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- Creators:
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Yamasaki, Minoru, 1912-
- Dates:
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1959 Aug. 13
- Size:
-
3 Sound tapes (Sound recording, 7 in.)
10 Pages (Transcript)
- Collection ID:
- AAA.yamamino
- Repository:
-
Archives of American Art
A lecture delivered by Minoru Yamasaki at the Detroit Institute of Arts, Detroit, Mich. Franklin Page introduces Yamasaki.
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- Creators:
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Hanamura, Robert
Miro, Marsha
- Dates:
-
circa 1977
- Size:
-
2 Sound tape reels (Sound recording, 5 in.)
29 Pages (Transcript)
- Collection ID:
- AAA.hanamu77
- Repository:
-
Archives of American Art
An interview of Robert Hanamura conducted circa 1977, by Marsha Miro, for the Archives of American Art.
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- Creators:
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Lin, Maya Ying
Brown, Robert F.
- Dates:
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1983 March 6
- Size:
-
42 Pages (Transcript)
- Collection ID:
- AAA.lin83
- Repository:
-
Archives of American Art
An interview of Maya Ying Lin conducted 1983 Mar. 6, by Robert Brown, for the Archives of American Art. Lin speaks of a funerary architecture seminar she took at Yale University; entering her design in the Vietnam Veterans Memorial Fund's competition; attempts to add a figured sculpture and a flagpole to her design, and her resistance to this effor...
Found In
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- Creators:
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Yamasaki, Minoru, 1912-
Harriman, Virginia
- Dates:
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[ca. 1959 Aug.]
- Size:
-
2 Items (Sound recording, duplicate: 2 compact discs, 4 3/4 in.)
1 Sound tape reel (Sound recording, master, 7 in.)
33 Pages (Transcript)
- Collection ID:
- AAA.yamamino2
- Repository:
-
Archives of American Art
An interview with Minoru Yamasaki conducted by Virginia Harriman.
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- Creators:
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Takeuchi, Beatrice, 1921-
- Dates:
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undated
1998
- Size:
-
54 Pages
- Collection ID:
- AAA.takebeat
- Repository:
-
Archives of American Art
Beatrice Takeuchi memoir, 1998. Takeuchi begins with her recollections of the bombing of Pearl Harbor and her stay in a War Relocation camp and describes in detail her impressions of the faculty, staff, and students at School of Design in Chicago. Most notable recollections involve instructors Lazlo Moholy-Nagy, Jack Waldheim, George Fred Keck, Hub...
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- Creators:
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Nakashima, George, 1905-1990
- Dates:
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1950-1991
- Size:
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1 Linear foot
- Collection ID:
- AAA.nakageor
- Repository:
-
Archives of American Art
The papers of architect, craftsman, woodworker, and furniture designer George Nakashima measure 1.0 linear foot and date from 1950 to 1991. The collection is comprised of biographical material, correspondence, writings, subject files, and printed material that mostly relate to Nakashima's work in furniture design.
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- Creators:
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Schmidt, Lynn, 1949-
- Dates:
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1980-1990
- Size:
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0.9 Linear feet
- Collection ID:
- AAA.schmlynn
- Repository:
-
Archives of American Art
The Lynn Schmidt interviews with Isamu Noguchi and Tom Nakashima measure 0.9 linear feet and date from 1980 to 1990. The collection consists of recorded interviews with Isamu Noguchi that were conducted 9 July and 5 August 1980 in his studio (now the Noguchi Museum), in Long Island City, N.Y.; as well as interviews with Tom Nakashima, conducted 31 July 1989 to 10 March 1990.
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- Creators:
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Asawa, Ruth
Johnson, Mark
Lanier, Albert
Karlstrom, Paul J.
More … - Dates:
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2002 June 21-July 5
- Size:
-
34 Pages (Transcript)
- Collection ID:
- AAA.asawa02
- Repository:
-
Archives of American Art
An interview of Ruth Asawa and her husband, Albert Lanier, 2002 June 21-July 5, conducted by Mark Johnson on June 21 and Paul Karlstrom on July 5, for the Archives of American Art, in the subjects' home/studio in San Francisco, California.
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- Creators:
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Fletcher, Robert M., d. 1995
- Dates:
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circa 1979-1995
- Size:
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0.25 Cubic feet (268 35mm slides., color, 35mm)
- Collection ID:
- AAG.FLE
- Repository:
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Archives of American Gardens
The Robert M. Fletcher Collection contains 268 35mm color slides documenting Southern California gardens designed by landscape architect Robert M. Fletcher.
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- Dates:
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1919-1986
- Size:
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23 cu. ft. (23 record storage boxes)
- Collection ID:
- Accession 03-018
- Repository:
-
Smithsonian Institution Archives
The Freer Gallery of Art Central Files are comprised mostly of the documentation of routine office procedures. Included in the daily routine were: filling orders for facsimiles of photographs, responding to reference requests seeking information about art and artifacts falling under the domain of the Freer's expertise, the Freer granting ...