Oral history interview with Robert Vázquez-Pacheco
Kerr, Theodore
131 Pages (Transcript)
An interview with Robert Vázquez-Pacheco conducted 2017 December 16 and 17, by Theodore Kerr, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at The New School, in New York, New York.
George W. Byers Photograph Collection
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
Smithsonian Jazz Oral History Program Collection
Ella Fitzgerald Charitable Foundation
America's Jazz Heritage
Smithsonian Institution. Traveling Exhibition Service
More …
Audiotapes, CDs and digital files: an ongoing project to interview and preserve the memories of people important in the jazz world, including jazz musicians, singers, dancers, producers, arrangers, and others. A list of interviewees and interviewers follows. The following is a list of the individuals who conducted the interviews. 1. Brown …
Correspondence
These records consist primarily of incoming and outgoing correspondence of the professional staff of the Division of Reptiles and Amphibians. Included is correspondence concerning taxonomic questions, the identification and acquisition of specimens, field work and expeditions, and divisional administration. Most of the correspondence dates from 1969, and is executed by George …
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More …
The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.
Division of Ethnology photograph collection 1
Consists of photographs collected by the United States National Museum (USNM) Division of Ethnology and later by the Smithsonian Office of Anthropology (SOA). Coverage is worldwide outside North America. Most of the items are photographic prints, some in albums. There are also negatives, photomechanical prints, artwork, and newsclippings. For the …
Smithsonian Folklife Festival records: 1978 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Smithsonian Folklife Festival records: 1982 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Perls Galleries records
The records of the Perls Galleries measure 79.6 linear feet and date from 1937 to 1997. Founded by Klaus Perls in 1937 and operating until 1997, the gallery dealt primarily in modern French art and the artwork of Alexander Calder. Found within the records are extensive correspondence (circa 44 linear feet) with artists, dealers, galleries, museums, and collectors; photographs and negatives of inventory and other artwork; exhibition files, scattered financial records; and exhibition catalogs and clippings.
Smithsonian Folklife Festival records: 1971 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
