Correspondence including 19 letters between Benjamin Strong and Gari Melchers about a 1925 portrait painting of Strong by Melchers. They write about schedules and fees. The painting is owned by the National Portrait Gallery, Smithsonian Institution.

The Parish-Hadley Collection documents the history of the New York City design firm from 1962-1994.Particular emphasis is on Sister Parish (Mrs. Henry Parish II) and Albert Hadley. Magazine clippings from various publications make up the majority of the collection as well as gossip column excerpts about Parish-Hadley or infamous clients. The slides date mostly from the 1980s-1990s and depict some but not all Parish-Hadley projects.

In 1962, Carl Ally, a rising star in the advertising business, established his own firm, Carl Ally, Inc., with colleague Amil Gargano as art director. In 1976 they changed the business name to Ally and Gargano, Inc. Known for its aggressive advertising style, Ally and Gargano represented approximately ninety clients, fifty-two of which are represented here, including Hertz, Federal Express, and IBM.

Financial material including: bills and receipts; invoices for Weaver's works of art; checks and bank statements; tax returns; and miscellany.

Account, cash, and check books; deposit slips, bank statements, cancelled checks, sales slips, price lists, invoices, and receipts; files on taxes, purchase agreements, and insurance; correspondence; artists' files; photos of the gallery and works of art; catalogs and clippings; and miscellany.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Banking and Banks forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Letters from artists, galleries, organizations and family members; photographs of Shoulberg as a child, as an adult, of family members, and of his paintings; banking records and receipts; awards; a photocopy of a scrapbook, 1941-1976; membership cards; press releases; exhibition catalogs; and miscellaneous printed material.

Material relating to first and second editions of, DOCUMENTARY HERSTORY OF WOMEN ARTISTS IN REVOLUTION, a compilation of correspondence, publicity, manifestos and other material documenting the history of W.A.R., a women's caucus of the Art Worker's Coalition; an address by Jacqueline Skiles, " The Women Artists Movement." presented August 28, 1972...

Joint federal income tax returns, 1951, 1953, and 1954, cancelled checks, cash receipts, bills, and bank statements.

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.