The Walter Rosenblum Collection is comprised of 7,396 silver gelatin negatives taken by noted photographer Walter Rosenblum (1919-2006) for New York art galleries, collectors and artists between 1945 and 1976. The collection reflects the art of his time and is particularly strong in American and European avant-garde, surreal and abstract works.
Photographs depicting Roman, Greek, Assyrian, and Egyptian sculpture in European museums. Most of the images were made in the British Museum, but others were made at the Vatican, the Louvre, and in Florence.
The records of Galerie Darthea Speyer measure 17.2 linear feet and 1.58 GB and date from 1953 to 2010. The majority of the collection consists of artists' files containing a wide variety of materials documenting the Paris gallery's relationship with American and European artists, as well as gallery exhibitions. Also found are scattered financial records, guestbooks, documentation on the Park Hyatt Paris-Vendome art collection, exhibition announcements, posters, and additional photographs.
The collection consists of photographs and printed materials (almost exclusively in German), documenting the relief efforts of the American Relief Administration (A.R.A.), European Children's Fund (E.C.F.) (Mission to Austria), 1920-1921, to feed malnourished children in Europe in the post-World War I era. The photographs, publications and charts in this collection specifically relate to children in Vienna and other Austrian cities.
An album of photographs taken between 1905 and 1907 by H.G.L. Smith or his associates to document his hunting trips in Rhodesia (now Zimbabwe) and the accompanying African workers.
The collection dates from 1678 to circa 2005 and consists of 58 maps, engravings, posters, original documents and photographs related to East, Central and South Africa. There is a special focus on Ethiopia (Abyssinia), Tanzania and the Sudan, and the collection's subjects include East African geography, history, political affairs and African leaders, as well as European (German, Italian, British) and American colonization, exploration and warfare in Africa.
The papers of New York, Rome, and Paris painter Allen Townsend Terrell painter measure 4.5 linear feet and date from 1908-1982. Included are biographical materials; detailed letters from Terrell to his parents; fourteen diaries describing European travels; scattered financial records; three sketchbooks and miscellaneous sketches; printed material; and photographs of Terrell, his colleagues, his home and studios, artwork, and exhibition installations.
Photographs or collected by Dr. John Sebastien Derr, a member of the Sudan United Mission in Cameroon from 1906-1909. As a missionary he was devoted to converting the people in Cameroon to Christianity and to dispelling Islam. The majority of the slides depict life in Adamawa, northern Cameroon. The images document Islamic and other populations in Cameroon. The individual and group portraits of men, women, and children primarily focus on the lives of the indigenous peoples, though a few pictures of Europeans are included. A Hausa leader is featured among the portraits. The Sudan United Mission calendar displaying snapshots of a different missionary with each month. Dr. Derr is featured in January of 1909. Also included in the calendar are a list of officers, five prayers, a list of societies in the Sudan without a missionary and events that relate to the Sudan United Mission. Images of musicians, cooks, hunters, and laborers give some sense of village and missionary life. Other scenes reveal Central African terrain. There are two or three views of mountains, sunrise or sunset, and regional vegetation. Many images capture architecture, among which are building styles ranging from thatched edifices to colonial buildings and to urban street scenes in colonial Egypt. Maritime activity is exhibited in the shots of various boats used by the African peoples. European seamen and passengers are depicted as well. Along with photographs of northern Cameroon, there are several images of life in colonial Egypt.
The Library of Congress Copyright Deposit Collection is comprised of 2,335 photomechanical reproductions of works by 741 artists (mostly American). The large-format prints, deposited with the Library of Congress for copyright between 1890 and 1945, represent a broad range of nineteenth- and twentieth-century American art.
Photographs taken by Marie-Louise Bastin in the Lunda Morte Province of Angola in 1956.