These papers document the professional career and to a lesser extent the personal life of Paul D. Hurd, Jr., between 1938 and 1982. Particularly well represented in the papers is material concerning his research on the insect order Hymenoptera; his teaching and research career at the University of California, Berkeley; his administrative ...

The papers of San Francisco painter and arts instructor Elmer Bischoff measure 4.4 linear feet and date from 1914 to 1990, with the bulk of the material dating from the late 1950s to the mid-1980s. Found within the papers are biographical materials, scattered correspondence, notes and notebooks, teaching and student files, printed materials, artwork and two sketchbooks, and photographs and negatives of Bischoff, his family, post World War II Europe, and artwork studies.

The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and nine scrapbooks.

The papers of art historian and World War II Monuments Man Walter W. Horn measure 2.7 linear feet and date from 1908 to 1992, with the bulk of material dating from 1943 to 1950. Walter Horn taught art history at the University of California, Berkeley from 1938 to his retirement in 1974. During World War II, Horn served as Head of the U. S. Army Intelligence Unit of the Monuments, Fine Arts, and Archives Section (MFAA.) The papers contain biographical materials; professional correspondence; records documenting his service in the MFAA; administrative files relating to his work at the University of California, Berkeley; and scattered photographs.

Ethel M. Albert was an ethnologist whose research focused on communication and speech, and values and ethics. She pursued these themes cross-culturally across a wide spectrum of social classes, ethnic groups and locations. She received a PhD in philosophy from the University of Wisconsin in 1949 and taught a several institutions of higher learning before becoming a faculty member of Northwestern University in 1966. The Ethel Mary Albert papers consist of writings, photographs and sound recordings produced during the course of Albert's ethnological studies as Ford Fellow in Burundi in the late 1950s; field research among the Navaho; and materials related to a later cross cultural study of fatalism.

Papers kept by Jane Richardson Hanks relating to the friendship between her mother, Maud Wilkinson Richardson and the painter William Keith, measures 0.02 linear feet and consists of six items and date 1898 to 1905. Included is documentation on a painting Kilmeny that Keith gave to Wilkinson as a wedding gift upon her marriage to Leon J. Richardson in 1900. The painting, as well as Keith's nickname of "Kilmeny" for Maud were inspired by Maud's and Keith's admiration for the poem "Kilmeny" by Scottish author James Hogg written in 1813.

The Homer Garner Barnett papers, 1934-1973, consist of papers, photographs, slides, maps, and periodicals primarily documenting his ethnological work among American Indians, Palauans, and the people of Netherlands New Guinea (Irian Jaya).

The papers of Southern California painter and instructor Hassel Smith measure 4 linear feet and date from circa 1900 to 2004 with the bulk of the materials dating from 1930-1995. Found within the papers are correspondence, a transcript of an interview conducted by Jan Butterfield in the 1980s, personal business files, teaching files, writings by Smith and others, sketches, printed materials, and photographs of Smith, his family and friends, and his artwork. There are audio recordings of a lecture series organized by Smith and of reviews of Smith's work. Correspondents include Paule Anglim, Elmer Bischoff, Andre Emmerich, Clyfford Still, Wayne Thiebaud, and many others.

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.4 linear feet and date from 1876 to 1990 (bulk 1938-1989). The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.