Oronzo Gasparo papers
Correspondence, biographical material, printed material, writings, sketchbooks, artwork, financial records, photographs, and motion picture film and video.
Judith Clancy papers
Correspondence; Clancy's writings about Moses Soyer, whom she studied with, and modeled for; curriculum vitae; photographs of Clancy and of her art work; sketches; exhibition catalogs; and clippings.
Ethel Frances Mundy letter
A letter from Mundy to Mrs. R.D. Hill. Mundy writes from New York to Hill in Lake Forest, Illinois, offering to restore a wax portrait, and mentions an upcoming exhibition of hers at the Town and Country Club in Hartford, Conn.
Cleo (Cleo Dorman) papers
An autobiography (unpublished), "Cleo: A Naked Woman's Handbook," 1982; correspondence; writings and notes; lists of artwork in her collection (almost entirely of drawings and paintings of her given to her by the artists for whom she posed); photographs of Cleo and of works of art in which she posed; posing schedules …
Fanette Reider Meyers papers
Interviews of Meyers, photographs, and an exhibition catalog document her friendship with artists Morton Schamberg and Charles Sheeler.
Elisabeth D. Model papers
Reminiscences, letters, a scrapbook, interviews, printed material, and photographs document Model's career as a sculptor, and her friendship with German author Hermann Hesse.
Robert Franklin Gates papers
The papers of Washington, D.C. area painter and art instructor Robert Franklin Gates date from 1910-1988, bulk 1928-1988, and measure 2.3 linear feet. Found within the papers are biographical materials; letters from government agencies, museums, galleries, and colleagues; business records primarily concerning transactions with the Jack Rasmussen Gallery; artwork including scattered drawings by Gates and block prints by Joe Goethe and D. Neufeld; two scrapbooks; printed materials; and photographs of Gates, family members, models, artwork, and exhibition installations. There are also photograph albums and miscellaneous photographs documenting a 1936 voyage to the Virgin Islands commissioned by the U.S. Treasury Department.
Gene Davis papers
The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, as well as his career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.
These records consist of professional correspondence and administrative and research files of a number of curators from the Department of Painting and Sculpture. Included are correspondence and memoranda with HMSG staff, artists, galleries, and other museums; loan agreements, checklists, scripts, and installation plans for HMSG exhibitions; biographical information on, and …
Kenneth Snelson papers
The papers of artist Kenneth Snelson measure 21.8 linear feet and date from 1947-2016. While primarily known for his sculptures incorporating the structural principle of tensegrity, Snelson was also a prolific photographer and forerunner of computer art. The collection document's the artist's life and work through chronological files, correspondence, project files, gallery and exhibition files, photographic material, and printed material. Chronological files detail seven decades of personal and professional activities, beginning with Snelson's summers at Black Mountain College where he studied with Buckminster Fuller. Project files comprise nearly half of the collection and extensively document his sculptures, towers, atom model, computer art, patents, and cataloging and publishing projects.