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- Creators:
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Gardner, Isabella Stewart, 1840-1924
- Dates:
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1760-1956
- Size:
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40 Microfilm reels
- Collection ID:
- AAA.gardisab
- Repository:
-
Archives of American Art
Letters, business records, diary, and photographs.
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- Creators:
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Smith, C. Earle (Claude Earle), 1922-1987
- Dates:
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1942-1998
bulk 1960-1987
- Size:
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7.72 Linear feet (20 document boxes and 1 restricted box)
- Collection ID:
- NAA.2006-24
- Repository:
-
National Anthropological Archives
C. Earle Smith Jr. (1922-1987) was one of the founders of the modern field of paleobotany. This collection documents his research and professional activities through correspondence, research notes, data, manuscripts, publications, and photographs. Represented in the collection is his fieldwork in Mexico, Peru, Venezuela, and Costa Rica.
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- Creators:
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United Shoe Machinery Corporation
- Dates:
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1898 - 1987
- Size:
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145 Cubic feet (296 boxes)
- Collection ID:
- NMAH.AC.0277
- Repository:
-
Archives Center, National Museum of American History
The collection documents the activities of the United Shoe Machinery Corporation of Beverly, Massachusetts, manufacturers of shoe machinery equipment. The collection consists of engineering records, legal records, research and development records, employee/personnel records, correspondence, company catalogs, product literature, advertising materials, photographs, and moving images.
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- Creators:
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Garrison, Vivian, 1933-2013
- Dates:
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circa 1930-2009
bulk 1960-1993
- Size:
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108.29 Linear feet
- Collection ID:
- NAA.2017-19
- Repository:
-
National Anthropological Archives
Vivian E. Garrison was an applied medical anthropologist who researched the cultural understandings and community treatment structures surrounding mental illness and mental health care among low-income, minority, and migrant communities of the New York metropolitan area. The Vivian E. Garrison papers document this research and consist of clinical and case files; research policies and protocols; presentations and workshops notes; manuscripts and drafts; publications and working papers; correspondence; grant applications; administrative files; sound recordings and films; annotated scholarly literature; and personal biographical material.
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- Creators:
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National Museum of Natural History. Division of Mollusks
- Dates:
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1851-1982 and undated
- Size:
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58.76 cu. ft. (39 record storage boxes) (9 document boxes) (26 tall document boxes) (9 microfilm reels)
- Collection ID:
- Record Unit 73
- Repository:
-
Smithsonian Institution Archives
The Archives would like to thank the staff of the Division of Mollusks for their cooperation in transferring the records to the Archives. We especially appreciate the help of Clyde Roper, Richard Houbrick, and Michael Sweeney.
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- Creators:
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Hirshhorn Museum and Sculpture Garden. Office of the Director
- Dates:
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1974-1984,with related records from 1954
- Size:
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24.43 cu. ft. (24 record storage boxes) (1 12x17 box)
- Collection ID:
- Record Unit 510
- Repository:
-
Smithsonian Institution Archives
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
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- Creators:
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Archives of American Art
- Dates:
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1950-2003
- Size:
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55.43 cu. ft. (54 record storage boxes) (1 12x17 box) (1 oversize folder)
- Collection ID:
- Accession 06-089
- Repository:
-
Smithsonian Institution Archives
This accession consists of records which document administrative issues, projects, and special events at the Archives of American Art and regional offices. Materials include correspondence, memoranda, and notes pertaining to grants, loans, fundraising, membership, contributions, policies and goals, marketing, public relations, educational ...
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- Creators:
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Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture
- Dates:
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1963-1991
- Size:
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35 cu. ft. (35 record storage boxes) (1 oversize folder)
- Collection ID:
- Record Unit 469
- Repository:
-
Smithsonian Institution Archives
These records consist of professional correspondence and administrative and research files of a number of curators from the Department of Painting and Sculpture. Included are correspondence and memoranda with HMSG staff, artists, galleries, and other museums; loan agreements, checklists, scripts, and installation plans for HMSG exhibitions; ...
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- Creators:
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Koehler, S. R. (Sylvester Rosa), 1837-1900
- Dates:
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1833-1904
bulk 1870-1890
- Size:
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5.4 Linear feet
- Collection ID:
- AAA.koehsylv
- Repository:
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Archives of American Art
The Sylvester Rosa Koehler papers measure 5.4 linear feet and date from 1833 to 1904, with the bulk of the material dating from 1870 to 1890. The collection consists primarily of Koehler's extensive correspondence to and from many notable artists and printmakers such as Jean F. Harfin, John M. Falconer, Frederick Juengling, and James D. Smillie, as well as friends, and family members and professional correspondence concerning Koehler's activities as a writer, curator, and editor of the American Art Review. The collection also contains financial records and other miscellaneous items.
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- Creators:
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Adams, Molly, 1918-2003
- Dates:
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circa 1960-1994
- Size:
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0 Photographic prints (color, 4 x 6 inches)
0 Photographic prints (black and white, 3 1/2 x 5 inches)
0 Photographic prints (black and white, 8 x 10 inches)
0 Contact sheets (black and white)
35mm slides (photographs) (color, 2 x 2 inches)
0 Negatives (35mm negatives, color)
0 Negatives (black & white, 4 x 5 inches)
0 Negatives (120mm negatives, black and white, 2 x 2 inches)
0 Film transparency (color, 4 x 5 inches)
0 Transparencies (120mm transparencies, color, 2 x 2 inches)
- Collection ID:
- AAG.ADM
- Repository:
-
Archives of American Gardens
The Maida Babson Adams American Garden Collection documents the work of Molly Adams, a free-lance garden photographer who photographed hundreds of private and public gardens, many of them in the mid-Atlantic region, from the late 1950s through the mid-1990s. It includes slides, photographic prints, negatives and transparencies. A significant number of images document the work of landscape designers Nelva M. Weber, Alice Recknagel Ireys, and Friede Stege. Roughly 50 gardens do not have an identified location. Some images have captions and other information written on them.