Smithsonian Jazz Oral History Program Collection
National Museum of American History (U.S.). Department of Public Programs
Ella Fitzgerald Charitable Foundation
America's Jazz Heritage
Audiotapes, CDs and digital files: an ongoing project to interview and preserve the memories of people important in the jazz world, including jazz musicians, singers, dancers, producers, arrangers, and others. A list of interviewees and interviewers follows. The following is a list of the individuals who conducted the interviews. 1. Brown …
Dr. Theodore Shell Collection of Duke Ellington Ephemera
Periodical articles, news clippings, concert programs, radio transcripts, personal correspondence, broadsides, photographs, and pencil sketches collected by Dr. Shell. The material documents part of Duke Ellington's music career, especially ca. 1940-1974.
This accession consists of exhibition records of the National Museum of American History (NMAH), Division of Armed Forces History, as well as material dating back to the Division of Naval History before it merged with the Division of Military History to form the Division of Armed Forces History in 1985. The …
Moses and Frances Asch Collection
Distler, Marian, 1919-1964
This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.
Duke Ellington Collection Records
This accession consists of the records of Fitzroy Thomas. Materials include Duke Ellington Collection budget information; Thomas' correspondence and memoranda; meeting minutes; information documenting the Duke Ellington Collection program; Oral History Project information; articles on Ellington and those associated with him; and photographs.
Frederica de Laguna papers
Swanton, John Reed, 1873-1958
Guédon, Marie Françoise
38 Linear feet (71 document boxes, 1 half document box, 2 manuscript folders, 4 card file boxes, 1 flat box, and 1 oversize box)
These papers reflect the professional and personal life of Frederica de Laguna. The collection contains correspondence, field notes, writings, newspaper clippings, writings by others, subject files, sound recordings, photographs, and maps. A significant portion of the collection consists of de Laguna's correspondence with family, friends, colleagues, and students, as well as her informants from the field. Her correspondence covers a wide range of subjects such as family, health, preparations for field work, her publications and projects, the Northwest Coast, her opinions on the state of anthropology, and politics. The field notes in the collection mainly represent de Laguna and her assistants' work in the Northern Tlingit region of Alaska from 1949 to 1954. In addition, the collection contains materials related to her work in the St. Lawrence River Valley in Ontario in 1947 and Catherine McClellan's field journal for her research in Aishihik, Yukon Territory in 1968. Most of the audio reels in the collection are field recordings made by de Laguna, McClellan, and Marie-Françoise Guédon of vocabulary and songs and speeches at potlatches and other ceremonies from 1952 to 1969. Tlingit and several Athabaskan languages including Atna, Tutchone, Upper Tanana, and Tanacross are represented in the recordings. Also in the collection are copies of John R. Swanton's Tlingit recordings and Hiroko Hara Sue's recordings among the Hare Indians. Additional materials related to de Laguna's research on the Northwest Coast include her notes on clans and tribes in Series VI: Subject Files and her notes on Tlingit vocabulary and Yakutat names specimens in Series X: Card Files. Drafts and notes for Voyage to Greenland, Travels Among the Dena, and The Tlingit Indians can be found in the collection as well as her drawings for her dissertation and materials related to her work for the Handbook of North American Indians and other publications. There is little material related to Under Mount Saint Elias except for correspondence, photocopies and negatives of plates, and grant applications for the monograph. Of special interest among de Laguna's writings is a photocopy of her historical fiction novel, The Thousand March. Other materials of special interest are copies of her talks, including her AAA presidential address, and the dissertation of Regna Darnell, a former student of de Laguna's. In addition, materials on the history of anthropology are in the collection, most of which can found with her teaching materials. Although the bulk of the collection documents de Laguna's professional years, the collection also contains newspaper articles and letters regarding her exceptional performance as a student at Bryn Mawr College and her undergraduate and graduate report cards. Only a few photographs of de Laguna can be found in the collection along with photographs of her 1929 and 1979 trips to Greenland.
Frank Driggs Collection of Duke Ellington Photographic Reference Prints [copy prints]
Smithsonian Institution. Office of Printing and Photographic Services
Collection consists of 157 8" x 10" black-and-white photographic copy prints of photographs in Frank Driggs's collection: Duke Ellington and his orchestra. Some copy prints have Smithsonian negative numbers.
This record unit consists primarily of records created by Kellogg during his tenure as Director of the United States National Museum, 1948-1962. Also included are files kept by Kellogg in his capacity as Assistant Secretary of the Smithsonian Institution, 1958-1962, and Research Associate in Vertebrate Zoology, 1962-1968. Records prior to 1948 were created by …
Smithsonian Folklife Festival records: 1975 Festival of American Folklife
1 Cubic foot (approximate)
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
The SI-PCEP records fall into two main areas: Those about the program in general and those about the various environmental projects. The administrative records provide a broad understanding of the scope of SI-PCEP, especially as revealed through the contract files. These administrative records document the creation and continued efforts to …