Query: At First Sight: Photography and the Smithsonian (Monograph) 2003
Departmental Records
Creators:
Smithsonian Photography Initiative
Dates:
1995-2008
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 13-222
Repository:
Smithsonian Institution Archives

This accession consists of records that document the administration and activities of the Smithsonian Photography Initiative (SPI). Records cover the creation of SPI and its history, funding, and creative projects. Materials include correspondence, meeting notes, reports, funding and project proposals, exhibition materials, budgets, brochures, and news clippings. Some materials predate …

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in Accession 13-222 for At First Sight: Photography and the Smithsonian (Monograph) 2003
Departmental Records
Dates:
2001-2008
Size:
2.5 cu. ft. (2 record storage boxes) (1 document box)
Collection ID:
Accession 15-159
Repository:
Smithsonian Institution Archives

This accession consists of materials compiled by the Smithsonian Photography Initiative (SPI). SPI was established in 2001 to develop a model for making Smithsonian Institution (SI) photographs more accessible and visible to the public. It collected images from SI museums and other units for use on its websites. In addition, these …

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in Accession 15-159 for At First Sight: Photography and the Smithsonian (Monograph) 2003
Publications
Dates:
1924, 1964-2016
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 16-379
Repository:
Smithsonian Institution Archives

This accession consists of a reference set of publications from the Smithsonian Institution Scholarly Press, plus older publications issued by Smithsonian Institution Press and Smithsonian Books. Materials include books and serial publications.

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in Accession 16-379 for At First Sight: Photography and the Smithsonian (Monograph) 2003
Thomas Warren Sears photograph collection
Creators:
Sears, Thomas Warren, 1880-1966
Sears & Wendell
Olmsted Brothers
Harvard University
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Dates:
1899-1964
Size:
44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs. )
Collection ID:
AAG.SRS
Repository:
Archives of American Gardens

The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.

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in AAG.SRS for At First Sight: Photography and the Smithsonian (Monograph) 2003
Western Union Telegraph Company Records
Creators:
United Telegraph Workers.
Western Union Telegraph Company
Dates:
circa 1820-1995
Size:
452 Cubic feet (871 boxes and 23 map folders)
Collection ID:
NMAH.AC.0205
Repository:
Archives Center, National Museum of American History

The collection documents in photographs, scrapbooks, notebooks, correspondence, stock ledgers, annual reports, and financial records, the evolution of the telegraph, the development of the Western Union Telegraph Company, and the beginning of the communications revolution. The collection materials describe both the history of the company and of the telegraph industry in general, particularly its importance to the development of the technology in the nineteenth and twentieth centuries. The collection is useful for researchers interested in the development of technology, economic history, and the impact of technology on American social and cultural life.

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in NMAH.AC.0205 for At First Sight: Photography and the Smithsonian (Monograph) 2003
Patricia Hills papers
Creators:
Hills, Patricia
Dates:
circa 1900-2015
bulk 1968-2009
Size:
39.1 Linear feet
0.113 Gigabytes
Collection ID:
AAA.hillspat
Repository:
Archives of American Art

The papers of art historian, curator, and educator Patricia Hills measure 39.1 linear feet and 0.113 GB and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some of this material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

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in AAA.hillspat for At First Sight: Photography and the Smithsonian (Monograph) 2003
Lucy R. Lippard papers
Creators:
Lippard, Lucy R.
Dates:
1930s-2010
bulk 1960-1990
Size:
70.5 Linear feet
0.454 Gigabytes
Collection ID:
AAA.lipplucy
Repository:
Archives of American Art

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico. There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.

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in AAA.lipplucy for At First Sight: Photography and the Smithsonian (Monograph) 2003
Moses and Frances Asch Collection
Creators:
Asch, Moses
Distler, Marian, 1919-1964
Folkways Records
Dates:
1926-1986
bulk 1948-1986
Size:
841 Cubic feet
Collection ID:
CFCH.ASCH
Repository:
Ralph Rinzler Folklife Archives and Collections

This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.

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in CFCH.ASCH for At First Sight: Photography and the Smithsonian (Monograph) 2003
Krafft Arnold Ehricke Papers
Creators:
Ehricke, Krafft, 1917-1984
Dates:
1949-1984
Size:
124.9 Cubic feet
Collection ID:
NASM.2003.0025
Repository:
National Air and Space Museum Archives

This collection is composed of Krafft Ehricke's files including Ehricke's published and unpublished papers as well as papers and works by others that Ehricke gathered, presumably as reference material.

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in NASM.2003.0025 for At First Sight: Photography and the Smithsonian (Monograph) 2003
The Garden Club of America collection
Creators:
Garden Club of America
Dates:
circa 1920-present
Size:
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Collection ID:
AAG.GCA
Repository:
Archives of American Gardens

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

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in AAG.GCA for At First Sight: Photography and the Smithsonian (Monograph) 2003