographical material of artwork and Dodd; eleven travel sketchbooks; and a few pieces of artwork by George Schneeman.
The papers of African American painter, printmaker, and educator Marvin Harden measure 2.2 linear feet and date from circa 1936 to 2005. Found within the papers are biographical materials, correspondence, teaching files, exhibition files, printed material, artwork, and photographs. Correspondents include Joyce Tremain, Judy Chicago, Marion Lerner Levine, Jud Fine, Houston Conwill, Sandy Ballatore-Nelson, Nancy Lee Riegelmen, Eugene Anderson, Connor Everts, Pleter Plagens, Jan Stussy, Caroll Toon, William Wilson, and others. Artwork includes a book of etchings Natural Selections (1991).